‘Generation Wealth’ Finds Hope Outside of the Corrupted American Dream
In 1988, John Carpenter made “They Live,” a science fiction horror film about a drifter who discovers the ruling class are actually aliens who have managed to conceal their existence and manipulate the human race into spending money and to “obey” them through subliminal messages in mass media. Years later, when Carpenter was attending a screening at the Egyptian Theatre, he described “They Live” as being his response to his horror at the Ronald Reagan years and his distaste at the increased commercialization of politics and popular culture in the 1980’s. When I was at a screening of “Big Trouble in Little China,” and I got to ask Carpenter the following question:
“You have said ‘They Live’ was your response to your horror at the Reagan years. With George W. Bush currently wreaking havoc around the globe, don’t you think this is the perfect time for a sequel?”
Carpenter’s response stays with me to this day:
“The 80’s never left us.”
Looking back, he was absolutely right. While I am a child of the 80’s and have a great love for that decade, it marked the start of America becoming an infinitely greedy nation as we strove to become very rich, deficits began to explode, and politicians began selling us on trickle down economics which promised that tax cuts on the rich would benefit the middle and lower classes. This proved to be a big lie, and yet politicians still try to sell Americans on it.
All of this went through my head as I watched Lauren Greenfield’s “Generation Wealth.” This documentary comes to us in 2018, and it proves once again how the 80’s still live on as we watch individuals try to become wealthy or at least gain the appearance of being rich. What results is a look at how the American Dream has been corrupted, the cost of greed, and the chance for redemption.
Greenfield is an acclaimed photographer and filmmaker, and “Generation Wealth” starts off with her narrating how through her 25 years of work, she discovers her work has pointed to one uniting phenomenon: wealth culture. From there, she investigates the various pathologies which created the richest society in the world, and she interviews several people who look to increase their bank accounts or change the way they look to where society will view them as sexy.
We meet Florian Homm, a former hedge-fund manager who at one time had a net worth of $800 million and ended up fleeing the United States to avoid getting arrested by the FBI. Watching him sit back on a couch while smoking a cigar with glee makes him look the modern-day version of Tony Montana from “Scarface.” Homm is never shy about just how much he loves money, and he laughingly admits how Harvard Business School didn’t train him to be an ethical businessman but instead to be “fine-tuned to rule the world.”
We also get introduced to Cathy, a bus driver from Virginia who travels to Brazil to get extensive plastic surgery which she charges to a credit card, the successful porn star Kacey who gained notoriety after Charlie Sheen paid her $30,000 for a days long party and drug binge, a young beauty queen who looks like a combination of Honey Boo Boo and JonBenet Ramsey, and former rapper Cliff (G-Mo) who we first celebrating the hip-hop version of the American Dream. They all want the best-looking bodies as well as all the money in the world, but as Greenfield says at one point, those who have everything never feel like they have enough.
I found myself getting sickened by the subjects Greenfield photographed and interviewed as it felt they were doing more damage to themselves than good to where they appeared, if not soulless, very empty on the inside. It proved to be a relief when someone like Chris Hedges shows up to put some much-needed perspective on what we are seeing as he compares America’s obsession with wealth to the end of Rome. At one point he even says, “Societies accrue the most wealth as they face death.” Can America be close to suffering the same fate? It certainly feels like it.
Greenfield doesn’t break new ground with “Generation Wealth” as Michael Moore already compared Rome’s fall with America in “Capitalism: A Love Story,” and “The Big Short” was an entertaining and sobering look at the 2007-2008 financial crisis. Do we need to go through how greed has wrecked America in yet another movie? Oh yes, we do! This country threatens to make the same mistakes yet again as politicians still insist on selling its citizens on trickle-down economics.
One key character from the 1980’s whom Greenfield highlights is Gordon Gekko, the fictional and unscrupulous corporate raider Michael Douglas played in Oliver Stone’s “Wall Street.” But while Stone intended for “Wall Street” to be a cautionary tale about the downside of unchecked greed, Gekko proved to be such a charismatic character to where he became a huge inspiration for those desperate to make it big on Wall Street. It didn’t matter how Gekko set a terrible example for them, these wannabes still looked up to him, and there is a good deal of him in many of the people Greenfield interviews here.
Greenfield to her credit she never judges any of the people featured here. She presents their stories objectively and never tries to manipulate us into thinking about them in one way or another. Whether you are intrigued or repulsed by the things they do, there is a sense of empathy I had for them as they become more and more human as the documentary reaches its final act.
When it comes to “Generation Wealth’s” final act, we see the results and repercussions of the actions everyone has made as they reach a plateau in their quest for money. Greenfield aligns their journey with the catastrophic financial crash of 2008 which left much damage in its wake. Seeing these people on the other side of it has them finding something absolutely priceless while others find tragedy and financial ruin. This proves to be both inspiring and devastating all at the same time.
“Generation Wealth” does lose some of its focus as Greenfield awkwardly inserts herself into her documentary. Is she also interested in being rich and wealthy? Is she well off thanks to her photography? It’s hard to say what she is saying about herself, but it does lead to some very amusing moments as one of her sons admits he knows the name of each Kardashian but not those of his neighbors, and her other little boy ends up inserting a sign in front of her camera as she films everything and anything. I don’t want to spoil the moment for you as it had me laughing endlessly.
Watching “Generation Wealth” kind of reminded of when I first saw “Doc Hollywood” which starred Michael J. Fox as a doctor intent on making tons of money as a plastic surgeon in Beverly Hills, and who later finds a more meaningful life for himself in Grady, South Carolina. But that was a fictional movie, and this one deals with real life, and I came out of it with more hope for the human race than when I went in. This documentary also shows how life is about the journey rather than the final destination. While I wanted to sit some of these characters down and force them to pay close attention to the lyrics of Digital Underground’s “No Nose Job,” it is worth watching their journey as, like them, we come to see what matters most in life.
With that, I leave you with the words Harold Perrineau uttered as Augustus Hill on the HBO series “Oz:”
“We think we know what we need. We spend our time figuring out how to get what we want, who can help us, who’s in the way. We make our moves and sometimes we get lucky. We get exactly what we want. And life gets worse. Simple truth #22, be careful what you wish for, brother. Be very, very careful.”