‘The Substance’ – A Gloriously Bold WTF Movie

It has been an hour now since I witnessed Coralie Fargeat’s “The Substance,” and I am absolutely convinced I will not see a more bug fuck crazy motion picture in 2024. It combines the extreme body horror of David Cronenberg’s films (“The Fly” in particular), the graphic effects of John Carpenter’s “The Thing,” and the brutal satire of “Network” to create a truly unforgettable motion picture which serves as a middle finger to unrealistic beauty standards, and also a reflection of our own internal biases which we don’t always face up to.

Demi Moore, in what may very well be her finest performance ever, stars as Elisabeth Sparkle, an Oscar winning actress who is currently hosting an aerobics show on television. It is also her birthday, her 50th to be exact, and while everyone is quick to wish her well, her boss Harvey (Dennis Quaid) is out to fire her as he sees her as being too old in a business which is constantly looking for young blood on an endless basis. In the process, what should be the happiest day of the year for her is now the worst ever as she is instantly rendered irrelevant in the eyes of many, and she barely survives a truly horrific car crash which would have killed anyone else.

Salvation, however, just might be coming her way when she is encouraged by a doctor to try a black-market serum which is simply called The Substance. It looks a lot like the one Herbert West used to awaken dead corpses in “Re-Animator,” and a sexy male voice, which sounds like it is about to say “I really am as sexy as I sound” tells her this serum will create a “younger, more beautiful, more perfect” counterpart of herself. This counterpart ends up emerging from a huge slit in her back in a style reminiscent of “Videodrome,” and while the situation might seem normal, we know this will eventually descend into an inferno no one could ever see coming.

The counterpart is Sue, and she is played ever so unforgettably by Margaret Qualley. Sue ends up auditioning for the job Elisabeth was fired from, gets hired for it, and she becomes a huge sensation in what seems like no time at all. Fargeat really takes the time to show off Sue’s alluring body and curves as she conducts her workout television show as if she is giving pointers on how to have great sex with your lover.

“The Substance” does take its time building up its characters and the serum both become a slave to, but it is all worth it as gives audiences much to enjoy before Fargeat rips the rug out from right underneath us and sends us all in a downward spiral Nine Inch Nails would have loved to make an album out of.

One term which stands out in this film is “respect the balance,” but it eventually becomes clear that Sue cannot as the demands on her become increasingly strenuous to where she uses more of the “stabilizer fluid” from Elisabeth than she has any right to. As a result, Elisabeth starts to see some startling deformations on her body which alarms her to a terrifying extent.

This is where the body horror of “The Substance” comes into full focus as Elisabeth realizes she needs to stop taking the serum, but losing Sue’s infinite success in a business which has pushed her coldly to the side becomes too terrifying to endure. As the story continues, it all becomes incredibly grotesque to where we as an audience become inescapably horrified than she is at the horrors none of us could ever be prepared for. How bad does it get? Well, let me put it this way; there is a track on Raffertie’s wonderfully propulsive soundtrack entitled “Golem.” Need I say more? Well, it’s safe to say this serum will not exactly be “my precious.”

There were a number of other movies I was reminded of while watching “The Substance.” The first was “Requiem for a Dream” in which we watch addicts struggle to obtain the American Dream by any means necessary only to find a pathway to a hell of their own making. Watching Sue continually drain stabilizer fluid out of Elisabeth reminded me of Jared Leto’s abscessed vein in “Requiem for a Dream” in which he injected heroin into. The abscessed veins in both movies are truly horrifying sights to see, and do not promise a better future for either character.

I am also reminded of David Cronenberg’s remake of “The Fly” while watching this film as body parts falling off the human body here have not been as mortifying as watching Jeff Goldblum’s ear fall off in front of Geena Davis. Sitting in a large audience while watching “The Substance,” there was no denying the strong reactions to t characters lose various body parts as it all kept leading to a horrific conclusion much like the one in Brian De Palma’s adaptation of “Carrie.”

Is this really Demi Moore’s finest hour? It may very well be, but this might imply that all her work before this doesn’t measure up, and that’s just insulting. I think she deserved more credit than she got for her work in “A Few Good Men,” and her performance in “G.I. Jane” is one I will never ever forget. In “The Substance,” she is perfectly cast as an actress whom many will be foolishly quick to say is past her prime as it says more about them than it ever will about her. She fully invests herself into the character of Elisabeth Sparkle, and she looks as fabulous as she ever has in the process.

But moreover, Moore has an unforgettable scene in which we see her preparing to go out on a date with an old school friend, only to hate what she sees in the mirror. Watching her violently wipe the makeup off her face reveals a self-hatred we have all experienced at one point in our crazy lives, and the effect this has on her is quite profound thanks to Moore.

Margaret Qualley makes Sue into more than a sex symbol of her time. Instead, she makes her into a person who is instantly gifted a stardom many others spend their lives striving for while the odds remain as astronomical as ever. Seeing her handle this newfound fame is something she makes all the more palpable throughout even as Sue descends into a hell of her own making which results in one of the bloodiest climaxes ever seen in a motion picture.

Just when you think “The Substance” cannot get crazier or bloodier than it already has, you are thrillingly proved wrong in epic fashion. But while I thought this film would descend into the same cinematic chaos which would leave forever psychologically scarred as “Requiem for a Dream” did, Fargeat gives the proceedings a good deal of satirical humor which helps to soften the blow. In fact, it makes everything all the more insidiously fun as we come to see this story will have an inevitably dark ending.

While we are at, I do have to single out Dennis Quaid’s unabashedly shameless performance as Harvey, the producer who heartlessly casts Elisabeth aside and hires Sue because she is ever so young. Quaid is truly sublime and hateful as he takes this heartless character and makes even more heartless than he already is. Seeing him gorge on an endless number of shrimps at the movie’s start is enough to make you see how selfish and thoughtless this guy is, and it is presented us in truly disgusting detail. Basically, he is as slimy as the shrimp he eats, but you all can see this even before he eats the last one on his plate.

“The Substance” is not a cinematic experience I will ever forget, and it is one of the best movies of 2024. In the process of giving us such an insane film, Fargeat gives a huge middle finger to those who continue to hold beauty standards to an obscene and unrealistic standard even this period of the Me Too and Time’s Up movements. It offered up an insanely good time, and watching it with a large audience made it all the more thrilling. If there is any movie out right now which invites you to see and experience it on the big screen, it’s this one.

* * * * out of * * * *

Andy Serkis on Returning to Play Gollum in ‘The Hobbit’

Gollum in The Hobbit

WRITER’S NOTE: This article was written back in 2012.

It is a thrill to see Andy Serkis return to the role of Gollum in Peter Jackson’s “The Hobbit: An Unexpected Journey.” While we marvel at the special effects which gave Gollum his unique if wretched look, it was Serkis who breathed life into the character in a way no one else could. His success in “The Lord of the Rings” got him cast in “King Kong” in which he portrayed the big ape, and audiences were begging to see him get an Oscar nomination for his brilliant performance as Caesar in “Rise of the Planet of the Apes.” Seeing Serkis return to the role that made him a star brings everything around full circle for the actor, and we are constantly fascinated at how he approaches roles that surround him with a wealth of special effects.

Serkis first played Gollum over a decade ago, and the character was 600 years old back then. “The Hobbit: An Unexpected Journey” takes place sixty years before the events in “The Lord of the Rings” so he looks a little better here, but that is not saying much. But what has really changed about how Serkis plays Gollum is the technology involved in filmmaking. While “The Lord of the Rings” movies were shot on film, “The Hobbit” was made digitally. Serkis talked with Fox News’ Ashley Dvorkin about the differences this time around.

“So I was acting with Elijah Wood and Sean Astin and we would all play out the scenes together, so that hasn’t changed,” Serkis told Dvorkin. “But the thing that’s changed is that I had to then go and shoot it again on the motion capture stage. So I had to repeat everything twice. So I shot everything twice in effect. Whereas 12 years later, now we have full performance capture on set so I can just play the scene once – I’ve got a head mounted camera which is capturing all my facial expressions. The suit is able to act in a live action set and we just played the scene like, two conventional actors playing the scene with each other. So it’s much, much better.”

Gollum, be it in “The Lord of the Rings” or “The Hobbit,” has always resembled a heroin addict who is relentlessly eager for his next fix. In talking with Katy Steinmetz of Time Magazine, Serkis said the character’s physicality was “borne out of his addiction to the ring.” The way he describes it, this really was the best way for him to fully inhabit the character, and he talked about the inspirations which played a part in his performance.

“His personality, the involuntary way in which his body spasms when the word Gollum comes out of his mouth, is connected to the guilt that he carries with him in his throat from murdering his cousin,” Serkis told Steinmetz. “He is described by Tolkien in many different ways, as a puppy with Frodo and a spider and a frog. I based him a lot on Francis Bacon’s paintings, the agony and torture, which are in turn based on Eadweard Muybridge’s photographs. The references for me were very layered.”

Seeing Gollum move all over, as if he is completely incapable of staying in one place for more than a couple of seconds at a time, makes this seem like one of the most physically demanding roles any actor could take on in their career. I am constantly interested in how Serkis can keep his energy up while playing a character like this as he must get worn out often while on set. He went into more detail with James Rocchi of MSN Entertainment about just how physical playing Gollum is for him.

“It’s very physical. Gollum is an incredibly physical role,” Serkis told Rocchi. “And it’s a combination of physicality and of course vocal. They’re so entwined with each other, so meshed with each other. It’s a pretty exhausting role, but I had such fun playing it with Martin (Freeman who plays Bilbo Baggins). It (the cave scene where they first meet) was the very first thing we shot on the movie as well. It was day one of 276 days of shooting, and there was I was face to face with Martin finding his way into playing Bilbo. And we shot the scene in its entirety every single time. And then Pete would move the camera between takes and let us roll it again. We would just play the whole scene out. And it was really, really exciting when we’re doing it.”

After playing Gollum in several movies, you might think Serkis would be sick to death of this role by now. However, this does not prove to be the case as the character has had a huge impact on his life. He even told Dvorkin he has a full-sized sculpture of Gollum made by WETA (the digital visual effects company based in Wellington, New Zealand) sitting in his office at his home. Even he is not blind as to the positive impact Gollum has had on his acting career as a whole.

“He’s been like a watershed character for me twice in my life now,” Serkis told Dvorkin. “First of all because not only because he is an amazing character to play the first time around but it was also the beginning of this journey into a performance capture which has enabled me to play so many other amazing roles. By virtue of the fact of him arriving that whole other list of characters has been what I’ve been working on the last decade. And then coming back full circle to playing him again in ‘The Hobbit’ also has brought me to directing. So both times, he’s not only been this amazing creature and great character to explore, but has shifted my life.”

It looks like we will be seeing more of Andy Serkis as Gollum in the future as Peter Jackson’s “The Hobbit” is now being expanded into three movies instead of just two. Many fans still have some issues with this as J.R.R. Tolkien novel is only 300 pages long, but Serkis is more than confident in Jackson’s ability to pull this particular trilogy off. Since the actor has already spent a number of years working with Jackson, his belief in the director seems more than justified.

SOURCES:

Ashley Dvorkin, “‘The Hobbit’s’ Andy Serkis has full-size Gollum sculpture in his house,” Fox News, December 14, 2012.

Katy Steinmetz, “The Hobbit’s Andy Serkis on Getting Inside Gollum’s Skin,” Time Magazine, December 11, 2012.

James Rocchi, “Interview: Andy Serkis of ‘The Hobbit: An Unexpected Journey,'” MSN Entertainment, December 17, 2012.

Martin Freeman on Playing Bilbo Baggins in ‘The Hobbit’

Martin Freeman The Hobbit photo

WRITER’S NOTE: This article was written in 2012.

He’s made a name for himself on BBC television shows like “The Office” and “Sherlock,” and he had the lead role of Arthur Dent in “The Hitchhiker’s Guide to the Galaxy.” But now actor Martin Freeman gets his biggest role to date as Bilbo Baggins in “The Hobbit: An Unexpected Journey.” This character was previously portrayed by Ian Holm in Peter Jackson’s “Lord of the Rings” trilogy, but Freeman now has the privilege of playing Bilbo in a movie which takes place sixty years before that trilogy’s beginning.

When it comes to portraying a character who has been played by a well-known actor in previous films, the task can seem quite daunting. Any actor in this position usually has to deal with a shadow hanging over them as their performance will always be compared to what came before. Holm’s Bilbo, however, functioned more as a cameo in “The Lord of the Rings” movies as he was only in them briefly. Furthermore, Freeman more than makes this role his own as he takes Bilbo from being someone who’s just minding their own business to someone willing to risk their life to help others. Still, you had to wonder if Freeman spent a lot of time studying Holm’s work in the previous films. Eventually, he cleared this up with Steve ‘Frosty’ Weintraub of the Collider website.

“I’ve watched the films again, obviously in more detail before I came to this. I looked at Ian’s (performance) more when I needed to. Again, I don’t really know how much I should say, but there were points where it was relevant for me to look very closely at Ian’s performance,” Freeman told Weintraub. “But generally, no because I think we’re quite good. I know why I was cast; do you know what I mean? Because I think we’re not that dissimilar, physically or whatever else. I think if I was, I don’t know, Jeff Goldblum or someone, then I might be thinking right, hang on, if he’s the older me I’d better attend more to something else maybe. Well, grow, for a start. But no, ’cause I think I was always trusted with it.”

“All I was told, which I think was flattery, and probably bollocks, was you are the only person to play it. So, I thought, well if they think that, then I’ve got to trust that,” Freeman continued. “And there’s only so much you can run with someone else’s thing. It’s very helpful in the way that it’s brilliant as he is always brilliant, and it’s a beautiful establisher of that character and a very loved one for obvious reasons. But it can also hamper you if you’re thinking, like in the barrels, if there’s even part of me thinking, how would Ian have done this, then I’m fucked. So, I’ve got to let that go. I’ve always been mindful of it because I’m familiar with it. But I think the work for that connection was done in the casting of me, rather than what I’m then going to do on top of it.”

In an interview with Colin Covert of the Toledo Blade, Freeman described Bilbo as being neither “the main guy in the room” or an “alpha male.” Looking back at “The Hobbit: An Unexpected Journey,” this gave the actor a great starting off point as he has to take this character from being a timid and rather pompous man to one who acts selflessly. Freeman really gives an exceptional performance as Bilbo’s transition from a self-centered person to a warrior of sorts feels seamless and subtle. You never consciously catch the actor trying to shift his character in a certain direction because it all seems to come about naturally.

One of the movie’s pivotal scenes comes when Bilbo meets up with Gollum who is again played by the brilliant Andy Serkis. This scene was actually shot in the first week of production and apparently took a whole week to film. When it comes to CGI characters, the actors usually have to play opposite something or someone which isn’t there. Fortunately for Freeman, Serkis was there on set to give life to Gollum, and he talked with Meredith Woerner of i09 about what it was like working with Serkis.

“Andy feels real,” Freeman told Woerner. “Obviously he doesn’t look like Gollum, strictly speaking, but he’s being Gollum. And I’m an animal of the theater and you’re used to using your imagination. You don’t have to use your imagination that much when you hear that voice and see the physicality and you think, oh there’s Gollum. There’s a man or a creature that wants to eat me. It didn’t feel very cheated at all. Gollum is such a beloved character. There’s a special place in people’s hearts for Gollum, I think. People who love the books and the films are delighted he’s in this, I think.”

Seriously, Martin Freeman gives a pitch perfect performance as Bilbo Baggins in “The Hobbit: An Unexpected Journey” to where you wonder if he and Ian Holm were actually separated at birth. This bodes well for the next two movies in Jackson’s “Hobbit” trilogy, and it will be interesting to see where Freeman takes this character from here.

One other thing; Freeman made it clear how Leonard Nimoy’s song “The Legend of Bilbo Baggins” did not play a big part in his research for the role.

“It helped me enjoy that three minutes of listening to it,” Freeman said of the song. “I’m still baffled by it.”

SOURCES:

Steve ‘Frosty’ Weintraub, “Martin Freeman Talks the Ring’s Impact on Bilbo, Being a Favorite for the Role & a Lot More on the Set of THE HOBBIT,” Collider, October 25, 2012.

Colin Covert, “Q&A; with ‘Hobbit’ Martin Freeman,” Toledo Blade, December 17, 2012.

Meredith Woerner, “The Hobbit’s Martin Freeman on dwarves, Gollum and Leonard Nimoy,” i09, December 16, 2012.