‘The Polar Express’ Movie and 4K UHD Review

The following review was written by Ultimate Rabbit correspondent, Tony Farinella.

It has been eighteen years since I first watched “The Polar Express,” and quite frankly, I wasn’t entirely sure what to expect because of the length between viewings.  I remembered the film had stunning visuals and great computer-animated graphics.  However, I did not remember what the film was about or how ir unfolded.  So, in a sense, I was walking into this film as a total newcomer.  It was directed by legendary director Robert Zemeckis, and it reunited him with actor Tom Hanks as they had worked together previously on “Forrest Gump” and “Castaway.” This was clearly a different project for the two of them, but they still were able to produce movie magic on screen.

Hero Boy, one of six characters voiced by Tom Hanks, is starting to wonder if Santa is real as he gets a little older.  He’s even started to put doubts into the head of his younger sister.  His parents have even noticed he’s not staying up all night anymore on Christmas Eve to wait for Santa. This doesn’t bring any joy to Hero Boy, but it’s the reality he’s living in at this point in his life.  His skepticism is put to the test when the Polar Express train arrives outside his house with the Conductor (also voiced by Hanks). The Polar Express will take him directly to the North Pole along with other children on Christmas Eve.

On the train, he meets Hero Girl (Nona Gaye), a young girl who has never, ever stopped believing in Christmas. The Christmas spirit is alive and well with her.  He also meets Know-It-All (Eddie Deezen), and he certainly lives up to his name with his mouth that runs a mile a minute with various facts and statements about trains and Christmas.  Along the way, the Polar Express picks up Billy (Peter Scolari).  He’s shy, lonely, and has had some bad luck on Christmas.  Because of this, he’s struggling to find any joy or satisfaction on Christmas, whatsoever.  Between Hero Boy, Hero Girl, and Billy, they form a friendship and help each other as they try to get to the North Pole.

On the way to the North Pole, there are dancing waiters that bring out hot chocolate (who doesn’t love hot chocolate around the holidays?), a hobo on top of the train (voiced by, you guessed it, Hanks), a mean-spirited puppet (Hanks again), and numerous other trials and tribulations.  Along the way, Hero Boy is starting to think that maybe Santa is real after all and maybe, just maybe, he should start to regain his spirit and believe again.  After all, considering all he has gone through on his way to the North Pole, it’s getting harder and harder to believe that Santa isn’t real.  The things that are happening are so fantastical and so magical, it has to be the work of Santa.

The Polar Express” absolutely blew me away.  The film runs at 100 minutes, and there is not a dull moment to be found here. What I loved most about the film was its ability to make me, as an audience member, feel something.  Even at age thirty-seven, this is a film which had me teary eyed and emotional.  The great thing about this is that none of it was forced.  It all worked out because of the out-of-this-world visuals, the big heart of this film, and the epic direction of Zemeckis.  There is no stone left unturned in this film.  It feels like a big, sweeping epic Christmas story which matters.  It also understands the importance of Christmas and believing.

I love a good old-fashioned Hollywood story told the right way.  That is exactly what “The Polar Express” is, and it gets all of the details right.  At first, the life-like nature of the characters is a little peculiar and even creepy, but before long, it adds to the charm.  I absolutely loved this movie, and it was such a pleasant surprise for me. I have seen a lot of Christmas movies in my lifetime, but very few have captured the grand scale of the event like “The Polar Express.”  Leave it to Hanks and Zemeckis to get it right.  It’s rare that I’m watching a film and I get completely lost in the story.  With each and every adventure, I was captivated and in awe.

This film warmed my heart and made me feel good.  Films like this are rare.  When they are released, they need to be praised, valued and appreciated.  This is a big screen Christmas movie that knows exactly what needs to be done and how to do it.  It’s about tugging at your heartstrings in a way that is not manipulative or cheap.  It is about making us, the audience, believe, without being too corny or silly.  It is about making us smile without ever pandering to us or trying to pull the wool over our eyes. “The Polar Express” is a Christmas classic and my kind of Christmas movie.  I wish I could stand on top of a mountain and scream, “I love this movie!”

* * * * out of * * * *

4K/Blu-ray Info: ‘The Polar Express” is released on a two-disc 4K/Blu-ray combo pack from Warner Brothers Home Entertainment.  The film is rated G and has a running time of 100 minutes.  It also comes with a digital copy of the film.

4K Info:  I recommend you watch this film with the lights off.  I noticed a vast improvement in the picture quality when I watched the movie in the dark.  It’s absolutely gorgeous in 4K HDR.  It just added to my enjoyment of the film.  When people talk about films that were made for 4K, they are talking about films like “The Polar Express.”  I couldn’t believe the attention to detail on this transfer.  They really put their heart and soul into the making of this film, and there were times where I was completely and utterly blown away by what I was watching on my TV screen.  It was a work of art.

Audio Info:  The Dolby Atmos track also enhances the viewing experience as it’s a big, booming soundtrack.  For a movie like this, which is a big movie, you expect it to look and sound big.  They accomplished both of those tasks here.

Special Features:

You Look Familiar

A Genuine Ticket to Ride

True Inspirations: An Author’s Adventure

Behind the Scenes of “Believe”

Flurry of Effects

Smokey and Steamer

Josh Groban at the Greek

Meet The Snow Angels

Theatrical Trailer

THQ Game Demo

Should You Buy It?

Yes, yes, and YES.  “The Polar Express” is a top-of-the-line 4K film, and it is also top-of-the-line with its audio and visuals.  Everything here is 4 out of 4 stars, except for the fact that the special features are transferred over from the previous Blu-ray.  Normally, I wouldn’t mind this, but I felt the special features were a little lacking here, and there are so many questions regarding this film and especially the filmmaking process.  I would have loved a commentary track with Tom Hanks and Robert Zemeckis, for example.  I know it can be hard to track people down these days with so much going on, but for a film of this scale, it would have been worth it.  Despite these minor issues, this film gets the highest recommendation I can give a 4K film.  I was watching it on a day where I was feeling a little down, and it instantly cheered me up.  That is the highest praise I can give to a film.  I don’t feel like enough people talk about “The Polar Express” in the same fashion they do other Christmas films, and they should, because it’s a Christmas classic in every sense of the word.

**Disclaimer** I received a copy of this film from Warner Brothers to review for free.  The opinions and statements in the review are mine and mine alone.

‘World’s Greatest Dad’ is a Twisted Black Comedy for Father’s Day Viewing

Worlds Greatest Dad movie poster

World’s Greatest Dad,” which was written and directed by comedian Bobcat Goldthwait, was one of those small movies from 2009 which got released under the radar. It does star the late Robin Williams, but it never got the same level of marketing some of his others got that year, namely “Night at the Museum: Battle of the Smithsonian” and the god awful “Old Dogs.” But those who have a deep love for twisted humor should enjoy this one, and it features one Williams’ last great performances before he prematurely left the land of the living.

Along with Jody Hill’s “Observe and Report,” 2009 was quite a year for black comedies which managed to mine comedy out of the most sensitive of subjects. Williams plays Lance Clayton, a failed writer and poetry teacher who is the antithesis to Mr. Keating from “Dead Poet’s Society.” The class he teaches is not at all popular, and he is unable to inspire his students or make them seize the day. Lance dreams of publishing one of his novels and of becoming rich and successful, but this success has eluded him throughout his life. Of course, once you look at the kind of novels he writes, it becomes sadly understandable why he has received a truckload of rejection letters.

Lance is also a single father to his son Kyle, a kid who many would go out of their way to nickname the antichrist. Has there ever been a ruder, endlessly selfish, thoughtless, or verbally abusive son in the history of cinema? I’m sure there are, but none come to mind at the moment. Kyle makes Rhoda Penmark from “The Bad Seed” look like Teddy Ruxpin, and he’s what Macaulay Culkin’s character from “The Good Son” would have been like if the filmmakers weren’t subjected to the iron grip of Kit Culkin. Maybe these are extreme comparisons, but they seem to fit.

Then one day, Lance comes home to find his son Kyle dead in front of his computer after accidently strangling himself during the act of autoerotic asphyxiation. Knowing the way he died, once revealed to the public, will be humiliating for him and forever put a stain (no pun intended) on his son’s memory, Lance makes Kyle’s death look like a suicide and even writes a suicide which ends up having more emotional depth than anything which could possibly have come out of Kyle’s shallow little mind. Once the note is made public on a police website, everyone at school starts seeing Kyle in a different, albeit completely false, light, and Lance soon gets the fame and adoration he always dreamed of having, and this leads him to pen a fake memoir in his son’s name.

From this description, “World’s Greatest Dad” looks to travel down the same satirical roads as “Heathers” in how it depicts the absurd effect a person’s death can have on us, especially when it involves someone we hardly knew or truly despised. But as familiar as these roads are, the timing worked to this movie’s advantage as it was released not long after the death of Michael Jackson. With his sudden passing, all the crimes he was accused to have committed, but was never convicted of, quickly seemed to disappear as if they were all a fiction, and all we could think about was the great music and dance moves he left us. With Kyle, his sins seem to be miraculously absolved upon his death, and people look to his spirit as if he was some kind of cult hero. It’s all further proof of how we have tremendous respect for the dead, but none for the living, and this saying is amped up to such a crazy degree by Goldthwait.

But Goldthwait also has an even bigger target than our adulation for the not so dearly departed, and that’s the hollow pursuit of fame. We all know this filmmaker best from his days as a comedian, and his off-kilter voice had us laughing endlessly time after time. Seeing his work as a filmmaker should make you realize there is more to him than his talent for burning up furniture on “The Tonight Show.” Being as famous as he is, Goldthwait understands how fame can bring you in touch more with people who don’t have your best interests at heart as well as others who never have cared about you in the first place. It becomes easier to see why having all this adoration can make you feel even more than you ever have before.

Kyle’s death ends up turning just about everyone at school into an utter hypocrite. Many who would rather have beaten the leaving crap out of him suddenly come forth to say they were actually friends of his. Even the principal and school psychologist try to use Lance’s new-found fame to advance their career goals. Heck, a Goth chick becomes a Bruce Hornsby fan after Lance tells her Kyle was as well. Of course, we have already previously seen how Kyle hated Bruce Hornsby as much as Lance loved to listen to him, and the level of absurdity reaches epic heights once Lance publishes his son’s fake memoir, and the book deal which has long eluded him suddenly becomes a reality.

Williams’ performance in “World’s Greatest Dad” showed how great and subtle he was to where it wasn’t always necessary for him to act crazy 24/7. Aside from his concert tours, seeing him going all nuts in a movie eventually wore out its welcome, and at times it felt like he was desperate to make us laugh. But as Lance Clayton, Williams never overdoes anything, and he makes the character sympathetic even when we know what he is doing is very wrong.

Williams also captures the lonely life of an unpublished writer whose existence is filled to rim with endless rejection. Seeing another teacher getting an article published in the New Yorker, and on his very first try by the way, brings about a resentment in him he can’t quite hide. The “Good Will Hunting” actor captures Lance’s pain perfectly, and he grounds this character in a reality which grows increasingly bizarre as the movie goes on to where he never has to a single scene just for laughs.

But one actor who truly deserves a lot of credit is Daryl Sabara who plays Kyle. Perhaps best known for his work in “Spy Kids,” Sabara doesn’t even try to find any redeeming qualities in this astonishingly vulgar character because it feels like there are none to find. Building on the school bully he played in Rob Zombie’s “Halloween,” he fearlessly makes Kyle one of the most despicable teenage characters I have ever seen in motion pictures, and he even makes Danny Lawrence from “The Karate Kid” look like a real pushover. Sabara’s work here is fearless, and you have to give him big props for how far he was willing to go.

I also really liked the lovely Alexie Gilmore as Claire, the younger teacher who is more or less dating Lance while having eyes for another teacher, Mike (Henry Simmons from “NYPD Blue”). Her adorable personality and warm smiles make you almost completely forget how incredibly self-serving she is. Perhaps Claire doesn’t even know how selfish she is as she remains very coy about her relationship with Lance, but we cannot look past how selfish she is in her own desires. Despite all this, Gilmore still makes you root for her to be with Lance even after we realize this relationship is not in Lance’s best interest.

Many have complained about how “World’s Greatest Dad” ends with a number of issues unresolved, and this is true. Things are tied up a little too neatly, and you get the impression Goldthwait could have made this black comedy even blacker than it already is. Still, he shows a lot of guts taking on such touchy subject matter which other filmmakers would never dare deal with. As dark a comedy as this may seem, he also makes it a very moving one. Once you get past what you see on the surface, there’s actually quite a bit to take in. With this film, Goldthwait makes us understand how being alone can be nowhere as bad as being surrounded by people who make you feel lonelier than ever. Remember when Travis Bickle talked about being “God’s lonely man?” Well, I was reminded of that here.

Goldthwait previously directed several films before this one including “Shakes the Clown” and “Sleeping Dogs Lie,” and he would later give us an even darker and more biting black comedy with “God Bless America.” But aside from working in comedy, he also directed the found-footage horror movie “Willow Creek,” and he gave us one of the most unforgettable documentaries of recent years with “Call Me Lucky” about the late comedian Barry Crimmins. Like “World’s Greatest Dad,” they deserve a bigger audience than they have received to date, and they demonstrate how talented Goldthwait is behind the camera as well as in front of it.

Williams and Goldthwait were great friends off screen, and their appreciation for one another really showed here. “World’s Greatest Dad” may seem like an unusual movie to view on the very important occasion of Father’s Day, but you can only watch Gregory Pick in “To Kill a Mockingbird” so many times. Lance Clayton may not be the greatest dad as the title infers, but you never doubt the love he lies about him to the world to achieve fame and cover up what an infinite little prick he was in his short life. For those in the mood for a thoughtful black comedy, this one delivers.

Besides, is there any other movie out there featuring two teenage girls getting in a catfight over a Bruce Hornsby CD?

* * * ½ out of * * * *