I got to listen to the film score for “Halloween Ends” in its entirety before I sat down to watch the concluding chapter of this particular Michael Myers trilogy. Composed and performed by John Carpenter, Cody Carpenter and Daniel Davies, it reminds me of what Carpenter himself said about this installment: it is meant to be “more intimate” than its predecessors, and the music helps to illustrate this. But more importantly, it reminded me to go into this sequel expecting the unexpected as the previous installment was undone by too many expectations.
While 2018’s “Halloween” may have delivered the goods thanks to the return of Jamie-Lee Curtis and John Carpenter to the long-running franchise, “Halloween Kills” was treated indifferently as everyone looked at director David Gordon Green, Danny McBride and their team of filmmakers as if to ask them, “Do you even know what you are doing?” But it occurred to me that, like Rob Zombie did with his “Halloween” films, Green is not out to give us the same old thing, Instead, he is determined to add something new to a franchise which has burned itself out from fatigue more than once.
Four years have passed since the night Michael came home again, and everything in Haddonfield has more or less gone back to normal. Still, the physical and emotional scars of the townspeople are on display as people look to blame Laurie Strode for all the chaos and death which has occurred over the years. Nevermind the fact none of this was Laurie’s fault; everyone needs a scapegoat when the killer is nowhere to be found, and people these days tend to believe in the wrong things because they never bother doing the research.
As for Laurie, she has since procured a house for herself and her granddaughter Allyson (Andi Matichak) to live in, and she is working on her memoirs as a way to deal with all the evil and death which seriously derailed her life. Allyson now has a job at Haddonfield Memorial Hospital and is expecting a promotion any day now, Deputy Frank Hawkins is still quite sweet on Laurie even as she begs him to eat more vegetables, and Lindsey Wallace (Kyle Richards) remains a good family friend and continues to serve drinks at the local Haddonfield bar.
Into all of this enters Corey Cunningham (Rohan Campbell), a young man who, like Laurie, once had a promising future which involved going to engineering school. But this is all laid waste to after a child he babysat ends up dying in a freak accident. As a result, he is seen as a freak of nature by the townspeople who hate him with little in the way of shame, and he is reduced to working in his Uncle Ronald’s junkyard fixing cars and stuff. But soon he gets the attention and sympathy of Laurie Strode and also Allyson as they see him as someone to help and relate to, but it doesn’t take too long for things to become very sinister to where many are reminded of a force of evil often referred to as “the shape.”
Right from the start, it should be clear how Green is looking to give us a new slant on things with “Halloween Ends.” I expected this one to start off with Michael Myers making his first kill, but it goes a whole other way which I did not see coming. Also, the classic font from the 1978 film is dropped in favor of the font used in the opening and closing credits of “Halloween III: Season of the Witch.” As for the pumpkin, it keeps changing faces as to indicate to us how nothing is what it seems on the surface. Yes, he is defying our expectations in a way I personally welcome.
Truth be told, we don’t even get to see Michael Myers until almost a half an hour into “Halloween Ends.” The way I see it, the filmmakers see this sequel as a way of meditating on our collective relationship with evil; how we deal with it, how we can possibly overcome it, and how it can consume us beyond all repair. Laurie and Allyson have had their brutal experiences in this realm, and Corey is only getting started. This is why I find this particular installment so fascinating as I wondered who would prove to be more fearful, Michael or those who survived his wrath as a person’s dark side can easily overcome all else.
The fact “Halloween Ends” is getting such polarized views is not surprising to me. Fans go into them expecting certain things, and this one doesn’t always deliver on them for a variety of reasons. While fans may be begging for the same old thing, I always admire a filmmaker who is willing to take things in a different direction as franchises like these need any form of freshness they can get. Sure, there are some solid scares here, but this sequel is more about getting into your head psychologically than anything else as the dark side in all of us can easily consume our common sense and purpose in life before we realize it.
Andi Matichak remains a wonderfully strong presence as her character of Allyson maneuvers through a life in which she has lost so much and strives for any kind of normalcy she can get her hands on. Will Patton is still one of our most dependable character actors, and it is fun to see him try to warm up to Laurie Strode in a way few others could. And then there is Rohan Campbell who gives us a character in Corey who succumbs to an evil nature partly because life has given him few other avenues to pursue. In the process, Campbell gives us someone we empathize with and fear all at the same time.
But in the end, all praise goes to Jamie Lee Curtis who never fails in giving a strong performance in any motion picture she appears in. “Halloween Ends” is no exception as she makes Laurie Strode’s struggle to stay one step ahead of the evil which has destroyed much of her life all the more involving. Like Ellen Ripley from the “Aliens” franchise, she has been fighting her personal antagonist for so long to where she cannot remember a time when Michael was not in her life. Curtis represents the strong character a franchise like this thrives on as she strives, and encourages those around her, to not fall victim to a way of feeling which is inevitably destructive.
Many have complained about how “Halloween Ends” takes too long to get to the penultimate event we have all been waiting for; Laurie doing battle with Michael Myers one last time. Some need to be reminded of how the original 1978 acted as a slow-burn horror movie as it, aside from the key murder at its start, left the violence on hold until its latter half. Carpenter was more interested in creating an atmosphere of horror and suspense than in perpetrating violent onscreen violence back then, and Green mostly follows suit here. Also, this movie is not called “Michael vs. Laurie” for a number of reasons (and thank God it wasn’t by the way). I mean come on; this sequel is not just about these two.
Sure, it does contain a number of disposable characters who are just asking to be sliced and diced here. There’s a nurse who gets the promotion Allyson was hoping for, but that’s because she’s having an affair with the doctor the two are working under. Then there’s Allyson’s ex-boyfriend, a police officer who just won’t let their relationship, and there’s no forgetting the African-American DJ who never knows when to keep his mouth shut. They are all just begging for an exceptionally brutal exit from life, and one murder in particular would make Tom Savini proud, seriously.
In the end, I admired “Halloween Ends” for trying something different in the slasher movie genre. While it might not be completely successful, its ambitions kept my eyes glued to the screen, and it helps to bring closure to Laurie Strode’s constant fear of “The Shape.” Perhaps this ending will not satisfy everyone, but I can accept it for what it is.
Of course, it is hard to believe this will be the last “Halloween” movie ever. We have seen promising titles such as “Friday the 13th: The Final Chapter,” “Freddy’s Dead: The Final Nightmare,” “Saw 3D: The Final Chapter” and “Jason Goes to Hell: The Final Friday” throughout the decades, and they eventually became punchlines we still laugh at. For sure, this is definitely the last “Halloween” movie for Jamie-Lee Curtis, John Carpenter and Blumhouse among others as the rights to franchise will now revert back to the Akkad family.
What life has taught me and others is evil never dies. It simply changes shape, especially when money is concerned.
* * * out of * * * *