‘Terminator Genisys’ is, at the Very Least, an Interesting Reboot

Terminator Genisys movie poster

WRITER’S NOTE: This review was originally written back in 2015.

I walked into this fifth “Terminator” movie with mixed emotions. The series started in 1984 and has shown an amazing amount of stamina considering we are getting this latest sequel 31 years later. Still, nothing has been quite the same since James Cameron departed the franchise following “Terminator 2: Judgment Day,” and I say this even though I liked “Terminator 3: Rise of the Machines” which he had nothing to do with. But then came “Terminator Salvation” which had me wondering where the salvation was among other things like an interesting story or a strong villain.

When it comes to action icon Arnold Schwarzenegger, he has always been about giving moviegoers what he believes they want, so it seems only natural that he would return to this long running franchise even after a 12-year absence with “Terminator Genisys.” On one hand this particular sequel had me missing a lot of the franchise’s original stars like Michael Biehn, Linda Hamilton, Robert Patrick, composer Brad Fiedel, Edward Furlong and the R rating these movies usually get (this one is PG-13). But once I got past my misgivings, I found “Terminator Genisys” to be an entertaining summer blockbuster even if it is nowhere as good as the first two movies in the franchise.

The movie begins with John Connor (Jason Clarke) leading his merry band of troops in a battle to destroy Skynet’s main defense grid and that pesky time machine they have hidden underground. But of course, one of the T-800 cyborgs has already been sent back to 1984 to kill Sarah Connor. Kyle Reese (Jai Courtney) volunteers to go back in time and stop the cyborg from eliminating Sarah, and we are put right back into the events of the first movie.

Once the T-800 and Kyle Reese arrive in 1984, we get a largely faithful reconstruction of the first few minutes of “The Terminator.” But things change very quickly as the T-800 is suddenly confronted by another T-800 which had been sent back even further in time to protect Sarah Connor and who takes out the original cyborg with extreme prejudice. As for Kyle, he arrives in 1984 like he did before but is met by a T-1000 (Lee Byung-hun) who differs greatly from the average LAPD officer. Once he is inside the convenience store getting clothes and shoes, he gets saved by Sarah Connor who comes crashing in. From there, everything we know about “The Terminator” franchise is turned upside down as our heroic characters find themselves on a different path than the one they traveled down previously.

“Terminator Genisys” is essentially a reboot along the lines of J.J. Abrams’ “Star Trek” as it plays around with the timeline we grew up on and works around it to give us something which is, quite thankfully, not the usual prequel. Just when I thought I knew where this movie was going, it took a different turn which I did not see coming. Of course, this also results in the screenplay by Laeta Kalogridis and Patrick Lussier having a few plot holes which will not survive logical scrutiny. Then again, the movie whisks by so quickly to where I didn’t care too much about logistics.

Now on one hand, Schwarzenegger has played the Terminator many times to the point where it seems like he should have retired from this role long ago. Regardless, it is still great to see him back in his most famous role as it has provided him with a long and interesting career. In the first movie Schwarzenegger’s Terminator was the bad guy, in the second he was the good guy, in the third he was both, and he was barely in “Terminator Salvation” so let’s not even go there. In “Terminator Genisys,” he becomes the one thing we never thought he could be for Sarah Connor, a father figure to look up to.

The other thing “Terminator Genisys” wisely acknowledges is the fact Schwarzenegger is not a young man anymore. For once we have a T-800 which actually ages, and this was interesting to witness. While the character may be a cyborg, the skin covering his body ages as it would on any human being. We see him struggle as his body goes through a few malfunctions like his hand shaking uncontrollably or his knee going out on him. But as he points out throughout the movie, he is old but not obsolete.

A lot of people still see Schwarzenegger as a non-actor, but I still think he’s better than most people give him credit for. In “Terminator Genisys” he manages to imbue his character with a humanity a cyborg would not have by design, and he makes you feel for a character that is, in his own way, eager for Kyle Reese and Sarah Connor to get it on.

Emilia Clarke succeeds in making the role of Sarah Connor her own as she starts off the movie in furious ass-kicking mode and never lets up. Jai Courtney gives a good if not great performance as Kyle Reese, and Jason Clarke makes John Connor into the military leader I impatiently waited for him to become ever since “Terminator 2: Judgment Day.” The movie also features a scene-stealing performance from Oscar winner J.K. Simmons as Detective O’Brien, a cop who has more history with these iconic characters than we realize at first. It is a shame, however, we do not see more of Simmons as the movie goes on.

Helming this “Terminator” sequel is Alan Taylor who previously directed “Thor: The Dark World” and also directed episodes of two of my favorite televisions shows, “Homicide: Life on the Street” and “Oz.” I was surprised to see what a good job he did in making this sequel feel like a James Cameron movie in a way previous directors were unable to. Taylor is not able to wow us the way Cameron did and continues to do, but then again few filmmakers can. What he does do is keep the action moving at a steady pace and gives us the fun time we usually expect from a summer movie.

Regardless of how “Terminator Genisys” ends up doing at the box office, this is clearly not the last time we will see Schwarzenegger in his most iconic role. But a further sequel also means Skynet will find yet another way to strike back at the human resistance. It’s like Skynet is Wile E. Coyote and the Terminator is the Road Runner. Skynet keeps searching for new ways to achieve victory, but they are somehow effortlessly defeated by humans and a rogue T-800. Perhaps effortlessly is the wrong word to use in this case, but who wants Skynet to win? Well, I guess we will have to see what nefarious method they will use next because, like it or not, the Terminator will be back.

* * * out of * * * *

‘Solo: A Star Wars Story’ is Not the Droid You Are Looking For

Solo movie poster

Here we are again in a galaxy far, far away, and it is the third time we have ventured there in three years. We also head back to an even longer time ago when one of our favorite “Star Wars” characters, in this case Han Solo, was young, full of vigor and demographically desirable. But while the “Star Wars” movies have always been filled with tremendous imagination and unforgettable characters, I have to be honest and say that “Solo: A Star Wars Story” proved to be an underwhelming space adventure. While I am as big a Han Solo fan as the next person, seeing his early years portrayed here felt strangely ordinary to where this didn’t feel like a “Star Wars” movie, but instead an average science fiction movie yearning to be.

This movie begins with a routine chase sequence in which Han (Alden Ehrenreich) and his girlfriend Qi’ra (Emilia Clarke) attempt to escape a criminal gang, and from there I started to have a bad feeling about this. Usually these movies have me totally hooked in right from the start, but I did not feel the same kind of excitement I usually feel with the average Lucasfilm adventure. When Qi’ra and Han are suddenly separated at a transport station, Han tells her he will come back for her. Will he? Well, she is played by Emilia Clarke. Will Qi’ra and Han live happily ever after? Did Greedo really shoot first?

“Solo” reminded me of the problems I have with most prequels as they seem more concerned with connecting the dots between their story and the ones we have seen a thousand times. Like “X-Men Origins: Wolverine” and “The Thing” prequel, the filmmakers are saddled with a cinematic history they are forced to adhere to, and it results in a lack of surprise and suspense as we know how things will turn out. And, like “Hannibal Rising,” it tells us more than we need to know about an iconic character to where I walked out feeling how certain things are best left to the imagination instead of being made into a movie.

Alden Ehrenreich has been an actor on the rise ever since his scene-stealing role in “Hail, Caesar,” and he certainly has a strong screen presence as Han Solo. At the same time, he ends up giving a one-note performance as the intergalactic smuggler which lacks the charisma Harrison Ford brought to the role. While he tries to play it cool throughout, Ehrenreich never quite comes to life here, and what results is a disappointing case of miscasting.

We do get introduced to some new characters, and among which is Tobias Beckett who is played by Woody Harrelson. As always, I am reminded of how Harrelson can play just about any character he takes on, and he provides us with the mentor Han Solo was always destined to have. Tobias, like Han, is a smuggler, but he also represents the darker road Han could find himself on if he is not careful.

Other actors are not as lucky. Thandie Newton shows up as Val Beckett, Tobias’ wife and partner in crime, but she is gone way too soon. Jon Favreau voices the alien character Rio Durant, but Rio merely functions as an easily disposable member of Tobias’ crew who we know will not last long. Paul Bettany makes Dryden Vos into a wonderfully ruthless crime lord, but his presence in “Solo” feels a bit uneven as if he is there to fill in the missing blanks. It should be noted how Bettany took over this role after the original actor cast, Michael K. Williams, was unable to return for reshoots. Things had to be changed to accommodate Bettany, and it shows.

Production problems kept plaguing “Solo” before its release, the biggest of which was the firing of the original directors, Phil Lord and Christopher Miller, both of whom still received an executive producer credit. It was one of several instances which showed how protective Lucasfilm was of this franchise. The word behind the scenes was that Lord and Miller were looking to mix things up and did not want to give audiences the same old thing, but Kathleen Kennedy was not about to let anyone change things up. While I commend Kennedy and Lawrence Kasdan for taking extra special care of this franchise, I came out of “Solo” thinking they should shake things up in the future if they want it to maintain the relevance it still has.

Replacing Lord and Miller is Oscar-winning director Ron Howard, and this had me excited as this is the same man who directed “Apollo 13.” That film was based on a real-life event everyone knew the outcome of, and yet he turned it into a riveting piece of entertainment. I figured he would bring this same energy to “Solo,” but even he is saddled with the characters’ history which he cannot easily maneuver around. Apparently, Howard reshot 70% of this movie, and I came out of it wondering how much of the finished product was his. As a result, the whole movie feels inescapably uneven.

For what it is worth, “Solo” does improve when Donald Glover, a man of many talents, arrives on the scene as Lando Calrissian. Glover brings the kind of charisma to this role I expected Ehrenreich to bring a wealth of to Han, and it makes me want to see Lando get a film of his own. From the first moment he appears onscreen, Glover makes this character the epitome of cool to where he does not need a can of Colt 45 to prove it, and he brings an infectious joy to a movie which needed it sooner.

We also get to meet another unforgettable droid here, L3-37. As voiced by Phoebe Waller-Bridge, she is a sardonic delight as she shows more attitude and resilience than any other droid I have seen in any previous installment. It is also a kick to see L3-37 discuss the possibilities of sexual compatibility between her and Han with Qi’ra. After all these years, the “Star Wars” movies are proving to be more progressive than ever before! As for Lando, I think it is safe to say this is the droid he was looking for.

While certain moments like the first time Han meets Chewbacca (played here by Joonas Suotamo) and the initial appearance of the Millennium Falcon end up feeling uninspired and anticlimactic, the scene where Han makes the infamous Kessel Run in less than twenty parsecs is thrilling to watch, and it reminded of why I love the “Star Wars” movies so much. Yes, we know how things will turn out, but Howard keeps us on the edge of our seats as he subverts our expectations and plays with our emotions with glee.

Sure, “Solo” does have its moments, but they only served to remind of everything about it which does not work. The screenplay by Jonathan Kasdan and Lawrence Kasdan features dialogue which feels lifeless even when spoken by talented actors. Granted, there is none of the god-awful dialogue Hayden Christensen was forced to utter in “Attack of the Clones,” but it still feels derivative of lesser sci-fi movies which cannot even compare to “Star Wars” in general. I was also surprised at how uninspired the film score by “Jason Bourne” composer John Powell ends up sounding, and it only comes to life when he utilizes the immortal themes of John Williams.

“Rogue One” was also a prequel, but it had a cast of characters you really cared about, and its story of sacrifice pushed all the right buttons as we came to deeply admire the heroic actions they took. Even though we know the secret plans of the Death Star would end up in the hands of the Rebels, getting there was more than half the fun. “Solo,” however, is nowhere as effective, and what results is a big disappointment and a missed opportunity. This marks the first time I have ever given a negative review for a “Star Wars” movie, and yes, I have seen “The Phantom Menace.”

Lucasfilm would be better off looking to the future instead of going back to the past. Enough backstory has been established for these iconic characters to where we don’t need any additional information. We will certainly be looking forward when “Episode IX” is released in December of 2019, but it appears other “Star Wars” origin movies are in the works such as one on Obi-Wan Kenobi. Seriously, I am with Ralph Garman when he said, wouldn’t a movie about Obi-Wan watching Luke Skywalker growing up from a distance be a little too creepy?

* * out of * * * *