Underseen Movie: ‘Sarah’s Key’ – A Unique Look at the Effects of the Holocaust

Sarah’s Key” is what some would say is yet another movie dealing with the Holocaust and its impact on us all, but do not be fooled into thinking it is going to be the same old thing. Based on the novel “Her Name Was Sarah” by Tatiana de Rosnay, it ventures into this dark part of history from a different perspective as we watch the French army and bureaucracy aiding the Nazi party as they rounded up Jews and shipped them to Auschwitz; this event was called the Vel’ d’Hiv’ Roundup. As the story moves back and forth in time from 1942 to 2009, American journalist Julia Jarmond (Kristin Scott Thomas) works to solve a decades-old mystery which can no longer remain hidden, and these days we are all sick of things remaining hidden.

In 2009, Julia has moved into an apartment with her French husband and teenage daughter. She had previously written a celebrated article about the Vel’ d’Hiv’ Roundup, and he soon learns her husband inherited the apartment from his grandparents who came into possession of it during the 1940’s. From there, she becomes obsessed in learning about the apartment’s history, and she learns it was the scene of an unspeakable incident. Finding out the truth about this incident, however, proves to be extremely difficult as her family sees it as too damaging to reveal to the world at large.

Julia’s main focus is centered on a young girl named Sarah Starzynski (Mélusine Mayance) who hid her little brother Michel in a closet to keep him from getting rounded up by the Nazis along with everyone else. She makes him promise to stay in the closet until she returns, and she takes with her the only key which can unlock it. But Sarah soon realizes no one will be going back home anytime soon, and she escapes her captors in a desperate attempt to save Michel before it’s too late.

Like Stephen Daldry did with “The Reader,” director Gilles Paquet-Brenner makes the transitions between the past and present feel seamless to where it never feels jarring. He also avoids turning “Sarah’s Key” into a schmaltz fest begging for Oscar consideration which is quite the relief. By getting naturalistic performances from the cast, he creates an atmosphere which feels real and not exaggerated for effect. You end up getting caught up so emotionally in the story and its characters to where you do not feel like you’re watching just any motion picture.

Thomas is an amazing actress who never gets the same acclaim actresses like Meryl Streep or Viola Davis do on a regular basis. Maybe it is because her acting is not as theatrical, but Thomas’ strength is in inhabiting characters to where you never catch her acting. She pulls off a flawless American accent to where she makes the act look effortless, and she speaks fluent French ever so beautifully.

Attention must also be paid to Mélusine Mayance who gives a very believable performance as the young Sarah. Called upon to portray a child going through horribly nightmarish circumstances, Mayance holds her own amongst the adults, and she breaks your heart through her utter commitment to the character she portrays. Throughout, she makes you share Sarah’s desperation in getting to her little brother before someone else does, and she makes you feel her accomplishments and disappointments in every which way.

“Sarah’s Key” is one of those movies I find it hard to find any fault with it. Everything seems to fit together perfectly, and nothing ever appears superfluous to the story. While it treads the well-worn ground of Holocaust movies and of what happened to millions of Jews, it finds an interesting angle by looking at the complicity of the French in this atrocity. It never did get much of a release as it spent little time in theaters near you, and you will probably be hearing about it more about on physical and digital media. Here is hoping that it finds a bigger audience than the one it has already gotten to date.

* * * * out of * * * *

‘The Reader’ Features a Brilliant and Galvanizing Performance from Kate Winslet

The Reader movie poster

WRITER’S NOTE: This review was written back in 2008.

The Reader” has been getting mixed reviews, and I can’t understand why. I was expecting a good movie with great performances when I went in to see it, but I ended up getting a lot more than that. My father was with me when I saw the movie, and he confirmed it was astonishingly faithful to the book it was based on. Indeed, “The Reader” is an emotionally devastating journey through the beginning of an affair between a young student and an older woman, and of the aftermath it lays on both of them. Every single performance here is extraordinary, particularly the one given by Kate Winslet. If she does indeed get nominated for this movie or “Revolutionary Road,” she will certainly deserve the Oscar this time around.

Winslet plays Hanna Schmitz who works as a ticket taker for the local trains going in and out of the town, and she encounters young Michael Berg (David Kross) who is sick and depressed. She takes care of him and even walks him home. Michael later returns to where she lives to thank her for what she did, and from there the two have a secret affair which involves both sex and reading. Hanna asks Michael to read to her before they make love, and he does so with tremendous enthusiasm to say the least. This deepens their relationship even while it remains a secret between the two of them, and it lasts for several months.

Part of the movie’s success in affecting you may depend on how much of yourself you see in the character of Michael Berg. Many of us would not like to remember ourselves as ever being weak, but something deep in our subconscious would certainly have entertained the idea of having an affair with an older woman, let alone Kate Winslet. As a teenager, your hormones are jumping up and down on an ever-expanding trampoline in the realm of puberty, so thinking about something other than girls will be a bit challenging. All the same, common sense might kick in somewhere which can, and should, stop us from being involved in such a relationship.

In many ways, “The Reader” is an argument against this kind of a relationship as this one elicits even more heartache, confusion, and emotional scars which can last a lifetime. They say the first love is always the hardest because of the eventual break up which hurts like a son of a bitch. Clearly, there are not many break ups or separations which can hurt as much as the one experienced by Michael and Hanna.

2008 may be remembered as the year of Batman, the late Heath Ledger, Robert Downey Jr. and many other things. I do hope it is also known as the year of Winslet. On top of “The Reader,” she also has “Revolutionary Road” coming up which is directed by her husband Sam Mendes. She needn’t have been nominated for an Oscar five times already to convince us of what a superb actress she is. Winslet manages to do many things I cannot see another actress doing as effectively, and she superbly handles the aging of her character without overdoing it or falling into some caricature of an elderly person we may have preconceptions of. Winslet immerses herself into this role ever so fearlessly, and she gives us one of the most compelling and emotionally devastating performances of the year.

Winslet also does something which at first would seem unthinkable and horrifying; she gives a human face to the SS officers who were later prosecuted for their role in the murder of millions of Jews during the Holocaust. From a distance, we would simply shout down at these people because of the horrible things they have done. Winslet wisely does not make us sympathize with what her character has been through, but she makes us see Hanna’s pain throughout the trial as she is caught up in a situation she does not entirely understand. This later leads to a revelation about her which I will not reveal as it will destroy the mystery of her character for the audience this movie deserves. But this secret is something Hanna feels much more ashamed of than her role as an SS officer.

It also brings up an interesting point worth dwelling on. These officers are being prosecuted for their role in the worst kind of atrocity, and probably rightly so. I say probably because in the end, these are just soldiers who were ordered to do their jobs by a genocidal maniac named Adolf Hitler. As history shows, the hierarchy of an evil or highly immoral regime seems to get off somewhat easier than the soldiers whom, whether we agree with their actions or not, were simply doing the job they were commanded to do. For them to simply not do their duties would have led to their deaths by a simple bullet in the head. Obviously, the atrocity of the Holocaust brought on a strong need for revenge in its aftermath, and prosecutors went after perhaps the only ones who could be easily prosecuted as Hitler killed himself before he could ever be captured. While I watched the movie, my dad leaned over to me and said, “Just remember this when they prosecute those soldiers from Abu Ghraib and not Donald Rumsfeld.”

As much as “The Reader” may seem like the Kate Winslet show, there are many other performances to admire other than hers. The one performance which might come across as the most underrated is the one given by David Kross as the young Michael Berg. Throughout all the scenes he has with Kate, he more than holds his own with her as he conveys the hell of an emotional turmoil he goes through both as a teenager, and later as an adult. In retrospect, Kross has the hardest role in the movie as he has to convey many things about his character without saying a word. We know why Michael is going through so many conflicting emotions, but the characters around him don’t know this. Furthermore, they cannot know as this would implicate Michael in a situation he will not ever be able to escape from. I have not heard of Kross before this movie, and I am interested to see how he got the role as his performance is nothing short of astonishing.

And of course, we have the great Ralph Fiennes as the adult Michael Berg, and he conveys how the character never moved on fully from the affair he had so many years ago. Fiennes portrays him as a man who knows he is more emotionally distant from people than anyone should be, and he is aided by Kross’ performance as we see why this is the case.

Director Stephen Daldry previously directed the film adaptation of “The Hours” with Nicole Kidman, Meryl Streep and Julianne Moore. Along with “The Reader,” he seems to be working with a recurring theme of women caught up in a world they are desperate to escape from. Even if such an escape lasts only a brief moment, they are caught up in a world not necessarily of their own making, and it threatens to kill their soul completely. Daldry certainly isn’t afraid to venture into emotionally charged material, or of material many will simply view as depressing.

“The Reader” is pretty certain at this point to have a place on my list of the best movies of 2008, and not just for the brilliant performance given by Kate Winslet.

* * * * out of * * * *

Exclusive Interview with Joe Berlinger about ‘Intent to Destroy’

Many of us grew up believing the Holocaust was the first instance of genocide in modern history, but this was not the case. The first came with the Armenian Genocide which began back in 1915 when the Ottoman Empire rounded up and executed over a million Armenians, but this horrific event ended up being swept under the rug by the Turkish government, and even today they deny such an atrocity took place. But awareness of the Armenian Genocide continues to rise all around the world with marches and motion pictures which, once upon a time, were very easy to shut down before a single frame was shot.

Among those eager to make everyone aware of this horrific part of history is filmmaker Joe Berlinger, and he does so with his documentary “Intent to Destroy.” With it, Berlinger looks deep into the facts of this horrific event to where no one can ever say it didn’t happen, and he also gives us a behind the scenes look at Terry George’s “The Promise” which was the one movie no one could stop from being made about this subject matter. Starring Christian Bale, Oscar Isaac and Charlotte Le Bon, the movie was a box office bomb, but the fact it got made and released at all is in itself a huge miracle.

I got to speak with Berlinger about “Intent to Destroy” and this piece of history which I was never taught about in school. Berlinger is, of course, best known for directing some of the best documentaries including the “Paradise Lost” trilogy, “Brother’s Keeper” and “Metallica: Some Kind of Monster,” all of which show him digging deep into subject matter in a way others are unable to. With this documentary, he forces us to recognize a part of history which can no longer be suppressed.

Berlinger discussed how he first became aware of the Armenian Genocide, and of how it was a result of him having an interest in the Holocaust. He also talked about “The Promise” and of how the movie was released by Hollywood but not exactly produced by it. In addition, Berlinger also showed me how the events of this documentary relate to the events of today as we are living in a time of fake news and alternative facts which serve to keep us away from the truth those in power want to desperately suppress. Indeed, this documentary’s tagline says it best:

“Whoever controls the narrative, controls the history.”

“Intent to Destroy” opens on November 10, 2017 at the following theaters:

The Laemmle Playhouse in Los Angeles

Pacific Theatres in Glendale

Village East Cinemas in New York

Check out the interview above and enjoy!

Intent to Destroy poster