‘Cursed’ Movie and Blu-ray Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

From reading up on “Cursed” through the IMDB trivia section, the story behind the scenes of this film might be more interesting than the film itself.  I say this as a huge fan of the film.  I think it’s a really, really good Wes Craven/Kevin Williamson collaboration.  Is it as good as their work on the “Scream” franchise? No, but there is a reason so many fans of the duo have discovered and enjoyed “Cursed” since its initial release in 2005. Their usual brand of humor, self-awareness and gruesome kills are featured at times, in this film.  This Shout Factory Blu-ray features both the theatrical cut (PG-13) and the unrated cut.  I highly recommend you check out the unrated cut. I’ve seen both cuts, and the unrated cut, even though it’s only two minutes longer, features more gore.

“Cursed” stars Christina Ricci and Jesse Eisenberg as Ellie and Jimmy, a sister and brother duo living together after the unexplained death of their parents.  Jimmy is seen as a dork and feels forgotten about by his sister while Ellie is working on the “Craig Kilborn Show” as a producer. Oddly enough, Kilborn was no longer on the air when the film was released because it was delayed for two and a half years. Jimmy is in high school and being constantly picked on by Bo (Milo Ventimiglia) who resorts to homophobic insults every chance he gets.  Bo’s girlfriend, Brooke (Kristina Anapau), does not approve of his behavior, and she also takes a liking to Jimmy’s dog named Zipper.

Ellie is romantically involved with a smooth-talking ladies’ man named Jake (Joshua Jackson) who is about to open up a horror-themed nightclub.  His past causes Ellie to wonder if he really cares about her or if she’s just another notch on his belt. One night, Jimmy and Ellie have a car accident where Jimmy swears he saw a werewolf or a monster.  Ellie doesn’t believe him, and a police officer played by Nick Offerman is even more skeptical.  Before long, they can’t start to ignore the strange and weird things happening to their bodies and the feelings they are experiencing.

CURSED, Mya, Shannon Elizabeth, 2005, (c) Dimension Films

Let’s talk about the cast as I felt like, every time I turned around, I saw an actor or actress I was familiar with on screen. Shannon Elizabeth is in the film, and she’s game for a grueling and demanding part in the film.  There is also the always reliable Judy Greer as a fast-talking publicist who finds herself butting heads with Ellie throughout.  There is also a cameo from Scott Baio as himself, and it’s just about perfect. Portia de Rossi plays a psychic, and she makes the most out of her limited screen time. Singer and songwriter Mya has a fun turn as the best friend of the Shannon Elizabeth character. As far as the standouts from this amazing cast, the brother/sister relationship between Eisenberg and Ricci is the heart of the film, and it feels very real.  They felt like brother and sister. Joshua Jackson also has just the right amount of mysterious charm to him, and Greer is a spitfire as always.

Any problems with “Cursed” are not the fault of Craven or Williamson. They were at the mercy of the studio.  It felt like they were both looking to make a witty werewolf film to turn the genre on its head just like they did with “Scream” while the studio and producers were looking to make a PG-13 film.  It’s why we are left with a film that shows hints of greatness and other moments which were aimed to be studio-friendly.  There are too many jump scares for example.  At times, the film plays it too safe.  Other times, in the unrated cut, they really go for the gore.

However, when it was all said and done, I enjoyed the hell out of “Cursed.”  The script is witty, sharp and timely for the early 2000’s. When I see its flaws, like the jump scares and poor special effects, I know it is the studio and not Craven, and that’s even though it’s his film.  When I see the material that works, such as the strong acting, the self-awareness and the gore in the unrated version, I see what could have been if the studio let Craven make the film he wanted to and stayed out of things. It’s clear the studio didn’t know how to market “Cursed” as it had a budget of $75 million, and it only made $29.6 million.

While this might sound like a negative review at times, I think “Cursed” is a cult classic which will gain more appreciation now that it’s released on this two-disc set from the fine folks over at Scream Factory.  I think it will get a second life. There is a lot of good in this film, and it allowed me, as the viewer, to overlook the studio’s interference. I really wish audiences could have seen the original werewolf design by the legendary Rick Baker (“An American Werewolf in London”) in the film.  Even though his name is in the credits, his work is not featured in it.  That’s a major mistake on the studio’s part. This is a really good movie which could have been great.  I still like it a whole lot. 

Do yourself a favor and read all of the drama surrounding this film.  It’s a miracle it was released at all. A special shout-out to Scream Factory for giving “Cursed” its day in court. It’s an enjoyable ride, warts and all.

* * * ½ out of * * * *

Blu-Ray Info: “Cursed” is released on a two-disc Collector’s Edition Blu-ray set from Scream Factory.  It comes on a 1080p High-Definition Widescreen (2.40:1) transfer with an audio track of DTS-HD Master Audio 5.1 and with subtitles in English. The theatrical cut has a running time of 97 minutes while the unrated cut is 99 minutes. The unrated cut is the one to watch.

Special Features:

Theatrical Cut

Unrated Cut

Theatrical Trailer

NEW 4K scan of the original camera negative

NEW A Sheep in Wolf’s Clothing – an interview with actor Derek Mears (13:57) – Derek Mears talks about his start in Hollywood as a stuntman and his background and training. He talks about his start on “Wild Wild West” and how he met Rick Baker on the film.  He also discusses how it can be hard in Hollywood to be seen as an actor and a stuntman as they want one or the other. Baker was how he got involved in “Cursed” as the werewolf. He details some of the issues when shooting the film, but he was mostly thankful for the opportunity to work with Craven, Baker and Williamson. I really enjoyed his enthusiasm and love of horror films.

NEW A Movie That Lives Up to Its Title – an interview with editor Patrick Lussier (17:57) – He talks about his early work with Craven going back to 1991 on TV. The fact they offered Craven a ton of money to make this film, and it would have put a lot of crew members out of work is ultimately the reason why he chose to direct it.  Craven had his concerns about the tone of the film and if it would be similar to “Vampire in Brooklyn” and the problems he had on that one.  Lussier was only supposed to be on “Cursed” for six weeks, and in total, he worked 19 months on the film. WOW! He goes into tremendous detail on the issues that plagued the film from start to finish.  In his words, “It was something to have survived.”  There were issues with Dimension Films changing the ending, test scores influencing them, and cast and crew members coming and going.  He ends it with a great quote on Dimension Films, “They don’t pay you for what you do. They pay you for what they do to you.”

Behind the Fangs: The Making of “Cursed” (07:33): This is a previously released special feature which includes interviews with the cast and crew.

The “Cursed” Effects (06:45): This is another previously released special feature which includes interviews with Derek Mears, Greg Nicotero, and Judy Greer.   It’s kind of odd to see everyone speaking so positively about the film and its effects, considering all of the drama surrounding what went on.

Becoming a Werewolf (07:58): Jesse Eisenberg hosts this special feature which is clearly tongue in cheek. Eisenberg and Nicotero have some fun together in playing this straight for laughs. Craven pops up here as well to join in on the fun. It’s also written and directed by Eisenberg, and his trademark humor is evident throughout.

Creature Editing 101 (05:32): Now this special feature is really interesting to watch considering what he said in his new interview that is included on this Collector’s Edition Blu-ray. He’s much more politically correct here.

Select Scenes with Audio Commentary by Special Effects Artist Greg Nicotero and Actor Derek Mears: The following scenes are featured: Car Wreck, Parking Garage, Tinsel and Final Fight.

Should You Buy It?

As a horror fan, this is a film definitely worth adding to your collection.  “Cursed” is a film a lot of people have talked about online over the past few years.  They have been clamoring to see the Craven cut of the film, but it’s not clear who owns the footage, and also the original ending was never shot. It has achieved cult status thanks to the fans. I’ve even revisited it a few times over the past year, and I’ve grown to enjoy it more and more with each viewing.  I also can’t help but wonder, “What if?” when I watch the film.  I wonder what could have been if the studio had let Craven do his thing and stayed out of his way.  I also wish Scream Factory would have released this film on 4K as they have been releasing a lot of their titles in this high-definition format. It looks pretty good on Blu-ray, but I imagine a full 4K release would have been really, really fun to look at, especially during the gorier scenes.  If you love Scream Factory and horror films with an interesting backstory, this is a must-own.  I think it’s only going to grow in popularity after this Blu-ray release.

There are two new special features here which are really good, but it would have been quite a treat to have a few modern interviews with some of the main cast members. I imagine they would have some fascinating and bizarre stories to tell. You can pre-order the film now on the Shout/Scream Factory website as it will be released on May 10th.

‘Scream 4’ – The More Things Change, The More They Stay The Same

WRITER’S NOTE: This review was written back in 2011.

Honestly, we needed another “Scream” movie. Since the original was released back in 1996 (YIKES!), we have had dozens upon dozens of horror movies thrust upon us. Many of them had an endless number of clear-skinned teenagers and were given PG-13 ratings which, after a while, indicated the horror genre was being watered down too much. Of course, there is the “Saw” franchise which makes the MPAA go nuts with all the copious blood and guts on display, but those plot twists always give me a massive migraine. Horror went at times from being laughingly lame to hardcore bloody, but they could never top what Asian or Japanese movies achieved. However you look at it, we needed Wes Craven and Kevin Williamson more than ever to give us their take on the continually evolving rules of surviving a horror movie.

Each generation has its own ongoing horror franchise(s) along with the occasional “remake” or “reboot.” When I look at movies from decade to decade, I eventually come to see the more things change, the more they stay the same. This is definitely the case with “Scream 4” which, while having a strong level of suspense, also has a weariness about it. In the process of dealing with a new generation of horror fans, this sequel feels no different from ones which preceded it as the old rules still apply when new ones should be installed.

So, the whole gang is back along with Craven, Williamson (sorely missed on “Scream 3”) and composer Marco Beltrami. Neve Campbell returns as Sidney Prescott who arrives back in her hometown of Woodsboro to promote her new self-help book, and she is reunited with her friends Dewey (David Arquette) who is now the Sheriff in this town, and Gayle (Courtney Cox) who has long since gotten married to him and retired from tabloid journalism. Soon after Sidney arrives, the Ghostface killings start up again. You might think this killer would be more imaginative and use another mask instead, but horror sequels are not heavy on originality, are they?

This time though, the focus of the killer’s rage appears to be on Sidney’s cousin, Jill (Emma Roberts), and it also puts her best friends Kirby (Hayden Panettiere) and Olivia (Marielle Jaffe) in the crossfire. Ghostface’s priority targets are usually teenagers, but after a while he (or she) proves to be indiscriminate as adults become easy targets as well. Oh yeah, Jill has an ex-boyfriend named Trevor (Nico Tortorella) who still wants to be a part of her life regardless of the fact she wants nothing to do with him. Does any of this sound familiar?

With “Scream 4,” the chief thing to expect is to expect the unexpected, just like with any Peter Gabriel album. I do have to hand it to Craven and Williamson though because, even after a decade, they still leave us guessing throughout who the real culprit is (or if there is more than one) and of what will happen next. The movie moves along fairly swiftly to where you really have no time to examine the logistics of everything going on. I imagine you could punch a few holes in the plot, but only after you have watched this movie. I also got a huge kick out of the beginning which plays on the reality of what we are seeing on top of the monotony of a franchise which, like Michael Meyers, just won’t die.

But it’s also the inescapable problem with “Scream 4;” we have gotten so used to expecting the unexpected to where while there is tension, the whole thing is not as scary as it used to be. I kept waiting for this sequel to get seriously scary, but it never does. Even the moments designed to make us jump up out of our seats aren’t as effective as they once were. The first “Scream” was more than just a simple satire of the horror genre, but a movie going experience which was more intense than we expected, and it reinvigorated the horror genre at a time where it was not particularly popular. With each installment, the filmmakers gleefully deconstructed horror movies while scaring us out of our wits. But with this fourth film, the enthusiasm and inventiveness are at an all-time low.

It is nice to see Neve Campbell, David Arquette, and Courtney Cox back as their infamous characters. I could not help but expect Campbell to be this Ellen Ripley/Paul Kersey character by now, so used to seeing people and those closest to her get killed off in brutal fashion to where she now desires to bring her own brand of vigilante justice to whatever nemesis chooses to cross the Prescott path. Perhaps Sidney could have used a bit more of this attitude as Campbell looks a bit worn out from all those sharp pointed knives that always get pointed in her general direction. Let’s face it, running from a demented killer is nothing new for her.

Of all the veterans, Cox shines the most as we watch Gale Weathers emerge from being just another desperate housewife to someone who is desperate overcome an unwelcome writer’s block. Seeing Gale get back to her bitchy self is fun to watch. In the other movies you hated her for it, but knowing Gale for this long makes you long for her inevitable return to greedy selfishness. As a result, it gives this sequel much of its bite.

In regards to the newcomers, they are more or less designed to be types, and part of me wished they were given more dimension and depth. Emma Roberts is fun to watch as Jill Roberts, but she gets the show stolen from her by “Heroes” star Hayden Panettiere whose character of Kirby is part tease, part sharp retort, and part movie geek more than she would ever admit. She’s got a lot of sass about her which reminded me of the girls from my high school I couldn’t stand, and of the heart and soul they do have which I never took into account back then.

It’s also nice to see Rory Culkin here, having made a strong impression in “You Can Count on Me,” “Mean Creek” and “Signs.” As Charlie Walker, he represents the chief movie geek Randy Meeks was in the previous “Scream” movies. Charlie is not exactly a geek nor is he exactly one of the cool guys. In the end, he’s kind of in between those crowds like most people I know. Culkin is truly one of the perfect actors to play someone very knowledgeable about movies in general, and he gives this sequel some of its more satirical moments.

But when all is said and done though, I still came out of “Scream 4” feeling rather weary. I didn’t dislike it, and it did keep me interested throughout to where I wasn’t looking at my watch. But in the process of creating a new formula for satirizing horror movies, it ends up getting caught in the clichés of them all. Also, I felt it could have spent more time examining the endless films which came out in the past few years. This franchise was incredibly influential, and we continue to realize this with the passing years.

Still, I am open to seeing a “Scream 5.” Whatever problems this particular sequel has, I believe and hope they can be compensated for in the future. And like I said, we always need movies like “Scream” because the horror genre will constantly be its own worst enemy from one generation to the next. As it was described before, the more things change, the more they stay the same.

* * ½ out of * * * *