Underseen Movie: ‘Sarah’s Key’ – A Unique Look at the Effects of the Holocaust

Sarah’s Key” is what some would say is yet another movie dealing with the Holocaust and its impact on us all, but do not be fooled into thinking it is going to be the same old thing. Based on the novel “Her Name Was Sarah” by Tatiana de Rosnay, it ventures into this dark part of history from a different perspective as we watch the French army and bureaucracy aiding the Nazi party as they rounded up Jews and shipped them to Auschwitz; this event was called the Vel’ d’Hiv’ Roundup. As the story moves back and forth in time from 1942 to 2009, American journalist Julia Jarmond (Kristin Scott Thomas) works to solve a decades-old mystery which can no longer remain hidden, and these days we are all sick of things remaining hidden.

In 2009, Julia has moved into an apartment with her French husband and teenage daughter. She had previously written a celebrated article about the Vel’ d’Hiv’ Roundup, and he soon learns her husband inherited the apartment from his grandparents who came into possession of it during the 1940’s. From there, she becomes obsessed in learning about the apartment’s history, and she learns it was the scene of an unspeakable incident. Finding out the truth about this incident, however, proves to be extremely difficult as her family sees it as too damaging to reveal to the world at large.

Julia’s main focus is centered on a young girl named Sarah Starzynski (Mélusine Mayance) who hid her little brother Michel in a closet to keep him from getting rounded up by the Nazis along with everyone else. She makes him promise to stay in the closet until she returns, and she takes with her the only key which can unlock it. But Sarah soon realizes no one will be going back home anytime soon, and she escapes her captors in a desperate attempt to save Michel before it’s too late.

Like Stephen Daldry did with “The Reader,” director Gilles Paquet-Brenner makes the transitions between the past and present feel seamless to where it never feels jarring. He also avoids turning “Sarah’s Key” into a schmaltz fest begging for Oscar consideration which is quite the relief. By getting naturalistic performances from the cast, he creates an atmosphere which feels real and not exaggerated for effect. You end up getting caught up so emotionally in the story and its characters to where you do not feel like you’re watching just any motion picture.

Thomas is an amazing actress who never gets the same acclaim actresses like Meryl Streep or Viola Davis do on a regular basis. Maybe it is because her acting is not as theatrical, but Thomas’ strength is in inhabiting characters to where you never catch her acting. She pulls off a flawless American accent to where she makes the act look effortless, and she speaks fluent French ever so beautifully.

Attention must also be paid to Mélusine Mayance who gives a very believable performance as the young Sarah. Called upon to portray a child going through horribly nightmarish circumstances, Mayance holds her own amongst the adults, and she breaks your heart through her utter commitment to the character she portrays. Throughout, she makes you share Sarah’s desperation in getting to her little brother before someone else does, and she makes you feel her accomplishments and disappointments in every which way.

“Sarah’s Key” is one of those movies I find it hard to find any fault with it. Everything seems to fit together perfectly, and nothing ever appears superfluous to the story. While it treads the well-worn ground of Holocaust movies and of what happened to millions of Jews, it finds an interesting angle by looking at the complicity of the French in this atrocity. It never did get much of a release as it spent little time in theaters near you, and you will probably be hearing about it more about on physical and digital media. Here is hoping that it finds a bigger audience than the one it has already gotten to date.

* * * * out of * * * *

‘Where to Invade Next’ Proves the American Dream is Still a Reality, Just Not in America

Where to Invade Next poster

With his documentary “Where to Invade Next,” Michael Moore comes into it looking more run down than usual. It’s been a few years since “Capitalism: A Love Story” in which he railed against the economic order of America and the consequences of runaway greed, and since then he has weathered through numerous events including a divorce and a bout with pneumonia. However, he still has enough energy to continue his fight to make America a better place.

“Where to Invade Next” starts off with a brief history of America and the countries it has invaded, and it also makes clear how World War II was the last big war America ever won. Since then, America has been engaged in highly unpopular conflicts in Iraq and Vietnam, and it has suffered greatly in the wake of 2008 economic crash. In an effort to find ways to make America better, Moore decides to playfully invade other countries to steal their good ideas and bring them back stateside to be put to good use.

As always, Moore gives us a very entertaining time filled with unforgettable moments and laughs designed to stick in your throat when you realize how workers in other countries have it better than Americans. He interviews an Italian couple who describe in detail how they get eight weeks of paid vacation time, and they look utterly shocked when he tells them Americans only get two. There is a scene where he sits with a group of French children at lunch and sees how they are eating very healthy meals of the high-end restaurant quality, and none of them drink Coca-Cola. When those same kids look at the school lunches Americans have, they understandably recoil in disgust.

Yes, Moore is cherry picking facts here and all these countries seem to look rosier than they probably do outside of this documentary, but he admits early on he is there to “pick the flowers, not the weeds.” He’s not here to give us an in-depth overview of the places he visits, but instead to show how other countries treat their people and workers as compared to how they are treated in America. One country does not charge college students tuition, so the term “student debt,” a huge problem in America, has no real meaning. Another country offers its citizens a yearlong maternity leave as they feel the bond between a parent and their child must be formed as soon as possible. A lot of these ideas are frowned upon in the United States, and the documentary leaves you wondering why this is the case.

In some ways “Where to Invade Next” covers the same ground as “Sicko” as Moore talks with Americans who have since moved to other countries where they discover more opportunities than they ever had back home, and he talks with people of other cultures who react with horror as to how America handles education, health care and workers’ rights. It gets a little old after a while as he’s treading through familiar territory, but you have to applaud those educators who say America should do away with standardized testing.

The documentary does have one pivotal moment, however, when Moore visits Norway and talks with a father whose son was murdered. The man who committed the crime is about to be sentenced, but the father doesn’t wish him dead or yearn for revenge. His reasoning is it will not make his or anybody else’s life any better and will just crush his spirit. Now there are many people in America who think like this, but the whole “eye for an eye” saying in the Bible seems to be more preferable to the most vocal of its citizens.

Many prefer to label Moore as being “anti-American” among other things, but he’s still living in America and looking for ways to improve life for its inhabitants whether they are immigrants or natural-born citizens. Why doesn’t he just move to another country if he finds so many others to be better, you ask? Because he loves America and continues to speak out against those who greedily take away from the middle and lower classes just because they can.

Seriously, who in America thinks two weeks of vacation time is more than enough? There are many who work 40 hours a week and yet still live in poverty. Despite the advances of the Affordable Care Act, many in America cannot afford health insurance. Those who lost their jobs and savings have ended up taking jobs offering no benefits of any kind because they have little choice. If none of this bothers you, then you need to take a much more observant look of the country you live in. Many say America is still the greatest country in the world, but there’s more than enough evidence to suggest it is not even close.

More importantly, “Where to Invade Next” shows Moore at his most hopeful. He doesn’t have an axe to grind this time around and does not lash at anyone in particular. Considering how he comes to use the words of our last few Presidents against them, this never comes across as a liberal or a conservative documentary. This is one any audience can and should be able to appreciate even though it will mainly appeal to his base and not those outside of it.

But what’s especially invigorating about “Where to Invade Next” is it shows the American dream is still alive and well. Looking closely at other countries, Moore shows how their ideas have been shaped by ones which originated in America. Now if we could only make that dream a reality again in America, things would be much better.

“Where to Invade Next” may not be one of Moore’s best documentaries, but it is still very entertaining and will have you laughing as well as informed about the world around you. Moore does look beaten down after all these years, but he’s still there fighting for his home country and looking for ways to make it great again, unlike the current resident in the White House.

For those who still think this Oscar-winning filmmaker doth protest too much and should shut up, keep in mind this following quote from Oliver Stone’s “Born on the Fourth of July:”

“People say that if you don’t love America, then get the hell out. Well, I love America.”

* * * ½ out of * * * *