Worst Movie Trailers Ever: ‘Grizzly II – Revenge’

Okay, I have not seen this particular sequel yet, nor have I seen the workprint which has been floating around the internet for years. But seriously, I came across not just one but two trailers for “Grizzly II: Revenge,” and neither of them try to hide how god awful this film must be. It’s bad enough the title reminds me of another excruciatingly awful sequel involving a killer animal, “Jaws: The Revenge,” but this one is so shameless in inviting audiences to check it out regardless of its subpar filmmaking on display (and that’s being generous).

Truth be told, “Grizzly II’s” backstory is bound to be far more interesting than the film itself. A sequel to the 1976 “Jaws” knock-off “Grizzly,” it was made back in 1983, but its production quickly got derailed due to a lack of funding, constant feuding behind the scenes, and technical issues with its 16-foot mechanical bear. 37 years later, after a ton of legal wrangling, it is now being shown in its final cut. But unlike other long-lost films such as “Gone with The Pope” or long in the making sequels like “I Spit on Your Grave: Déjà vu,” this one is unlikely to be worth the wait.

The first thing we in these trailers is the appearance of a couple of Oscar winners, George Clooney and Laura Dern, and Charlie Sheen before he did “Platoon.” Their names headline this movie, but as we can see, they are not in it for very long. We see their screaming faces up close, and it is clear the bear will treat this trio as dinner since hibernation is out of the question. This is not the first time recognizable names have been exploited to garner attention for a movie, and it won’t be the last either.

From there, we are introduced to actors who are forced to spout ridiculous dialogue a film like this always has to offer. A female scientist tells a group that the bear they are hunting is “huge.” No! Really??!! I mean, heaven forbid the bear they are dealing with is a small one! Can you imagine a little cub going psycho on so many stupid and unsuspecting humans?

There is also a brief moment with Louise Fletcher of “One Flew Over the Cuckoo’s Nest” fame telling someone to kill the bear as soon as possible because there is a big concert coming up. And then we have John Rhys-Davies playing what I guess is a mountain man of sorts, and he has one of those dramatic moments where he pauses before saying something intended to be hair-raising (“It’s very bad… you got the devil bear!”).

Speaking of the concert, we are shown some of it as well. But while the crowd looks huge, the onstage performers look like they are re-enacting scenes from the so bad it’s good rock musical “The Apple.”

But perhaps the biggest problem with these trailers is the lack of the bear itself. We hear it grunting throughout and see its point of view from time to time, but we never see its face until the last few seconds. Before this, we see Davies preparing to attack it, and it looks like the actor is about to attack a big pile of wool designed to look like a bear’s legs. Clearly there is no real bear there as it would have gobbled up Davies before he had a chance to draw a weapon.

In the end, these trailers for “Grizzly II: Revenge” represent filmmaking and marketing at its most cynical. The producers are simply looking for a quick buck here as they are exploiting big names and this film’s troubled production history for all it is worth. This sequel may have been 37 years in the making, but that was never intended to be the case. Its production was simply a case of very bad luck, and now this sequel exists as a mere oddity.

All of this just makes me miss Bart The Bear, a real-life grizzly who upstaged Anthony Hopkins and Alec Baldwin in “The Edge.” Now if Bart were in this, it just might have been worth watching.

Exclusive Interview with Eliza Coupe about ‘The Last Time You Had Fun’

The Paley Center For Media Presents An Evening With

Eliza Coupe has left a strong impression on audiences on the TV shows “Happy Endings” and “Scrubs,” and now she makes her jump to the silver screen in the comedy-drama, “The Last Time You Had Fun.” In it, she plays Ida, a woman who is going through a lot of problems and is estranged from her crazy husband Jake (Jimmi Simpson). She ends up going out with her sister Alison (Mary Elizabeth Ellis), and in the process they meet the recently divorced Clark (Kyle Bornheimer) and his lawyer friend Will (Demetri Martin). From there, they jump into a limo and drive around Los Angeles with the hope of rediscovering the fun they once had in life before becoming adults.

I spoke with Eliza about “The Last Time You Had Fun,” and we both agreed it deals honestly with the struggles and disappointments of adulthood. She explained about how being divorced herself inspired her to play Ida, what it was like to work on a film with a very short shooting schedule, and of filming a scene in the Los Angeles ocean which did not look the least bit warm.

The Last Time You Had Fun poster

Ben Kenber: This is a good movie in how it deals with the responsibilities and frustrations of adulthood where you find yourself wondering if happiness is even a reality at some point. What parts of the script spoke the strongest to you when you read it?

Eliza Coupe: Well, I was actually going through a divorce when I decided to take this part. Part of me was like I don’t even want to go near this part because of that, and the other part of me was like well, maybe this would be like in therapy where people act things out with puppets, so maybe I should go to do this. This was live-action stuff so I was like, I’ll do it. Actually, I could relate so much to the character. My ex-husband and I are on great terms and he is not like Jimmy’s character. It was the whole thing of she knows that it needs to end but it can’t, and when do you know that it’s over. When you’re going through a divorce it’s like you have those thoughts all the time of I guess this is really it, and you just keep going back and forth. Because it’s a marriage you’re like, I’ve got to make a decision. So, I could really relate to the kind of indecisiveness and denial that she was in.

BK: it’s nice to know that you and your ex-husband are on good terms.

EC: Yeah, I just sent him a birthday card actually (laughs).

BK: What would you say that challenges or difficulties were for you in playing a character who appears to be emotionally unstable?

EC: What’s funny was that I welcomed it because I have done so much comedy. My characters are broken but they hide it really well. Obviously, anybody who’s that uptight or an A-type or alpha, they’re hiding some serious hurt, but she wore it on her sleeve. Part of the scene where my character calls her estranged husband outside of the limo, that was actually a much bigger scene. They cut it down and chopped it up a little bit, but when I did that one I had to get really emotional and I was actually, when we shot it, really sobbing. I haven’t had to do that on TV so it was difficult to get to that place, but it was also cool and I was excited to do it. It’s tough to pull that off.

BK: I imagine the shooting schedule for this movie was really, really short.

EC: Um yeah, and it was all nights. It was so brutal and I am such a morning person and I go to bed around 8 PM on a normal day when I’m not working. I changed my clock around.

BK: Did working that fast or at night help you in playing Ida?

EC: I think for sure. When you shoot so quickly and you have to get it all in, I think your adrenaline takes over and I’m pretty sure that every actor goes into flight or fright because it’s like look let’s get this done. You forget to eat, you forget to do anything, you’re not sleeping and you’re just doing it and you have to live in it. Honestly for this character, I was glad to not have to live in that for so long and I was happy that it was such a concentrated amount of time. When you’re tired and you’re kind of strung out and sleep deprived and all that stuff, it only adds to your acting. Even if you’re very sane and very mentally healthy you will fall apart if you don’t get sleep or if you’re on a weird sleep schedule, so it played a great role in my character.

BK: Director Mo Perkins said directing four people in one scene was a lot harder than directing just two. Did being in the scene with that many people present any challenges for you as well?

EC: I don’t think so. I guess I was kind of used to it because I come from ensemble comedies and that’s how it always was. Also, those three other actors were so fun and we had so much fun on camera and off-camera to where it felt like camp. It was the shortest summer camp where we had so much fun. At the end of the shoot we got each other these presents that were these inside jokes, and how we developed inside jokes in a matter of what felt like 15 days (it was longer than that, but it felt like that), it was just amazing. To be able to play off them in a scene, it just added to it because they were all kind of just going through the shit together.

BK: I have to ask you about the scene where the four of you jump into the ocean. I imagine the ocean was colder than it looked.

EC: Oh my God. It was 3 A.M., it was down by LAX (Los Angeles International Airport) and it was so fucking cold. Seriously, I think Dimitri and I both were like, we’re not doing it. There were moments where I’m like okay, I guess I’m going have to ruin this entire movie because I’m not going in there. Of course, we knew we were going in there, but your brain takes over in a way where you’re like, I’m not doing this. Actually, it was 48 degrees. I’m from New Hampshire and I was a total pussy. I was like this is insane, and getting in that water was the most guerrilla style filmmaking because we had a camera guy out there and there was a bag around the camera so that it wouldn’t get wet. The waves were crazy and he had to go out past the break of it. We would go running into the water and I’m topless, and I’m thinking they’re going to cut around this because in my contract they can’t show anything. But I was full on just boobs everywhere and they all saw every bit of me, but I didn’t care because I was so cold. It was the craziest experience, and then there was a stingray in the water and Mary Elizabeth ended up having a nice dance with the stingray. She was just like, “I just danced with a stingray in the water. I was just swimming around with it,” and I was like that’s great. My nipples are freezing and I’m going to die. We all went back into this crazy warming hut that had 20 heaters in it, and none of us cared about how the others were. It was like get me warm now! I can’t even go into the ocean in Maine because it’s so cold. I’m not an ocean person, but that’s a whole other issue.

BK: I read that the lifeguards on the set gave you a strong warning about the stingrays in the jellyfish that were out there in the ocean, so the fact you all still went in there speaks a lot to your bravery.

EC: Yeah, we were all making jokes afterwards. To this day we still all text each other that Mary Elizabeth got pregnant from Ray the stingray, so it’s just an ongoing joke and that now I’m dating him. Ray needs to take up a special thanks, but I guess he didn’t make it into the credits.

BK: I understand Ray the stingray actually appears in this movie.

EC: Mary Elizabeth says that it did. She said, “Did you see?” Crazy.

BK: According to your bio you studied at The Groundlings as well as Improv Olympic…

EC: Which is hilarious because I did not (laughs). Here’s why that says: I took one class at The Groundlings and actually that’s where I became friends with Nasim Pedrad, Mikey Day and Taran Killam. We all took the same classes together, and then I didn’t get moved forward because I wasn’t funny enough. I needed more work so I said fuck you (laughs) and moved back to New York. Before I did that, I paid to put up a one person show at Improv Olympic. After I moved to New York I rewrote the whole thing, and that’s where everything started. I put it up at UCB (Upright Citizen’s Brigade), but I actually never took classes there either. This is why in the comedy world everybody hates me because I’ve actually performed at all these theaters, but I’ve never taken any classes at any of them.

A big thanks to Eliza Coupe for taking the time to talk with me. “The Last Time You Had Fun” is now available to own and rent on DVD, Blu-ray, and Digital.

Above photo courtesy of Getty Images.

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