“WALL-E” was directed by Andrew Stanton who directed one of the very best Pixar movies, “Finding Nemo.” It takes place in the very distant future when Earth is no longer inhabitable due to uncontrollable pollution, and everyone lives in spaceships. In the midst of all this pollution and garbage is WALL-E whose name is an acronym which stands for Waste Allocation Load Lifter – Earth-Class. There are many like him, but this particular load lifter has long since developed a quirky personality. While he compacts waste into squares, he also collects things like Zippo lighters, Rubik’s Cubes, and parts from similar models which he can use as replacement parts on his body if anything falls apart. He lives a very lonely life with no one to converse with except a cockroach whom he lets wander around his home aboard a broken-down construction vehicle, and he is always watching scenes from the movie musical “Hello Dolly.”
Then one day, he is visited by a large spaceship which a makes a very loud landing on the barren planet. Released from it is a probe named EVE (Extra-terrestrial Vegetation Evaluator), and after some dangerous close encounters, WALL-E earns her trust and friendship. Things between them, however, gets tested when EVE’s mothership comes back, and WALL-E hangs on for dear life as the ship heads into space and towards a ship where what is left of humanity inhabits. What happens when these two board the ship will eventually change the course of everyone’s lives and the way they live.
Just when I thought Pixar couldn’t top itself, it succeeds in doing so yet again. The animation in “WALL-E” is predictably brilliant, but now it’s getting to where I can’t tell what’s animated and what’s real. The Rubik’s cube WALL-E and EVE play with looks very much like the real thing, and the attention to detail in these is almost frightening in its precision.
But the one thing that really makes Pixar movies so damn good is the stories filmmakers come up with, and the characters they create are ever so memorable. WALL-E’s design does remind me of Number 5, a.k.a. Johnny 5, from “Short Circuit,” as he is every bit as quirky as this character from the 1980’s. Pixar also takes a lot of risks by having this movie be devoid of dialogue for the first half hour. I imagine this would freak out other studios, but not Pixar. The fact there is no dialogue shows how good Stanton is in showing things without spelling them out to us.
“What are words for when no one listens anymore?”
“Do you hear me? Do you care?”
“WALL-E” is undeniably cute without having to become incredibly manipulative, and this is quite an accomplishment considering how many movies for kids can easily fall into such a trap. Pixar is the equivalent these days of what the Muppets were to me in 1980’s. Their movies appeal to both kids and adults, and it is great to see anyone in Hollywood making motion pictures which succeed in doing just that.
When “WALL-E” moves to the spaceship hovering just outside of the Milky Way galaxy, the movie becomes even more amazing on a visual level. The moment where we see WALL-E hanging on for dear life outside of the spaceship and touching the rings of Saturn is a beautiful moment in a movie full of them. The spaceship he and EVE end up on is called the Axiom, and all its passengers are obese people who sit and move all day long in chairs because being in space for so long has robbed them of their bone density. Now this is a movie which doesn’t hide from the horrors of being a coach potato.
WALL-E and EVE are machines, but you end up caring for them regardless of this fact. They make the perfect couple even if one is more advanced than the other. The heart of the movie is how they come together and of the changes they inadvertently make in the realm of humanity.
WALL-E is voiced by Ben Burtt, and he is responsible for some of the most well-known sound effects in movie history like the lightsabers from “Star Wars” as well as the sound of that gigantic boulder in “Raiders of the Lost Ark.” Burtt can now add this character to his great volume of work with pride. The character itself manages to convey so much through the use of sound and gestures. Whenever WALL-E tilts his mechanical eyes, he can easily go from emotion to emotion, and his voice adds to this as well.
EVE is the perfect match for WALL-E as they are an example of how the old and the more advanced can make the saying of opposites attract all the more valid. Beautiful in her sleekness and with two blue eyes to make her emotions all the more real, EVE is a brilliantly thought out character (and a little too trigger happy for her own good). The moments when these two machines connect are beautiful, and it gets you right in the heart in a way which does not feel the least bit manipulative (thank god for that).
When “WALL-E” gets on board the Axiom, it is a wonderful jab at how we humans have allowed ourselves to let technology overwhelm us to where it does all the work we should be doing ourselves. Laziness and complacency are far too easy to achieve when you have someone or something else doing everything for you. As a result, everyone on the Axiom is always in a chair. Exercise is not a priority, and being in outer space for so long has resulted in their bones almost disappearing. This is something NASA has to think about before they even think about sending astronauts to Mars. When the people of the ship rise against the technology holding them back, it’s a fantastic moment which cannot be easily forgotten.
I’m not sure what else I can say about “WALL-E” other than it’s another home run for the folks at Pixar. I look forward to whatever they do next year and the year after that. It is far and away one of the best movies of 2008, and it is now the one to beat in the summer movie season. For those attempting to do so, I wish you the best of luck because you are going to need it.