Who is Billy Jack?

“Billy Jack” is a movie I have heard about time and time again, and it was on July 30, 2012, when I finally got to see it for the first time. Billy Jack is a half-Indian Green Beret Vietnam veteran whose experiences have molded him into this protector who is out to defend those who cannot defend themselves. Tom Laughlin, who played Billy Jack and directed all the movies this character was in, seems inseparable from Billy Jack as both are out to protect those individuals who were sworn by their government to protect them, but which have failed to do so. While no more “Billy Jack” movies have been made in the longest time, Laughlin still fought for the rights of others throughout his life.

The character of Billy Jack was first introduced to audiences “The Born Losers” which was inspired by the real-life incident where members of the Hell Angels got arrested for raping five teenage girls. “The Born Losers” proved to be the first of Laughlin’s movies which was embedded with a layer of social criticism and an anti-authority tone which remained constant throughout each “Billy Jack” film ever made.

The movie “Billy Jack” came after “The Born Losers,” and it was a response to the conflicts Native Americans often found themselves caught up in. Its sequel, “The Trial of Billy Jack,” was a comment on the anti-war protests which were met by violence from the National Guardsmen who fired upon those protesters, and its follow up, “Billy Jack Goes to Washington,” has the title character battling against senators who are more interested in representing the interest of those representing nuclear power than the people. Even his unfinished sequel, “The Return of Billy Jack,” had political overtones as Billy went to New York to fight those supporting child pornography.

Taking this into account, Laughlin appears to be the first liberal action movie hero as his politics played a big part in each film he made. Then again, calling him a liberal may not be entirely fair as he has gone from one political affiliation to another over the years. In the end, he does not need a particular political label as his goals remain the same; fighting for the rights of ordinary Americans who are not always heard in the way they should be.

All these political and human rights interests greatly informed each movie Laughlin did, and this of course led to many conflicts between him and movie studios. When it came to “Billy Jack,” the movie’s original distributor, American International Pictures (AIP), refused to release it unless Laughlin removed all the political references featured in it. Laughlin, of course, refused to remove them, and he and his wife Delores Taylor, who played Jack’s girlfriend and schoolteacher Jean Roberts, ended up stealing the movie’s sound reels and held them hostage until AIP gave them back their movie.

Warner Brothers ended up releasing “Billy Jack” in 1971, but it failed at the box office and Laughlin sued the studio to get back the rights as he was upset at the way it was promoted. He ended up re-releasing the film himself, and it ended up grossing over $40 million at the box office against a budget of $800,000. Adjusted for inflation, it remains one of the highest grossing independent films ever made.

“Billy Jack,” however, was not without controversies as critics assailed its apparent hypocrisy. In his review of the movie, Roger Ebert said that “Billy Jack seems to be saying that a gun is better than a constitution in the enforcement of justice. Is democracy totally obsolete, then? Is our only hope that the good fascists defeat the bad fascists?” Leonard Maltin ended up saying about the movie that “seen today, its politics are highly questionable, and its ‘message’ of peace looks ridiculous, considering the amount of violence in the film.”

Still, many embrace Billy Jack as a character and the movies he appears in, and this was proven by the large turnout at New Beverly Cinema which cheered him on as soon as he made his first entrance in the movie which is named after him. Seeing Billy grimace at and intimidate the bad guys who were foolish enough to end up in his path had us endlessly entertained, and this remains the case so many years after the film’s initial release.

Laughlin ended up leaving Hollywood to found a Montessori preschool in Santa Monica, California which later became largest school of its kind in the United States. He would eventually turn his attention to politics and psychology as they became the tools with which he could fight injustice. Looking at his life back then and now, it becomes clear how Laughlin and Billy Jack are in many ways the same person as they fight for those whose rights are in danger of disappearing.

Laughlin passed away in 2013 in Thousand Oaks, California at the age of 82. Back in 2007, he announced he was planning to make another film featuring Billy Jack, but this did not happen for a number of reasons. Still, had he made another film with that character, I have no doubt many filmgoers would have welcomed it with open arms.

Matt Cimber Discusses ‘The Black Six’ at New Beverly Cinema

The Black Six movie poster

On February 22, 2011, the Grindhouse Film Festival presented their answer to Black History Month with the blaxploitation classic “The Black Six.” This took place at New Beverly Cinema, and the organizers of the festival, Eric Caidin and Brian Quinn, had this to say, “As white guys, we find this an important part of black culture.”

Joining them was the director of “The Black Six,” Matt Cimber. He announced to the audience this was the first time he has seen the movie in 40 years, and he said he “suffered through it.” The film is best known for starring football players who were at their peak: Gene Washington, Mean Joe Greene (his name generated the biggest applause), Mercury Morris, Lem Barney, Willie Lanier, and Carl Eller. Cimber’s agent at the time told him he could put together a bunch of football players if he could put together a movie. The only catch was there could be no drugs, no swearing, and no naked women.

Cimber said all the guys were game and that he wrote a good script for them to work with. When he started as filmmaker, he was encouraged by a friend to make “black films” because the thought was most people didn’t understand black people. It was fun making “black pictures” for him because there was a lot of great talent in the black community, and many actors weren’t really getting hired.

“The Black Six” also had actual members of the Hell’s Angels in it, and they had to be paid at the end of each day in cash. But there was an even bigger problem: they didn’t like blacks. However, it turned out they were also big NFL fans, and everyone ended up getting along great. The film crew had to work hard though to keep the Hell’s Angels quiet during takes. One of them ended up driving his motorcycle through a hotel!

This film had a budget of $90,000, but each of the NFL players got $10,000 each. Cimber ended up being forced to cut corners wherever he could. The lady playing the farm owner was actually the one who owned the farm they filmed at, and that’s why she’s in the film. Triumph also gave the production some motorcycles to work with although the players said they looked like “little toys.”

The movie came out in 1974 long before the days of VHS, DVD, or any other kind of home entertainment. Back then, if you didn’t get your movie into theaters, you didn’t get your money back and you were dead. When it opened on Broadway in New York, many other movies were opening at the same time, but Cimber proudly said this was the only one with a line around the block.

Matt Cimber went from “The Black Six” to create a “varied” resume which was the result of him never focusing on just one idea or one thing. He also created and directed the successful TV series “GLOW: Gorgeous Ladies of Wrestling” which was a satire of the sport (Quentin Tarantino is said to be a big fan of it). While his work may not cry out for an Oscar, he has had a strong career which has lasted several decades and shows no signs of stopping anytime soon.