‘One of Them Days’ Takes a Familiar Store and Infuses it with Stong Characters

I have been around some of the neighborhoods featured in “One of Them Days” as they are not too far from where I live. They all seem to have a nice family vibe going on and are filled with all kinds of blue-collar workers who, like everyone else I know, are living paycheck to paycheck. I keep thinking a lot of people will look at these neighborhoods and apartment buildings as being very “ghetto,” but that is far too easy an assumption to make. Either that, or I am doing everything I can to not sound too white while writing this movie review.

Seeing the way the apartment buildings and inner-city areas are portrayed in “One of Them Days” helps to make this film stand out a bit. The story is old as they come, and we have seen it being done in so many movies of all kinds, but the way certain environments are shown here makes it feel a lot fresher than I ever could have expected. It also helps that the film has a strong cast who portray characters you want to follow from start to finish.

We meet best friends Dreux (Keke Palmer) and Alyssa (SZA) who share an apartment in a building off of Obama Boulevard, the kind that needs a serious visit from the Los Angeles Housing Authority. The ceiling is falling apart, the air conditioning units don’t work, and everyone has one roommate too many because, as we often hear, the rent is too damn high. And into this “jungle,” as the characters like to call it, is a young white woman named Bethany (Maude Apatow) who is all smiles and comes with a dog who clearly needs a lot more training.

To top things off, Dreux gets a visit from her landlord, Uche (Rizi Timane) who informs her if he doesn’t get the rent by six o’clock, she and Alyssa will be drop-kicked out onto the street. Dreux says Alyssa has already given him the rent money, but it turns out Alyssa’s good for nothing, live in boyfriend Keshawn (Joshua David Neal) has run off with it and into the arms of another girlfriend of his, Berniece (Aziza Scott). This leads Dreux and Alyssa to go on a desperate mission to get the rent money before it is too late, and the clock starts clicking like it does on the average episode of “24.”

In a lot of ways, “One of Them Days” is a version of the book “Alexander and the Terrible, Horrible, No Good, Very Bad Day” and so many other stories dealing with missions needing to be completed before the clock strikes midnight. Dreux and Alyssa’s adventures involve parking in the wrong spot at the wrong time in Los Angeles (seriously, those parking enforcement officials are like ninjas), donating blood for money, and attempting to get a loan at one of those quick credit offices who are just waiting to overcharge their customers on interest payments.

Like many cinematic comedies, the jokes are hit and miss as I have seen some of them done better. The donating blood scene goes a bit over the top, and I remember a better example being done with Al Bundy on “Married With Children,” but the credit office scene is a hoot as it shows an employee laughing her butt off at a low credit score, something I have not seen before. But what keeps the movie together are Keke Palmer and SZA. Even as the comedy gets a bit too broad, they both nail their character’s individual strengths and vulnerabilities perfectly as they show how Dreux and Alyssa clearly want better futures for themselves, but life too often gets in the way.

In addition to making the rent, Dreux also has an interview with a corporate company for a job which will allow her to ditch her waitressing job and move up in the world. As for Alyssa, she is one of the many struggling artists out here in Los Angeles whose self-confidence is so low to where they hook up with people who can never truly value who they are.

Palmer is wonderfully energetic here as Dreux, a person eager to rise above her meager place in life, and I especially enjoyed SZA who takes Alyssa from someone lacking in confidence in herself and her work to one who has more than earned their newfound confidence in life. Even as their characters go through the usual routines of loving and hating one another to where they never want to talk to each other again, and we know they will quickly realize how much they need one another long before the story ends, both these actresses kept me wanting to follow their plight throughout.

Palmer and SZA are also supported by a strong cast which includes Katt Williams as a man named Lucky, and this is even though this character is not having any luck at life in the present. You also have Vanessa Bell Calloway whose character of Mama Ruth doesn’t get much screen time, but who remains a very strong presence nonetheless. And there is no forgetting Patrick Cage who plays the interestingly named Maniac, and he is a human being who almost dares you to judge a book by its cover. While his outward appearance might have one thinking he is that kind of a person, the reactions others have to him, let alone to a certain object of hardware he has in his car, are quite telling of those around him. In the end, Cage makes Maniac into a resilient character who gas been through a lot and has evolved a lot in the process.

I also got to say that I love how strong the women are as presented here. I say this because this relates to all the women I have worked with in life, and they often prove to be much stronger than us men for many reasons. “One of Them Days” proved to be a reminder of this for me, and this is not just because many of the male characters are such babies here. Heck, Keshawn is such a man child that you just want to smack him silly. Some out there might say that the female characters are made to look strong to help satisfy certain demographics, but I prefer to believe they simply reflect a reality we should not be the least bit surprised by.

“One of Them Days” is not going to go down as a classic motion picture, but that’s okay because I enjoyed it for what it was. If you are looking for a nice diversion from your problems for an hour or two, I think this one will do the trick.

* * * out of * * * *

‘Judas and the Black Messiah’ Movie and Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

Judas and the Black Messiah” is certainly a timely film with all of the issues that exist in the world today regarding racism.  Even though some strides have been made, we still have a long way to go until things are where they need to be in this world.  Systemic racism is a serious issue, and it doesn’t seem like there is a day that goes by where we are not hearing about a black man or woman being killed by someone in a position of power.  It is why films like this one are so important.  Many people do not watch or read the news.  When they see it in a major motion picture, it can sometimes raise their level of awareness.  That is the power of cinema at its finest.

Our film starts off in the late 1960’s when we meet William O’Neal (Lakeith Stanfield), a small-time criminal who goes around waving a badge in order to steal cars.  As he says in the film, the badge carries more weight than a gun because everyone knows there is an army behind that badge. When he is caught, he is forced to enter into a deal with Roy Mitchell (Jesse Plemons) to work undercover for the FBI.  If William does not accept this deal, he is facing eighteen months in prison for stealing a car along with five years for impersonating an officer.  He has to go undercover to keep an eye on what is happening with the Black Panther Party in Illinois, which is run by the charismatic and powerful Fred Hampton played by Daniel Kaluuya in an Oscar-winning performance.

Both Kaluuya and Stanfield were nominated for Best Supporting Actor for their work here, but I would have to say that I’d give the edge to Stanfield as he has to play a dual-role as a member of the Black Panther Party while also trying to keep Roy and the FBI happy.  While Kaluuya had to give more of a boisterous and in-your-face performance, Stanfield has to balance all of the moral dilemmas his character has to endure throughout the film. He wears all of this on his face and on screen with his stunning performance.  That being said, I understand it can be difficult to compare performances in different films let alone the same film and the same category.

As soon as Fred Hampton starts to gain some steam and bring people together to form the Rainbow Coalition, which is all-inclusive and a real threat to the infrastructure, greed, and abuse of power which is happening all around Illinois, he is sent to jail on some phony ice-cream theft charges.  This is when William O’Neal starts to have more responsibility put on his plate with the Black Panther Party.  He is up for the task, and he holds his own especially when it comes to security.  There is another element for Fred to consider and that is his budding romance with Deborah (Dominique Fishback).  She gives a vulnerable yet commanding performance as a young woman who is not afraid to have Fred’s back.

When Fred is finally released from prison, things get even more complicated with the Black Panther Party and the FBI’s director J. Edgar Hoover (Martin Sheen).  They are starting to see that Fred Hampton is a real threat and is bringing about real change for people.  The fact he is able to unite so many people of different races and cultural backgrounds is nothing short of amazing. He’s a true hero. At this point, William O’Neal is forced to make some difficult decisions for himself.  He has the Black Panther Party, which is, at times, suspicious of him.  He also has the FBI, which wonders if he really believes in what Fred Hampton is fighting for, each and every single day.

I’m a huge fan of the adult drama that is inspired by true events in Hollywood.  I think whenever a film can entertain and educate an audience, it’s really something to behold, and this film really stayed with me long after it was over.  It’s a powerful piece of filmmaking that is one of the best films of 2020. It features fantastic performances from top to bottom.  I mentioned the two supporting actors earlier, but to me, they are both the leads in this film.  I just feel as though Stanfield is on screen longer and has a meatier role than Kaluuya in this film.  There also must be credit given to Plemons.  Even though he is the bad guy in the film, there are a lot of layers to him.  It’s not a cardboard cutout bad guy. It must also be noted from a historical point of view, this was the first film with an all-black producing team to be nominated in the Best Picture category at the Academy Awards.  This is a well-acted, well-written, and supremely intense film from start to finish. I can’t recommend it enough.

* * * * out of * * * *

Blu-Ray Special Features:

Fred Hampton for the People

Unexpected Betrayal

Blu-Ray Info:

“Judas and the Black Messiah” is released on a single-disc Blu-ray with a digital copy from Warner Brothers Home Entertainment.  The film has a running time of 126 minutes and is rated R for violence and pervasive language.

Video/Audio Info:

The film has a 1080p/2.39:1 High-Definition transfer which really enhances the look and feel of the late 60’s into the early 70’s.  The audio is featured on the following formats: DTS-HD MA: English 5.1 and English Descriptive Audio with subtitles in English, French, and Spanish.

“Judas and the Black Messiah” is the kind of film which reminds me of why I love moves in the first place.  This is not a feel-good movie if you are familiar with the story at all, which I was not prior to watching it, but it proves a serious point that needs to be made.  It creates conversation, and it shows off some of the best acting I’ve seen in a very long time.  As mentioned earlier, I’ve always felt film is at its best when it tells stories which are worth telling and can open minds to what others in the world and are going through in their day-to-day lives.  The Blu-ray looks and sounds great, but I would have enjoyed a few more special features and maybe a detailed documentary on the real-life story.  Still, this is a film that you should add to your collection for the phenomenal acting and storytelling which is on display throughout.