Bradley Cooper Shows How Far His Acting Range Goes in ‘Silver Linings Playbook’

Bradley Cooper in Silver Linings Playbook

WRITER’S NOTE: This article was originally written back in 2012.

We remember him best from “The Hangover” movies and for being one of People Magazine’s Sexiest Men Alive, but you will get to see actor Bradley Cooper in a whole new light after watching him in David O. Russell’s “Silver Linings Playbook.” In the movie he plays Pat Solitano, a former school teacher who has just been released from a mental institution after eight months. Pat was sentenced there after beating up a man who was having an affair with his wife. Having lost his wife, job, home and been diagnosed with bipolar disorder, Pat moves back in with his parents (played by Robert De Niro and Jacki Weaver) in an attempt to put his life back together. In the process, he meets the mysterious Tiffany (Jennifer Lawrence) with whom he instantly forms a strong connection.

In talking with Jen Chaney of the Washington Post, Cooper said he researched his role by watching documentaries and interviews with people who suffer from bipolar disorder. However, he found what really helped him was looking at what specific problems the character of Pat had. This is what makes Cooper’s performance so good because he is not simply out to play your average bipolar patient, but instead an individual with problems which are not necessarily like everyone else’s. Cooper told Chaney, “bipolar is like snowflakes – no two are the same. It’s not like there’s a general thing where, oh, I’m going to play bipolar now.”

“There are very specific things like, for example, he really goes off the rails when he’s triggered by something that reminds him of a traumatic event that stunted him in some way emotionally. And one of those events we see is when he walks in on his wife sleeping with another man in his bathroom,” Cooper said. “And then that Stevie Wonder song ignites that and sends him into a manic state. We pretty much blocked out what specifically it was with him, and then it was just modulating it on the day, on set, in front of the camera.”

The trick, however, of playing a character like Pat is to make him relatable to where the audience will want to follow him despite his psychological problems. Some actors make the mistake of focusing too much on playing the ailments afflicting their character than they do on just playing the character, and people can get easily turned off watching someone do that. Cooper went on to tell Chaney of how both he and Russell wanted to make certain they didn’t alienate audiences with Pat’s actions.

“Pat is the foil through which we learn about all the other characters and their stories, so if he’s too extreme the audience is never going to come onboard,” Cooper said. “So it was really about modulating him, which I thought was a really smart thing that we did. Otherwise we could have been in trouble.”

Jessica Winter of Time Magazine remarked how Pat has “so much passion and energy and exuberance that it’s almost enviable.” For actors, there is always something very appealing about playing a character who throws caution to wind as we all develop inhibitions over time to where we feel we can never fully express ourselves and constantly worry about what others will think of us. We all want to find ourselves living life to the fullest, so despite the problems Pat is going through, part of us wants to be like him as nothing seems to be holding him back. Cooper shared the daily excitement he had playing Pat with Winter.

“I felt that every day when I showed up as Pat. I was happy that he had such a zest for life. It was intoxicating,” Cooper said. “It’s almost as if every moment that he exists is somehow fueled with more energy than anyone else. Sometimes people who are dealing with those issues, the minute they enter the room you feel it, and it changes the energy in the room. It’s like a vibration.”

Cooper also got an opportunity many actors always dreamed of: to work with Robert De Niro. Granted, he had already worked with De Niro previously on “Limitless,” but that one had them playing each other’s adversary. In “Silver Linings Playbook,” they are cast as father and son, and their characters have a fractured relationship they both are trying to work on. In talking with Rob Lowman of Press-Telegram, Copper explained how working with De Niro previously really helped him in playing Pat.

“It was a real blessing coming into this film knowing that I was going to play Bob’s son because I love him,” Cooper says. “So it was very easy for me to say the word dad and have it resonate within my body as I said it and make myself believe it. It helped me anchor the character in the same way it was to have a Philadelphia Eagles jersey on.”

Bradley Cooper has always been a really good actor, but in “Silver Linings Playbook” he gets to show a range we haven’t seen him portray previously. The film proves to be one of the best and most entertaining movies to come out in 2012, and here’s hoping he scores some major wins this awards season for his work. Next up for Cooper is “The Hangover Part III.”

SOURCES:

Jen Chaney, “Bradley Cooper: On ‘Silver Linings Playbook,’ football and reading falsehoods about his love life,” The Washington Post, November 14, 2012.

Jessica Winter, “Q&A: Silver Linings Playbook’s Bradley Cooper and David O. Russell,” Time, November 15, 2012.

Rob Lowman, “Bradley Cooper, Jennifer Lawrence expand their range with ‘Silver Linings Playbook,'” Press-Telegram, November 15, 2012.

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‘Widows’ is a Fiery Thriller and Not Just Another Heist Movie

Widows movie poster

It’s always cool when a filmmaker sneaks something up on you when you least expect it. On the surface, “Widows” looks like an average heist movie to where I went in thinking it would be another “Ocean’s Eleven,” but I can assure you this is not the case (and we did already have “Ocean’s 8” earlier this year). While this film provides audiences with the requisite action and violence, it cannot be boiled down into one sentence as it deals with themes of class divisions, political corruption and of the lengths many will go to just to make ends meet. What results is a hell of a thriller, and it’s a timely one as the struggles these characters face is all too real in this day and age.

“Widows” starts off with an introduction to the wives before they lose their spouses. Veronica (Viola Davis) shares an especially passionate kiss with her husband Harry Rawlings (Liam Neeson), Linda Perelli (Michelle Rodriguez) haggles with Carlos (Manuel Garcia-Rulfo) over money she needs for her clothing store, Alice Gunner (Elizabeth Debicki) cannot hide the black eye her abusive husband Florek (Jon Bernthal) gave her, and Amanda Nunn (Carrie Coon) is busy with her newborn baby as her significant other Jimmy (Coburn Goss) darts out the door. These scenes are interspersed with these men pulling off a robbery which goes horribly awry and results in their fiery deaths. The editing by Joe Walker is one of the best I have seen in any 2018 movie as he interweaves the different vignettes in a way which feels especially powerful.

From there, the four women attempt to pick up the pieces of their shattered lives as reality comes down hard on them in ways they are not prepared for. Things are especially precarious for Veronica when she is visited by crime boss and aspiring politician Jamal Manning (Brian Tyree Henry) who informs her Harry robbed $2 million dollars from him, and this money was lost in the fire. Jamal demands Veronica pay back this debt sooner rather than later, and the way he holds her dog during this scene will have pet owners gripping their armrests. Following this, Veronica gets together with the other widows to carry out a robbery which will net them the money they need to pay off said debt, and we watch as they take matters into their own hands in a way they never have previously.

I have a confession to make; this is the first movie by filmmaker Steve McQueen I have watched. McQueen has previously given us “Hunger,” “Shame” and “12 Years a Slave” which won the Oscar for Best Picture a couple of years ago. I certainly need to catch up on his work as his flair for filmmaking is clearly on display in “Widows.” Some of the long shots he pulls off here are amazing as the actors are forced to maintain an intensity which is not always easy to do in front of a camera, and it results in highly suspenseful and shocking moments which had the audience I saw it with gasping audibly.

At the center of “Widows” is Viola Davis who has long since proven to be a force of nature. Ever since I first saw her in “Doubt,” she has proven to be a no-nonsense actress and her performances are never less than stunning. As Veronica, she provides the story’s center of gravity as she forces the other women to join with her in a mission no one can easily prepare for, and she does this even as her heart is shattered by a grief she cannot keep inside forever. Even in moments where she doesn’t say a word, Davis makes us see what is going on in her mind without having to spell it out for us. Watching her here, I was reminded of the lethal presence she gave off in the disastrous “Suicide Squad” and of how she would have made a better Joker than Jared Leto.

One actress who really needs to be singled out, however, is Elizabeth Debicki. As Alice, she takes her character from being an abusive pawn for her husband and her equally nasty mother Agnieska (a wickedly good Jacki Weaver) to becoming a person who finds the strength and self-confidence which has eluded her for far too long. She makes Alice’s transition both natural and subtle to where she inhabits the character to where you can never take your eyes off of her.

McQueen and co-writer Gillian Flynn of “Gone Girl” fame adapted this movie from the British miniseries of the same name, one which I’m fairly certain my parents have seen. In this movie’s 129-minute running time, they manage to fit in so many different layers to where “Widows” feels much longer than it already is, but I never lost interest in what unfolded. We get a strong sense of the desperate lives each character leads as they live in a world where no superhero can save them. The two have also moved the story from England to Chicago and, as David Mamet once said, “In Chicago, we love our crooks!”

An interesting subplot which emerges in “Widows” involves a political campaign between Jamal Manning and Jack Mulligan (Colin Farrell), for alderman of a South Side precinct. We already got a glimpse of Jamal’s criminal activities, but Jack is not free of corruption himself. Even worse, his father Tom Mulligan (Robert Duvall, great as always) does nothing to hide his racist attitudes and believes this office is theirs by blood regardless of what the voters end up saying. Farrell is terrific as Jack in showing the shadowy corners he is forced to navigate through in politics. It’s a position he doesn’t want to be in, but he is stuck in the shadow of his incumbent father who is not about to see his son lose the election, and he proves to be as morally compromised, if not more so, as his political adversary.

This also leads to a brilliant scene as McQueen follows Jack as he gets into a car with his associate, and the camera stays outside as we watch them travel from the poor neighborhood he is campaigning in over to the affluent neighborhood where he lives. Is there another scene in a 2018 movie which shows the disparity between the haves and have nots without the use of words? If there is, I haven’t seen it.

Michelle Rodriguez remains as badass as ever, and its great fun watching her hold her own opposite Davis. Cynthia Erivo, who showed us what a great voice she has in “Bad Times as the El Royale,” is furiously good as Belle, a babysitter and beautician constantly running off to the next paying gig as her desperation to keep her head above water keeps her apart from her daughter. And Daniel Kaluuya, who had scored one hell of a breakthrough with “Get Out,” is a devilish delight as Jatemme Manning, a cold as ice psychopath who doesn’t think twice about ending someone’s life, and his presence is enough to frighten the most jaded of filmgoers.

Does “Widows” have plot holes? Perhaps, but I was too caught in the story and performances to really give them any notice. Any questions this movie proved to be refrigerator questions. As for the meaning of that, look to Alfred Hitchcock. This is a thriller which digs deep into the lives of those undone by history and inequity, and it’s hard not to root for them as they take matters into their own hands in a desperate attempt to reach for the life they dreamed of but which is cruelly denied to them. It is full of surprises, many of which I did not seem coming, and McQueen holds us in his cinematic grip from start to finish.

Another thing to take into account about “Widows” is how it deals with the five stages of grief. Getting through them is never easy, but you knew this already. Seeing these characters struggle with their individual grief is not something which draws attention to itself right away, but the ending, which features a character breaking out into a smile she worked hard to get to, shows how one can get to the other side and move on. You could say this only happens in the movies, but this one does not take place in the land of superheroes and comic books. Reality can be harsh, and “Widows” never lets you forget that.

* * * ½ out of * * * *

‘Silver Linings Playbook’ is One of 2012’s Best Movies

Silver Linings Playbook movie poster

I always wonder about people who have been diagnosed with a psychological problem like bipolar disorder. Some of them have a tremendous zest and passion for life which makes me begin to wonder if it’s even fair to say they are sick. Everyone else gets so beaten up and run down by life to where it robs the smiles off their faces, and yet people like Pat Solitano, Bradley Cooper’s character in “Silver Linings Playbook,” seem so inspired by everything around them. Despite Pat’s problem, I came out of this movie desperately wanting to feel the way he feels as it seems like such a waste to become so infinitely numb to everything and anything in life.

Of course, Pat’s boundless zest for life has come at a huge price for him. “Silver Linings Playbook,” which comes to us from writer and director David O. Russell, starts off with Pat being released from a mental institution after being locked there for eight months. It turns out Pat was a former school teacher who went off the deep end one day upon coming home and finding his wife Nikki in the shower with another man. Pat did not take this well to put it mildly, and he went ballistic on the guy in a way no one will ever quickly forget.

Now that Pat’s been released, he is forced to move back in with his parents (played by Robert De Niro and Jacki Weaver) as he has lost his home and job, and his wife has since moved away and filed a restraining order against him. Pat is determined to move his life forward in a positive direction and win Nikki back, but he is still troubled by the discovery he made all those months ago. It also doesn’t help that a certain Stevie Wonder song, the same one played at Pat’s and Nikki’s wedding, was playing on the stereo when Pat found his wife at home but not alone. The song acts as a terrible trigger for him, and you feel his excruciating pain whenever it starts playing near him.

Cooper is best known for his work in “The Hangover” movies, but this role really shows the kind of actor he is truly capable of being. Cooper makes you sympathize with Pat’s sincere intentions to be a better person even when he flies off the handle for unexpected reasons. Just watch him go ballistic after he finishes reading Ernest Hemingway’s “A Farewell to Arms.” From start to finish, Cooper is a dynamo as Pat, and you relish in the joy he gets from playing this character.

Cooper is also well matched with Jennifer Lawrence who provides a passionate and fiery turn as Tiffany. Now a widow after her husband passed away, Tiffany speaks her mind bluntly and without apology, and it is clear she is still coping with a devastating loss. Lawrence blew us away with her breakthrough performance in “Winter’s Bone,” and her talent as an actress has never been in doubt since. She more than rises to the challenge presented to her in “Silver Linings Playbook” in creating a character who on the surface is not exactly pleasant, and yet she still lets us see the wounded humanity which Tiffany’s tough exterior cannot hide.

The film also features a number of terrific supporting performances as well. Robert De Niro gives one of his best performances in a long time as Pat’s father who is as hopeful for his son’s recovery as he is for the Philadelphia Eagles to win every single football game they play. Jacki Weaver, best known for her Oscar nominated performance in “Animal Kingdom,” also lends strong support as Pat’s mom. There are also some inspired turns from John Ortiz as Ronnie and Anupam Kher as Dr. Patel, and even Julia Stiles shows up as Tiffany’s sister Veronica.

But one supporting performance which really stands out in “Silver Linings Playbook” is Chris Tucker’s as Danny, Pat’s friend who leaves the mental institution only to find he’s not really allowed to just yet. Not only is this the first movie Tucker’s done in a long time without “Rush Hour” in the title, but he also dials down his manic comic energy to give a surprisingly naturalistic performance. Tucker is a lot of fun to watch here, and he fits in perfectly with the rest of the cast without ever upstaging anybody.

“Silver Linings Playbook” is based on the book of the same name by Matthew Quick, and it is the perfect fit for David O. Russell. His films, whether it’s “Flirting with Disaster,” “The Fighter” or even “Three Kings,” deal with complicated characters who are trying to salvage what is left of their souls so they can move on to better things. This one is no different as Pat and Tiffany need each other to get past the traumas which have come to define their lives in the present. Russell presents their story in a way which never feels the least bit formulaic, and he never ever takes the easy way out with these characters.

What I’ve come to love about Russell’s movies is how they feel alive in a way most don’t. With “Silver Linings Playbook,” you are watching lives unfold in front of you, and it is directed to where you experience what’s happening instead of just watching it. Regardless of the problems these characters face here, there is something strangely positive and fulfilling in seeing them overcome all which is holding them back. It is also exhilarating to watch characters so filled with passion and a love for life, and this film is full of them. This is really one of the most entertaining and enjoyable movies I saw back in 2012.

* * * * out of * * * *