‘The Equalizer 2’ is More of the Same, and That’s Just Fine With Me
It’s amazing how Denzel Washington has gone through his career without ever having made a sequel. Then again, do many of his films cry out for one? “Glory” and “Training Day,” didn’t leave much room for follow-ups as the characters he played met a very violent end. Last I checked, William Shakespeare never penned a sequel to “Much Ado About Nothing.” “The Pelican Brief,” “Philadelphia,” “Courage Under Fire” and “Crimson Tide” tell self-contained stories which are perfectly resolved at their conclusions. “Unstoppable” came to a full stop at the end to where a continuation would have insultingly involved another runaway train. As for “Remember the Titans,” we still remember them 18 years later, so there’s no need for a sequel to remind us of what we never forgot about in the first place. And regardless of what its title may imply, “Malcolm X” is not a sequel to anything.
But with “The Equalizer’s” Robert McCall, Washington has found a character whose story can last beyond one movie, and this was made clear in the final scene where he replied to someone’s plea for help over the internet. Now we have “The Equalizer 2” which reteams Washington with director Antoine Fuqua for another round of brutal retribution against those foolish enough to cross McCall’s path. While not much is different this time out, this sequel still proves to be as entertaining and thrilling as its predecessor.
We catch up with McCall who still resides in Boston, Massachusetts but now works as a driver for Lyft. This particular job allows McCall to befriend people like Sam Rubinstein (Orson Bean), a Holocaust survivor who is still trying to come to grips with what he has lost. Rubinstein also gives McCall an invaluable piece of advice which rings ever so true:
“Be nice to anyone who has access to your toothbrush.”
Among McCall’s victims this time around are a group of men who have kidnapped a little girl, and a bunch of young men afflicted with white privilege that have taken advantage of a female intern. Once again, these characters think they have McCall figured out and consider him as someone way past his prime, but we all know he is going to leave them in a world of pain because that’s why we paid money to see this sequel. The question is, will he take them out in 15 seconds or 29? Either way, McCall has found a very effective method to obtain a five-star rating from a Lyft passenger. Whether he gets a tip on top of that remains to be seen.
Things, however, get very personal for McCall when he learns his dear friend Susan Plummer (Melissa Leo) has been murdered while on assignment in Brussels, Belgium. The attack on Susan is especially brutal, but it’s nice to see her get a few punches in. With “The Equalizer 2,” Leo gets to remind us how she once portrayed one of television’s most unforgettable female police detectives, Sgt. Kay Howard, on “Homicide: Life on the Street” as she inflicts painful scars on her attackers. While at the press screening I wanted to yell out “Kay Howard lives!” But knowing from the trailers how Susan was going to meet a tragic end left me with anxiety and some despair as her fate was clearly sealed.
As you can expect, McCall goes on a mission of revenge which leads him to meet up and work with a former partner of his from the CIA, Dave York (Pedro Pascal). What he discovers is a complex web of corruption in which loose ends are being tied up to where the perpetrators are higher up the government ladder than he realized. Watching certain characters get eliminated in ways they do not see coming reminded me of what Captain James T. Kirk said in “Star Trek VI: The Undiscovered Country:”
“First rule of assassination, kill the assassins.”
Denzel is simply the best, and he return to the role of Robert McCall as if he just made the original film yesterday. Is it even possible for this Oscar-winning actor to disappoint us? Well, anything is possible, but seeing him in the scene where he takes young Miles (Ashton Sanders), an aspiring artist, aside and gives him a strong lecture about the dangers of gang life reminds us why he is one of the best actors working. We have seen this scene of an older man telling a young one not to join a gang many, many times before, but Denzel brings a raw emotional power to this one which makes it feel as visceral as when Laurence Fishburne demanded Cuba Gooding Jr. give him back his gun in “Boyz n the Hood.”
Ashton Sanders proves to be a strong addition to “The Equalizer” franchise as he portrays Miles as someone clearly caught between two worlds and unsure how to navigate either of them. We learn his brother was senselessly murdered, and he looks to be on the hustle when it comes to painting buildings and apartments, something McCall sees right through. Ashton also figures in one of this movie’s most suspenseful scenes when Miles is trapped in McCall’s apartment as a couple of assassins break in. Fuqua wrings all the suspense out of this scene to excellent effect, and it left me pinned to my seat as I began to feel as unsafe as Miles did.
Fuqua has since proven to be a top-notch action film director as he takes average set pieces in formulaic motion pictures and gives them a jolt of energy and tension. Right from the opening sequence on a train in Istanbul, Fuqua shows once again how he and Denzel mean business, and he gives us a number of thrilling moments throughout like when McCall fights a knife-wielding Lyft passenger while trying to avoid oncoming traffic, or when he faces off against a trio of bad guys whom he promises to terminate with extreme prejudice.
“The Equalizer 2” culminates in an action set piece much like the one in the first film as McCall leads his pursuers into territory he is far more familiar with than they are. Last time it was in a hardware store, and this time it’s at seaside town which is getting battered by severe winds and heavy rainfall. But whereas those Russian gangsters were too late to discover how out of their league they were, McCall now finds himself hunted by those with the same military training. As a result, the odds are even and this makes the sequel’s climax especially thrilling.
Also returning for this sequel is screenwriter Richard Wenk who infuses scenes with subversive jabs I could not ignore. When one military character talks about how he was essentially cut off by the government to where he was forced to do things he never would have done otherwise, I was reminded of how politicians kept telling us to support our troops during wartime and then would later cut their veteran benefits. Wenk is certainly not out to bash us over the head with any political statements, but it is little moments like those which provoke my consciousness to a strong extent.
And Wenk once again has McCall reading a number of classic books among which, quite appropriately, is Ralph Ellison’s “Invisible Man.”
Like I said, “The Equalizer 2” is basically more of the same, but I was fine with that as Washington and Fuqua are simply out to give us an action-packed thriller, and they have succeeded once again. If there is to be a third “Equalizer” movie with these two on board, I would certainly welcome it.
Looking back, it’s almost a shame they didn’t make McCall an Uber driver. Just imagine how he would have reacted to his earnings statement as Uber is known for taking a ridiculously high percentage from their drivers. This could have resulted in a terrific climax in which McCall visits the company’s corporate headquarters and tells the CEO, “I understand you pay more attention to your profit motive than to the safety of your drivers.” If there is anyone who could punish Uber for this and make them update their policies for the drivers’ benefit, it would definitely be McCall!