On this week’s edition of OMG, has it been that long since this movie came out? Guillermo Del Toro’s “Pan’s Labyrinth” has now reached its 20th anniversary. While many motion pictures age like milk, which is to say not at all, this one has aged like a fine wine and remains as powerful and as visionary as ever. This is even more so with the film now being re-released in theatres in a stunning 4K restoration, and the filmmakers have also worked to present it in 3D as well. Seriously, this a motion picture one can never get sick of.
I had the honor and the privilege of talking to two of the stars of “Pan’s Labyrinth.” I talked with Ivana Baquero who plays Ofelia, a child whose journey into a fantastical underworld serves as an escape from the harsh reality she and her mother have been thrust into. In addition, I also talked with Doug Jones who portrays both the Faun and the Pale Man. Jones has played very unique characters in various Del Toro films, and this includes “Hellboy” and “The Shape of Water.”
Baquero was only 10 years old when she was cast as Ofelia in “Pan’s Labyrinth,” and she left everyone in tears at her audition. We talked about that as well as what she did to prepare for playing such a large role for a child actor. With Jones, we discussed which character in this film was the harder for him to play, and if he is still willing to portray strange monsters in future projects or if he would instead play those in human form.
“Pan’s Labyrinth” is being re-released in theatres on October 9, and I encourage to see it on the silver screen instead of just at home. Please check out the interview below.
WRITER’S NOTE: This article was written back in 2012.
Actor Michael Peña has already played a few cops in his career, but in David Ayer’s “End of Watch” he gets to play his most realistic one yet. It also marks the biggest role Peña has had so far in a career which has seen him give excellent performances in “Crash,” “World Trade Center” and “Observe and Report.” Taking on the role of LAPD officer Mike Zavala reminded Peña of his days growing up in Chicago, and his preparation proved to be far more intense than he ever expected it to be.
Peña grew up in a particularly rough area of Chicago where the lure of gang life was always strong. The actor, however, said he “never wanted to be in a gang” and that he “didn’t want to follow anybody’s orders” as he always thought of himself as an individual even when he was really little. Still, playing Mike Zavala brought up a lot of memories of those days:
“I grew up in the ghetto, and the thing is when there were problems, I knew when to get away. But police go to the problems,” said Peña. “I didn’t do that growing up. Seeing it through Jake (Gyllenhaal’s) eyes, it re-ignited what I always knew, but I guess I had buried it. I’ve been living in Hollywood for the past 15 years. And reality just smacks you in the face – that feeling of potential danger everywhere.”
Like his co-star Jake Gyllenhaal, Peña spent five months training with the Los Angeles Police Department which included ride-alongs which lasted 12 hours a day. There was also a good dose of weapons training, martial arts, boxing workouts, and lugging around chest cameras which were also called body cams.
“We did so many damn ride-alongs, dude,” said Peña. “At first it’s brand new, it’s awesome, and it’s amazing. You almost glamorize it in a way. Then you do ten more, and you start getting a little bored. Then ten more after that, you really get into the spirit of it. It was almost like a sport. We really wanted to get into the mindset of what it’s like to be a police officer.”
As for the body cams, Peña remembered them being “so heavy” and “gnarly.” It turned out though that some of the hardest things he had to do in “End of Watch” were not actually physical.
“I was driving a whole bunch,” Peña said. “Then you have the director (David Ayer) in back, which can be pretty nerve-wracking. Sometimes I didn’t know where life began and where the acting started.”
Pena and Gyllenhaal had never worked together before making “End of Watch,” and it apparently took some time to get the sense of brotherhood two cops can have.
“It took three months to click,” said Peña. “There’s a lot of pressure to play like brothers. We had to spend a lot of time together to opening up to each other as well as tactical training, rehearsing. Three months later we had a good rapport and we put that in the movie.”
It was also all the hard-hitting dialogue which Ayer came up with that made the working relationship between Peña’s and Gyllenhaal’s characters feels like a real brotherhood. Peña also admitted he and Gyllenhaal did very little in the way of improvisation on the set as neither of them wanted to mess with the director’s script.
“Nine times out of 10, you aren’t going to come up with something better,” Peña said.
Peña has certainly earned his moment in the spotlight, having given one memorable performance after another. His terrific work in “End of Watch” is not only a major step forward for him, but it also allows him to break through certain barriers which have been placed upon actors throughout the years:
“The script was written for actors like Jake Gyllenhaal and me – a Latin dude. It had to be a Latin dude, there is so much Latin (material) in it. Ten years ago, I don’t know if that would have been the case. I don’t know if it would have been so easy to do.”
