It’s interesting how the spy world in John le Carré’s novels differs sharply from the one in Ian Fleming’s. Whereas James Bond was a dashing playboy of a spy and the good and bad guys were easy to tell apart, the spies in Carré’s world exist in a morally gray area, and their lives prove to be anything but glamorous. No one is innocent, and everyone has something to hide from others or perhaps even themselves. Here, there are no gunfights or explosions but instead conflicts both internal and external. Even the people we look up to in Carré’s novels are deeply flawed, and you can quickly see why no one can truly trust one another.
No book in Carré’s vast library of work exemplifies this more than “Tinker Tailor Soldier Spy” which features his most famous fictional character, George Smiley. Originally turned into a brilliant BBC miniseries back in 1979 with Sir Alec Guinness as Smiley, it has now been made into a motion picture with Gary Oldman in the lead role. Whereas the miniseries had more time to develop the story and characters, this movie does an excellent job of doing the same in a shorter span of time. Granted, much has been left out from the novel, but those unfamiliar with the miniseries are unlikely to notice.
The movie hovers around the goings on in The Circus, the codename for British Intelligence. After one operation goes wrong and an agent is killed, the head of Intelligence, Control (John Hurt), is forced to resign along with his right-hand man, Smiley. Smiley, however, is brought back into service when it becomes apparent there is a mole in British Intelligence. Moreover, it’s a mole which has been in The Circus for a long time, and he is a senior member with access to all sorts of secret information. Smiley, in his own way, seeks out the mole before the British become completely compromised in world affairs, and what results is a game of chess more than a battle of wits.
Casting Oldman as George Smiley at first seems like a surprising choice. Oldman made his film debut as Sid Vicious in “Sid & Nancy,” and his performance as the doomed punk rocker reminds us of how over the top he can be as an actor, and I always looked forward to seeing him play the villain in movies like “The Professional” and “Air Force One.” We revel in his emotionally unhinged performances which have made him stand out prominently among other actors of his ilk, and he has rarely, if ever, let us down.
As Smiley, however, Oldman is forced to dial back on the manic energy he became famous for. George Smiley is a character who never loses his cool and conveys so much even through the simplest of gestures. With even an ever so slight movement, we can see Smiley’s thought process at work and are never in doubt of how powerful a character he is. Each movement Oldman takes as Smiley is one which has been deliberately thought out, and even he knows he doesn’t have to bounce off the wall as this famous spy because this one goes into the room knowing all he needs to know.
In recent years, Oldman has gotten to stretch a bit with roles like Sirius Black in the “Harry Potter” movie franchise. While Black is first seen as a bad guy, it turns out he is a good one who cares deeply about Harry’s well-being. Then there is his role as James Gordon in Christopher Nolan’s “Batman” movies where he makes the good guy seem very cool without being such a square. What makes George Smiley an especially interesting character is he is neither a good or bad guy, but instead someone who is forced to navigate the dirty waters which he cannot help but get submerged in from time to time.
This is one of those roles which drive most actors crazy because it can become ever so easy to become utterly self-conscious about every single scene they are in. Being an actor myself, I often wonder if I am doing enough or perhaps too much in one performance to the next. While acting on the stage makes this easier to answer, acting in a movie or television is not only different but far more intimate. In the latter, you have to be more natural to where the camera never catches you emoting, and this can be difficult to say the least. But it’s those subtleties which can provide amazing results with the right director watching over you.
“Tinker Tailor Soldier Spy” also has a cast of brilliant British actors like John Hurt, Colin Firth, and Toby Jones, all of whom do their best in playing characters who have long since accepted the fact that they are morally compromised. You also have Tom Hardy, who succeeded in doing so much with just his eyes as Bane in “The Dark Knight Rises,” as a British agent who is only beginning to become morally compromised. None of these intelligence officers are easy to decipher on the surface, and a lot of this is thanks to their excellent performances.
Directing this adaptation is Tomas Alfredson who directed the great film “Let the Right One In.” Alfredson handles the intricacies of a story which could easily have become convoluted in terrific fashion, and he keeps us enthralled throughout. Even if we can’t follow the story, he succeeds in keeping us on the edge of our seat all the way to the end. Furthermore, he generates an intense and exciting climax without the use of gunplay or explosions, and there is something to be said about that.
Describing all which goes on in “Tinker Tailor Soldier Spy” is not easy, but it is not an impossible story to follow. Watching this movie for a second time will help give you a chance to examine the subplots more closely. While the spy world of Carré may seem nowhere as exciting as the one Fleming created for 007, it deals with the real world more directly as the line between right and wrong is forever blurred. What’s fascinating is how these people survive in it even as they continue losing pieces of themselves in a world and time which is prepared to beat them down on a regular basis. Everyone involved deserves a lot of credit for making what might seem ordinary and unglamorous seem so relentlessly thrilling.
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