‘Jackass 3D’ – The Hilariously Insane Stunts Take On Another Dimension

WRITER’S NOTE: This review was written back in 2010 when this film premiered.

I saw “Jackass 3D” on the same day I saw “Paranormal Activity 2.” Believe it or not, these two films have a lot in common. Sure, one is a comedy (and an extraordinarily painful one at that) while the other fits far more comfortably into the horror genre. Still, the differences are only skin deep. Both have you going in and knowing that what you are about to watch will be unsettling and far more disturbing than you can ever guess. You keep waiting for something awful to happen, and you are never sure if you can keep looking at the screen when it does. Long after leaving the theater, I still can’t figure out which one had a more visceral or unsettling impact on me.

“Jackass 3D” arrives at the tenth anniversary of this show which debuted on MTV back in 2000. After watching the stunts performed here and then re-watching them in slow motion, it’s astonishing these guys have survived for as long as they have. I have watched several episodes of the show and remember laughing so damn hard at the insane stunts these guys dared to pull off. For some bizarre reason, however, I have still not got around to watching the first two “Jackass” movies perhaps because I listened a little too much to the warnings of friends, one who told me point blank they contained scenes which no man should ever have to witness. But with the latest one being in 3D, I got sick of listening to my friends warning me and to me listening to them to begin with.

Just about everyone is back for this one: Johnny Knoxville, Bam Margera, Steve-O, Ryan Dunn, Chris Pontius, Ehren McGhehey, Preston Lacy, Dave England, and Jason “Wee Man” Acuña. All are here to prove that, after all these years, their sadomasochistic escapades are still as painful as much as they are fun. It makes me wonder how these guys spend their time when they are not on camera. At least they have a sense of humor about their work.

Basically, “Jackass 3D” is just like the show in that there’s no plot, just randomly placed stunts, some of which are beyond belief. I kept wondering, perhaps even hoping, CGI effects were utilized because man, these stunts looked seriously painful! There’s the High Five which has Knoxville body slamming unsuspecting cast and crew members with a giant plaster hand which gets released at quite a high velocity. Then you have the game of tetherball where the ball is filled with Africanized bees, and nobody lasts long in such a game. We also get to watch Knoxville trying to catch a football and eventually getting slammed to the Astroturf by football player Jared Allen who has at least 20 pounds on Knoxville. And then there are those stunts that need no explanation like the Lamborghini Tooth Pull. Seriously, the title says it all.

With its use of slow motion, this film is a hair-raising reminder of just how exquisitely painful those instant replays from football games can be. Does anyone remember when Tim Krumrie got one of his legs snapped in half during the Super Bowl between the Cincinnati Bengals and the San Francisco 49ers? Watching some of these guys landing on what looks like their necks inadvertently brought this painful memory to my attention quickly even after so many years.

But then there is the Sweatsuit Cocktail and the Poo Cocktail Supreme. Now these really need no explanation, but since I brought them up, I have to tell you the Sweatsuit Cocktail almost literally made me hurl. It involved one of the actors exercising on one of those stationary bikes, and the sweat coming off his body was collected in one of those plastic Dixie cups. Guess what Steve-O did with that cup… Man am I glad I didn’t eat lunch before seeing this!

So, what is different about this particular “Jackass” episode? I guess it’s that everyone is sober this time around. This was done to the benefit of Steve-O who went through some highly publicized substance abuse issues in recent years. When they started making “Jackass 3D,” he had been clean for two years. But seriously, if you were foolish enough to perform any stunts (and please don’t by the way), wouldn’t you want to be the least bit inebriated?

Not to worry though because those warnings of how these stunts are performed by professionals and that you should never attempt them on your own are on display at the beginning and the end of this film. But really, why would you even think of doing any of them? I’m not just talking about the Sweatsuit Cocktail, which I am fairly confident you will not tip the bartender for. Isn’t the whole point of the “Jackass” show and movies is to enjoy watching people do things you know you are never supposed to do? Is there another show you can think of where people like Knoxville get off on such exquisite pain and still have a good laugh about it?

For me, “Jackass 3D” is a mixed bag as there are a lot of insane moments you can’t help but combust in sheer laughter over, and then there are others where you have an immense urge to look away. But laughter does seem to win out for those willing to endure the more painful moments on display here, and there are more of them than you might expect. Movies that make me laugh as hard as this one did can never be easily dismissed.

Actually, the main difference about this particular “Jackass” is the fact it was shot in 3D. This ends up giving the stunts more dimensions than anyone in the cast. Now pay attention: it was not reformatted into 3D; it was actually shot in this format. The effects here are actually very good in putting you right into the action, perhaps closer than you would ever be humanly comfortable. It’s not full of cheap 3D effects where things are just hurled at you on the big screen just because they can be. That is, except for the dildo shot out of a cannon and made to look like it is flying around the world until it smashes into some guy’s head.

I also got to tell you, male full-frontal nudity continues to make a comeback long after Jason Segel unveiled in his throbbing python of love in “Forgetting Sarah Marshall.” It’s not the first thing you would think of to hit a baseball with, but hey, this is “Jackass” for crying out loud! All the same, I probably shouldn’t go into too much detail over the Helicockter as it is as painful as it sounds. Then again, I would prefer it to the model town getting covered by a sudden explosion of excrement.

So anyway, you have been warned. “Jackass 3D” is by no means meant to be watched on a full stomach unless you wanna take bets over who’s going to purge first after your collective visit to the Cheesecake Factory. This one had me laughing like crazy, and I was on the edge of my seat every bit as much when I was watching “Paranormal Activity 2.” Perhaps it was even more terrifying than “Paranormal Activity 2,” but with “Jackass 3D,” no detail is spared and nothing is left to the imagination (not completely anyway).

Once again, you have been warned…

* * * out of * * * *

Michael Clarke Duncan on Playing Kingpin in ‘Daredevil’

WRITER’S NOTE: The following article was written in 2012 and refers to the “Daredevil” movie, not the Netflix television show.

While he’s best remembered for playing John Coffey in “The Green Mile,” the late Michael Clarke Duncan gave us many memorable roles throughout his career. One of them was as crime lord Wilson Fisk (a.k.a. Kingpin) in the 2003 superhero movie “Daredevil.” This role proved to be a major physical challenge for Duncan as it made him see how loyal comic book fans are, and it also changed how he took care of his body after his time on set ended.

Kingpin is an overweight corporate head who is also the sole person running organized crime, and he is incredibly strong despite having no superhuman powers. When cast as Kingpin, Duncan weighed 290 pounds and was asked to gain 40 pounds in order to better fit the physique of this villainous character. To accomplish this, Duncan ended up lifting weights for 30 minutes a day, power-lifted with one or two reps a day and, as Robert De Niro did when he prepared to play Jake LaMotta in “Raging Bull,” ate whatever he wanted.

Duncan’s biggest concern, however, was that Kingpin was always seen as a white person, and he is black. Duncan made it clear to comic book fans everywhere how he was more than aware of the loyalty they show to these works:

“They watch movies to say, ‘Hey, that’s not like the comic book,’” said Duncan. “But I want them to get past that and just see the movie for what it is and see me for what I am-an actor.”

There were rumors for a while of a “Daredevil” sequel, and Duncan stated he was interested in reprising Kingpin but that he was not willing to regain all the weight as he was comfortable being down to 270 pounds. He did say, however, if 20th Century Fox were to offer him $20 million, he might just change his mind. Duncan even suggested Kingpin could have trained a lot during his stint in jail which would allow him to become faster in combat against Daredevil, and this would allow the filmmakers to fit his weight loss into the story.

In 2009, Duncan became a vegetarian and boasted of his “increased strength” and how he was “a lot stronger” than he was when he ate meat. It’s a shame he is no longer with us as his performance as Kingpin was one of the highlights in “Daredevil,” a movie which proved to be one of the lesser comic book cinematic adaptations in the past few years. Whatever his size, he would still have been perfect as the feared and powerful crime lord.

SOURCES:

“Daredevil” film Wikipedia page

Ryan J. Downey, “Ben Affleck Dares to Dream ‘Daredevil’,” MTV.com

Michael Clarke Duncan Wikipedia page

‘Green Mile’ star joins veggie campaign,” KSNB.com, May 12, 2012.

Karl Urban on Playing Judge Dredd in ‘Dredd’

WRITER’S NOTE: This article was written back in 2012.

With “Dredd” now out in theaters, people can now see what fans and critics are so excited about. Distancing itself from the 1995 misfire “Judge Dredd” which starred Sylvester Stallone, this film hews more closely to the character’s comic book origins and aims to be more serious than campy. But what everyone should be especially excited about is that the filmmakers chose the right actor to play the famous Judge, Karl Urban. Having made such memorable appearances in “The Lord of the Rings” trilogy, “The Bourne Supremacy” and giving a pitch-perfect performance as Dr. McCoy in “Star Trek,” Urban looks to be the only actor to give this character the cinematic respect he deserves.

In an interview with Entertainment Weekly, Urban said he was first introduced to the comic books of “Judge Dredd” when he was 16 years old. Recalling a pizza parlor he worked at in Wellington, New Zealand, the manager there told him all about the character.

“It was kind of ironic at the time because most teenagers do rebel against everything to do with authority and the law and all that sort of stuff,” Urban said. “I really gravitated towards this ultra-brutal representative of the law. I just loved it. I’ve always had a passion for science fiction.”

In preparing to play Judge Dredd, Urban said he spent more than three months “lifting heavy things” in order to get the character’s physique down. When it came to wearing the costume, he wore it every day for three weeks before shooting began. Urban did this so he could get used to what the Judge wore and to learn how to move in it and discover its limitations. Of course, the biggest challenge was wearing the costume while filming in South Africa during a blazingly hot summer.

Many have asked Urban what it was like to wear the helmet Dredd is famous for wearing, and he described it as being “a bitch to wear” but that he liked in a “sado-masochistic way.” Regardless of the discomfort, Urban stayed very true to Judge Dredd’s refusal to ever take it off.

“To me, that’s (the helmet) essential,” Urban told MTV. “That’s part of his enigma. That’s part of who he is. To do something contradictory to the way the character was originally created… it was certainly a choice that was never considered by myself or anyone else on this production.”

Of course, acting with a helmet forced Urban to convey emotions without the use of his eyes. When it comes to film acting, the eyes can speak louder than words ever can, but he was forced to use other tools to show what Dredd was going through. The one tool which became especially important was the character’s voice, and Urban spoke with Matthew Jackson of the Blastr website about how he came up with it:

“The voice isn’t out of any attempt to emulate or copy anything that has come before,” said Urban. “It’s purely and simply a fact that in my research of the comic book I discovered a description of Dredd’s voice and it said that it sounded like a saw cutting though bone. The voice is my interpretation of what that is. I didn’t want to play this character as a bellowing, posturing Dredd, shouting out lines. For me, it’s far more interesting to have the character contain the rage and the violence. Without the use of my eyes, I had to figure out where that voice was going to sit to maximize the opportunity to express in any given moment.”

Many were worried it might be too soon for a cinematic reboot of Judge Dredd, but it looks like the filmmakers got the details right this time around. As for Karl Urban, getting to play this role must be a dream come true for him. Hearing him talk about his preparation is a great reminder of how much fun it is to hear actors explain their process of portraying a character, and he looks to deliver the goods as this brutal enforcer of justice.

SOURCES:

Clark Collis, “Karl Urban talks ‘Dredd 3D,'” Entertainment Weekly, September 16, 2012.

Ryan Turek, “Fantastic Fest Interview: Karl Urban on Dredd, Returning to Riddick,” Shock Till You Drop, September 20, 2012.

Kevin P. Sullivan, “Keeping ‘Dredd’ Helmet on Was ‘Essential’ For Karl Urban,” MTV.com, September 20, 2012.

Matthew Jackson, “Karl Urban explains how he came up with that gritty Dredd voice,” Blastr, September 6, 2012.

Tom Hardy on Becoming Bane in ‘The Dark Knight Rises’

Tom Hardy in The Dark Knight Rises

WRITER’S NOTE: This article was written in 2012.

With “The Dark Knight Rises,” we need to look at its actors more closely. In this chapter, all eyes are on Tom Hardy who is playing Bane, the mysterious and physically imposing revolutionary who was excommunicated from the League of Shadows but still intent on completing Ra’s al Ghul’s legacy by destroying Gotham. The question, however, is not whether Bane will be a more memorable villain than the Joker, but of how Hardy transformed himself into this brutal character and made him his own in the process. “Inception” and “This Means War” showed him as being physically average for his age, but his role as Bane has him portraying a massive tank of a human being who maims, if not outright kills, those who attempt to defy him and his ultimate plan.

Now Hardy is no stranger to transforming himself for a role as he did so for Nicolas Winding Refn’s “Bronson” in which he portrayed one of the world’s most dangerous criminals who spent almost his entire life in solitary confinement. But here, he is playing a character made famous in comic books for learning to be a brutal fighter. Bane ended up serving the life sentence meant for his father, and he became the one who defeated Batman in the worst way possible.

To prepare for the role, Hardy gained 30 pounds and learned various fighting styles to use in “The Dark Knight Rises.” The actor also described Bane as an “absolute terrorist,” and “brutal,” but also “incredibly clinical in the fact that he has a result-based and oriented fighting style. The style is heavy-handed, heavy-footed… it’s nasty. It’s not about fighting, it’s about carnage!”

Surprisingly though, when Hardy first learned about the origins of Bane, he thought he was the wrong actor to play him. It was through Nolan’s interpretation of the Batman universe, however, which convinced Hardy he could play this role effectively.

“Chris Nolan’s take on [Bane] was intrinsically lateral because he has a way of wanting and desiring to breathe a realism and a lateral thought into that which has already come through the comic book world. I think largely that’s going to upset some people, and there are some people that are going to really hang on to that. And I’m one of those people that really enjoys that actually, to be quite honest – carving a new way through something that’s already a set piece on the planet.”

As for Bane’s accent, Hardy found inspiration in Bartley Gorman who was the undefeated bare-knuckle boxing champion of the United Kingdom and Ireland. Hardy ended up describing him in more detail:

“The choice of the accent is actually a man called Bartley Gorman, who was a bare-knuckle fighter. A Romani gypsy. I wanted to underpin the Latin, but a Romani Latin opposed to Latino. His particular accent is very specific, which was a gypsy accent. So that’s why it was difficult to understand. But once you tune into it, you get it. I hope.”

Clearly a lot of thought went into preparing this role, so it should go without saying Nolan picked the right actor to portray Bane. While it is easy to say Hardy’s interpretation of this character easily bests Robert Swenson’s in “Batman & Robin,” it is also a testament to how great an actor he truly is. Whether or not his performance compares favorably to Heath Ledger’s Joker in “The Dark Knight,” his portrayal of Bane is will never be easily forgotten once you leave the movie theater.

SOURCES:

“The Dark Knight Rises” IMDB trivia page

Kevin P. Sullivan, “Dark Knight Rises Star Tom Hardy Worried He Was ‘Wrong’ For Bane,” MTV.com, July 18, 2012.

Josh Wilding, “TDKR: Tom Hardy Reveals That Bane’s Accent Is Based On ‘The King of the Gypsies,’” comicbookmovie.com, July 17, 2012.

 

Matthew Fox On His Grueling Physical Transformation for ‘Alex Cross’

Matthew Fox in Alex Cross

WRITER’S NOTE: This article was written back in 2012.

Audiences may have a hard time recognizing Matthew Fox when they see him as serial killer Picasso in Rob Cohen’s “Alex Cross.” The actor, best known for his roles on “Party of Five” and “Lost,” underwent one of the most visceral transformations any actor has gone through in a 2012 movie as he slimmed down, donned some tattoos and trained very hard to portray one of the scariest psychopaths we have seen in a movie. After watching him in “Alex Cross,” you will be ever so eager to find out how Fox pulled off such a stunning transformation.

Fox ended up losing 40 pounds to get Picasso’s toned physique down just right, and it forced him to give up eating all the things he likes to eat. This was especially hard on Fox’s mom whom he described as Italian and a fantastic cook to boot. Her favorite thing to do is feed her son great food, and unfortunately she couldn’t do so for several months when he signed up to play Picasso. According to Fox, his mom could not stand the fact he had to lose all this weight and that it really upset her. I imagine, however, now that the movie is being released, she can feed her son everything he could ever want to eat.

Fox worked with Simon Waterson, a personal trailer whose credits include helping Daniel Craig achieve the ripped body he needed to play James Bond, working with Jake Gyllenhaal on “Prince of Persia,” and in assisting Chris Evans to become the best Captain America he could ever hope to be. Fox went about describing the training he endured under Waterson’s tutelage.

“We worked really hard on this for five months,” Fox said. “The training sessions were mostly circuit training. You’re going non-stop from exercise to exercise, never taking any breaks for about an hour and a half. I was burning a lot of calories and working on certain muscle groups. It was very strategic on his part and very gradual.”

The role of Picasso forced Fox to travel to some dark places in order to better understand this particular serial killer. As a result, it challenged the actor to adopt a mindset no sane person would ever dare explore. However, it also allowed Fox to play a character which strongly differed from the ones he previously portrayed.

“It was very liberating to some degree to be able to play a guy that has no moral compass and is sort of supremely arrogant about the notion that he doesn’t have a moral compass and is out to prove to the world that a moral compass is weakness and is false actually,” Fox said.

“It was also interesting to think about what it would be like to really truly believe that and to really hold yourself that arrogantly above the rest because you can do the things that nobody else can or thinks that they can’t,” Fox continued. “A sense of power comes along with that when a guy like that feels like he has the ultimate trump card, like he cannot be trumped and he goes into every human interaction that usually ends up with him slowly snuffing out a life. He would look at that as giving a gift so it’s a very powerful place to exist, sort of invincibility.”

The lengths Fox went to in portraying Picasso greatly impressed his “Alex Cross” co-stars, especially Tyler Perry who plays the title role.

“He is brilliant,” Perry said. “The amount of dedication and the weight loss is this much of where he went. He really went to where ever he had to go. I don’t even want to know what dark places he went to to get that character, but he was amazing.”

After watching Matthew Fox in “Alex Cross,” you will find yourself in complete agreement with what Perry said. Actors revel at the chance to reinvent themselves when playing a character, and Fox got the chance to do just that with this role. Movies are full of crazy characters who haunt our dreams, and Fox’s Picasso is just the latest.

SOURCES:

Marc Malkin, “Matthew Fox Explains Shocking Weight Loss for ‘Alex Cross,’” E! Online, September 18, 2012.

Fred Topel, “Freaking Me Out: Matthew Fox on ‘Alex Cross,’ ‘World War Z’ and ‘Lost,‘” Crave Online, October 15, 2012.

Kevin P. Sullivan, “Matthew Fox Went To ‘Dark Places’ For ‘Alex Cross,’ Tyler Perry Says,” MTV Movies Blog, June 27, 2012.

James Franco Undergoes One Hell of a Transformation in ‘Spring Breakers’

James Franco in Spring Breakers

WRITER’S NOTE: This article was originally written in 2013.

It almost shouldn’t work. James Franco as a Florida-based rapper in Harmony Korine’s “Spring Breakers?” Just the thought of it sounds utterly laughable as we are so used to him playing such clean-cut characters in the “Spider-Man” trilogy, “Rise of the Planet of the Apes” and “Oz the Great and Powerful.” But then again, he did play the ultimate stoner in “Pineapple Express,” so there is that. In the end, while Franco does have some laughable moments as the crazy rapper Alien, the role allows him to give his best performance in a movie ever since his Oscar nominated turn in “127 Hours.” There’s no doubt as to how much research Franco did, and this is one of the first great actor transformations of 2013.

After watching “Spring Breakers,” you desperately want to find out what made Franco take on this role as it is so very different from any he has played previously. Clearly, he was drawn to working with Korine who is best known for writing the screenplay to the highly controversial “Kids,” and maybe he has a thing for rap music which we did or did not know about. But in a conversation with Roger Moore of RedeyeChicago.com, Franco discussed one of the main reasons why he chose this particular project.

“None of us had ever experienced spring break, really,” Franco said of himself, Korine and the rest of the cast. “Actors who start their careers early miss some key experiences in life. I didn’t go to prom. Well, I was dating a theater nerd so we went to a theater festival back in Aspen, Oregon instead. I experienced prom, for the first time, on film. Same with spring break. This is my spring break. And I was over 30 when I got around to it.”

Many have said Franco based Alien on the rapper Riff Raff (and this includes Riff Raff himself), but the actor said his main inspiration for the character was another rapper named Dangeruss. Dangeruss is a local Florida rapper who is still relatively unknown, but he lived in the same area of Florida which Alien lives in and has the same kind of lifestyle. Franco ended up writing a long essay which was featured on the MTV website, and in it he explains how big of an influence Dangeruss was on him.

“I met Dangeruss through Harmony,” Franco wrote. “Before I went down to St. Pete to play Alien in ‘Spring Breakers,’ Harmony sent me innumerable videos and photos as references for my character. He drowned me in them. Harmony is a master of online research. Once he chooses a location to shoot, it turns out he is also a master at finding the most interesting and odd local places and characters. One of the last videos Harmony sent me was of a white guy in dreads, sitting in his car, rapping about Dope Boyz. This turned out to be Dangeruss, a local rapper who Harm had met at an audition and knew immediately that he was the real deal.”

“The same day I arrived, Harmony had me visit Danger at his apartment,” Franco continued. “I was surprised when we pulled into a rather nice sprawling housing development, country-club style, with fountains and manicured grass. I think there was even a driving range. When I met Danger, he was tall, thin as a stick, covered in tats and humble as hell. He was willing to help in any way. He told me about growing up in the bad part of town and having poetry as his only recourse when things got ugly. His involvement with the street and his involvement with hip-hop developed simultaneously. ‘While Peter Piper was picking peppers, I was selling yola at the corner store.’ His lyrics are the highly autobiographical chronicle of surviving on the streets of St. Pete.”

Then there’s the question of where Franco got those cornrows done. Looking at someone with cornrows, it makes me think of how painful the process of getting them must be as it involves a lot of hair being twisted around in unusual directions. However, in an interview with GQ, Franco described to Matthew Serba what it was like having them done.

“We had a local artist down in St. Petersburg, Florida do it,” Franco told Serba. “I think it took about five hours total, only because we had to try different cornrow configurations. It doesn’t hurt that much, but it does get very itchy because you can’t get them wet.”

Korine himself has stated in an interview with Joel D. Amos of Movie Fanatic of how impressed he was with Franco’s transformation into Alien. It turns out that the two of them spent a lot of time working on the character even before the cameras began rolling, but once Franco arrived on set, Korine was stunned at what he was witnessing.

“I couldn’t believe it,” Korine told Amos. “I spent a year just sending him images and talking to him, designing the character. I never saw him do it. He didn’t want to rehearse. When he put in the cornrows and the gold teeth and I heard the accent… I was like ‘whoa.’ He was a maniac.”

James Franco’s performance as Alien in “Spring Breakers” is really just another reminder of what an amazing actor he can be when you give him the right material to work with. While he may be getting more attention for the box office blockbuster “Oz the Great and Powerful,” it’s this movie which is bringing him the critical raves he deserves. Watching here makes you excited for what he has in store for us next.

SOURCES:

Roger Moore, “James Franco finally gets his spring break,” RedeyeChicago.com, March 21, 2013.

James Franco, “James Franco: The Inside Story of My ‘Spring Breakers’ Gangster,” MTV.com, February 20, 2013.

Matthew Serba, “Last Night…Talking Cornrows with James Franco,” GQ, May 1, 2012.

Joel D. Amos, “Harmony Korine on James Franco in Spring Breakers: What a Maniac!,” Movie Fanatic, March 21, 2013.