Oscars 95 – The Show Can Still Put a Smile on My Face

With each passing year, I find myself getting increasingly cynical and disenchanted with the Academy Awards/Oscars. As a kid, I watched them with wonder and excitement as the winners gave such great speeches in front of an audience that adored them. But as an adult, I see more and more how the wheels spin as movie studios continue to spend millions upon millions of dollars on their Oscar campaigns in hopes of obtaining one or more of those golden statues. Let’s face it if we have not already, an Oscar win means big box office money, and everyone wants to see their films turn a profit even if those Hollywood accountants will eventually tell them they did not, news which we greet with a loud, “Bitch, please!”

Still, as I watched the 95th Annual Academy Awards which saw the return of Jimmy Kimmel as host, I found myself swept in the innocence of everything cinematic as the speeches the winners gave moved me to no end. Granted, this ceremony is essentially Hollywood’s way of congratulating itself, but sometimes they get it right with the winners (case in point: “Parasite”). Plus, it is the only awards show I bother to watch as the Emmys and the Grammys never do anything for me. As for the Golden Globes, they are enjoyable for all the wrong reasons.

Allow me to take a look at this year’s Oscars before I slip into my cynical self and discover all the things which were wrong with it. Call me naïve or woefully ignorant, I would rather celebrate this evening right now rather than lay waste to it.

Well, there were virtually no surprises as “Everything Everywhere All at Once” won the most Oscars including Best Picture. “All Quiet on the Western Front,” however, looked at one point to be the evening’s upset victor as it scored more wins than many initially suspected. But with Daniel Kwan and Daniel Scheinert’s film  walking off with key prizes at the DGA and PGA award shows, we all walked in to this one knowing who would be victorious.

Ke Huy Quan proved to be an unforgettable presence in both “Indiana Jones and the Temple of Doom” and “The Goonies” before his acting career lost speed and he went to work in film production and as a fight choreographer. His win for Best Supporting Actor was an emotional one as he spoke of how he spent a year in a refugee camp long before arriving on the stage at the Dolby Theatre in Hollywood. Here is what he also said:

“Dreams are something you have to believe in. I almost gave up on mine,” he said. “To all of you out there, please keep your dreams alive.”

Regardless of how cynical I may have become, I could not help but be moved by what Quan said as our dreams and passions are what we should be living for.

And how cool is it to finally be able to call Jamie Lee Curtis an Oscar winner? I have said this over and over, but you can put her in a god awful movie (“Virus” for example) and she will still deliver a terrific performance regardless of the material she has been saddled with. Her win for Best Supporting Actress comes on the heels of her laying waste to Michael Myers one last time in “Halloween Ends.” Granted, the Akkad family is bound to resurrect the “Halloween” franchise at some point in the future, but Curtis, as Laurie Strode, still got to have the last word.

As for Curtis’ speech, it was as moving as Quan’s as she slowly accepted the reality that she actually won an Academy Award. While many were not shocked at her taking home the Best Supporting Actress Oscar, she clearly was. Her proclamation of “I just won an Oscar” may come to rival Sally Field’s infamous one of “You like me! You really like me!”

When it comes to Best Original Song, the performances of each nominee can either be a much needed bathroom break or something spectacular which upstages the rest of the show. This year was a mixed bag when it came to that, but the winner of this category, “Naatu Naatu” from the film “RRR” brought the house down with its energetic performance as the performers and singers displayed an infinite amount of passion and audacity as they danced and sang the night away. The standing ovation which accompanied this was well deserved.

Still, when it came to the other original song nominees, Lady Gaga was not far behind with her performance of “Hold My Hand” from “Top Gun: Maverick” which proved to be both emotional and rousing. Moreover, while she came into the Dolby Theatre looking as glamorous as anyone else, Lady Gaga performed this song sans makeup and in a dark t-shirt which made her rendition of this song infinitely remarkable and wonderfully defiant.

I got to interview Michelle Yeoh a few years ago when she was doing press for “Crouching Tiger Hidden Dragon: Sword of Destiny,” and she look fabulous and was great to talk to. I was reminded of this during her speech when she won Best Actress for “Everything Everywhere All at Once” as she gave us some of the most memorable lines of the evening:

“Ladies, don’t ever let anyone tell you that you are past your prime.”

“For all the little boys and girls who look like me watching tonight, this is a beacon of hope and possibility.”

No one can ever forget the inevitable “In Memorium” segment which pays tribute those who have since passed away, and which also infuriate so many who get deeply angered over who got omitted (speaking of which, what about Richard Belzer?). Having John Travolta introduce this segment seemed both appropriate and highly emotional as two of his co-stars, Olivia Newton John and Kirstie Alley, died after their long fights with cancer, and the death of his beloved wife Kelly Preston still hangs heavy on him. Lenny Kravitz pulled off a memorable performance as the names of the deceased were unveiled before us. Was anyone left out? Probably, but I will let others get into that. I do not have the energy to do it here.

And when it comes to predestination, Brendan Fraser’s win for Best Actor in “The Whale” was an inescapable certainty. Everyone loves a comeback, and no one could seem to get enough of his performance as a morbidly obese man desperate to restore his relationship to his daughter. Some will say there are no absolutes in life, only in vodka, but there was little doubt Fraser was going to take home the prize. And even after all the accolades he has received thus far, he remained as emotional as he was on the WTF Podcast with Marc Maron as he thanked director Darren Aronofsky for “throwing me a creative lifeline and hauling me aboard.”  That is quite the compliment.

It is moments like these which quickly remind me of why I love watching the Academy Awards/Oscars. Regardless of the ridiculously competitive races Hollywood studios participate in, and whether or not you believe these winners even deserve to be nominated, I cannot help but love how thrilled the winners are to have reached such a penultimate recognition. History is always being made, and careers are being rewarded to where I cannot and do not want to deny that dreams can come true. Even if they do not come true for everyone, it always provides a beacon of hope we all need and thrive upon in this crazy realm known as show business.

Even as I still wonder if the Oscar campaign tactics of the Weinsteins are still being utilized by others, there is still a special place in my heart for the Academy Awards. Even if they seem more political than anything else, watching them still makes my spirits rise even when they seem too low down. Now please excuse me as I have to end this article before the things which pissed me off about this year’s Oscars rise to the surface…

…Okay, there a couple of things. I mean seriously, did we really need Halle Bailey and Melissa McCarthy introducing the new trailer for Rob Marshall’s take on “The Little Mermaid?” This struck me as crass commercialism as the producers have better things to do than promote upcoming films during this ceremony. Besides, if they are going to show a trailer for that, what about other studio releases? What is so special about Disney that they get to promote yet another live action remake of one of their famous animated classics?

As for the tribute to Warner Brothers on its 100th anniversary, someone needs to do a little more research as some of the movies they showed originated under MGM, not Warner Brothers. Even Bugs Bunny was rolling his eyes at this, and yes, he did this while in drag.

Okay, that is all for now.

Crouching Tiger, Hidden Dragon: Sword of Destiny

crouching-tiger-hidden-dragon-sword-of-destiny-poster

Ang Lee’s “Crouching Tiger, Hidden Dragon” is one of those few movies I can describe as being truly exhilarating. It combined amazing martial arts sequences with a great story filled with compelling characters you were eager to follow along with from start to finish. To simply call it a martial arts movie was not fair as Lee gleefully subverted the genre to give us something completely mesmerizing, and it went on to become one of the most successful foreign films ever made.

So it’s a shame to see its eagerly awaited sequel, “Crouching Tiger, Hidden Dragon: Sword of Destiny” doesn’t come even close to recapturing the spirit of the original. Michelle Yeoh returns as Yu Shu Lien and Yuen Woo-ping, who choreographed the action of the original, steps in as director, but those who loved the original are bound to feel like something is missing. While Woo-ping still delivers some amazing action scenes, he lacks Lee’s poetic touch.

“Sword of Destiny’s” greatest strength is definitely Yeoh who looks fantastic at 53 years old and can still kick ass and do her own stunts like nobody else’s business. She is the only cast member from the original to appear in this sequel, and she makes it almost worth a recommendation as her performance is as powerful and heartfelt as it was before.

The movie takes place 18 years after the events of the original and sees Yu Shu Lien coming out of solitude and heading back to Peking where her lover Li Mui Bai’s legendary sword, the Green Destiny, is being held. However, it doesn’t take long for her to encounter resistance as her carriage is attacked by several warriors. In the time she was away, various clans have wreaked havoc in the martial world in an effort to gain control of it, and many have their eye on stealing the Green Destiny which will allow them to rule it with unimpeachable power.

The Green Destiny was a major focal point of the original as Jen Lu (Zhang Ziyi) stole it in an attempt to engage in the warrior lifestyle she had become envious of. That sword is a focal point in the sequel as well to where I began to wonder if perhaps destroying it instead of keeping it safe and locked up would have made more sense. It certainly would have saved the martial world a lot of trouble. Then again, destroying that sword would also have meant destroying the past, so perhaps that’s why the characters are not eager to obliterate it even for their own safety.

We get a lot of characters thrown at us this time around like Wei-Fang (Harry Shum, Jr.) and Snow Vase (Natasha Liu Bordizzo), both of whom want the sword for their own purposes. There’s also Silent Wolf (Donnie Yen) who faked his own death because he was in love with Yu Shu Lien and preferred a life of solitude as he knew Li Mu Bai was the one she loved more. And then we have Hades Dai (Jason Scott Lee), the West Lotus warlord who learns he must obtain the Green Destiny as it will allow him to rule the Martial World.

With all these characters and their various plot threads, it’s hard to get involved in their individual dramas and they are nowhere as compelling as the ones from the original. Many of the characters we see here feel like typical kind martial arts movies tend rely on. Snow Vase in particular feels like a generic version of Jen Lu, and the latter only appears a footnote in this sequel. They all fight like the best warriors, but the action feels ordinary and less than thrilling because we don’t care that much for them.

Another thing about “Sword of Destiny” is the actors speak in English instead of Mandarin, and this proves to be a big mistake. While there are many who can’t stand subtitles, seeing the dialogue spoken in English makes it seem all the more clichéd and uninspired. It’s like watching the original “Crouching Tiger, Hidden Dragon” dubbed in English; it’s still cool to watch, but everything sounds rather laughable in another language. In Mandarin, there was at least a beauty to the words they otherwise would not have had.

But perhaps “Sword of Destiny’s” biggest sin is its overall look. While the original only used CGI effects to remove the wires which helped the actors to fly all over the place, this movie looks like it bathed in them. As a result, everything looks artificial to where “Sword of Destiny” has the appearance of a video game, and not a very good one at that. In fact, the movie at times looks quite ugly because you can easily tell that what’s on the screen is not at all real. While Lee made collapsing buildings look exciting, Woo-ping is not able to recapture that magic as scenes of warriors crashing through floors of a tower looks inescapably fake and all done on a computer.

Coming out of this sequel, I wondered if “Crouching Tiger, Hidden Dragon” even needed one. The stories of both movies connect, but this one looks like it exists on a different planet. Time will only tell if there is to be a “Crouching Tiger, Hidden Dragon 3,” but “Sword of Destiny” doesn’t make much of a case for one. Yeoh is great as always and Woo-ping does pull off some nice stunts, but this sequel feels uninspired and routine at best. Perhaps it’s time for the Green Destiny to be laid to rest once and for all. Just look at what Harry Potter did with the Elder Wand in the “Deathly Hallows;” problems were solved and the wizarding world was balanced out. It’s that simple.

Copyright Ben Kenber 2016

* * out of * * * *