‘Spectre’ – The Global Criminal Organization Returns to Haunt James Bond in the New Millennium

WRITER’S NOTE: The following review was written in 2015.

James Bond fans will be thrilled to know that the gun barrel sequence has been returned to the opening of this latest 007 adventure. For the past few Bond films, it has been relegated to the end to make clear just how rebooted this long running franchise became when Daniel Craig came on board to fill that tuxedo and enjoy the shaken, not stirred martinis. But now it precedes the action-packed prologue, and it’s just as well because “Spectre” aims to be more along the lines of the classic 007 adventures where the suave spy does battle with a secret organization which is bent on world domination and ends up seeing so much more than the NSA does on a daily basis. Still, it does have a strong focus on character as the past continues to haunt Bond to where the dead are not really dead.

First, let us get this out of the way: Is “Spectre” better than or as good as “Skyfall?” No, but this was kind of a given since the previous installment reached such extraordinary heights which the average Bond film usually never reaches, and this includes grossing over a billion dollars at the box office. In the end this did not matter much to me because, on its own, “Spectre” is a compelling and thrilling movie which reunites Craig with the brilliant Sam Mendes whose work on the last installment was impeccable. With this latest Bond film, they both are determined to dig even deeper into 007’s fractured and turbulent history, and it reintroduces us to certain character types and criminal organizations which defined many of the early Bond adventures.

After a thrilling action-packed opening sequence in Mexico, one of this franchise’s very best by the way, Bond is informed by M (Ralph Fiennes) he is being suspended from duty as his mission there was not authorized by him or the British government. However, we later learn he received a cryptic message from a previous mentor informed him to kill a man in Mexico and attend his funeral in Rome, and this is just the beginning to his uncovering the criminal organization whose name is an acronym for Special Executive for Counter-intelligence, Terrorism, Revenge and Extortion. Suffice to say, they got everything covered.

Mendes hasn’t lost a step here, and he is also served well by cinematographer Hoyte van Hoytema (“Interstellar”) who gives even the dirtiest scenes an inescapable beauty. This movie also has a great opening and unbroken shot which lasts several minutes as we watch Bond attend a Day of the Dead parade, head upstairs with a lovely lady presumably to bed, and then he suddenly goes out the window in pursuit of his latest nemesis who has seriously pissed off her majesty’s secret service.

The main villain is Franz Oberhauser, and he is portrayed by the brilliant and endlessly entertaining Christoph Waltz. This is the same actor who gave us one of the most fiendish villains in cinematic history in Quentin Tarantino’s “Inglourious Basterds,” but he’s not out to replay Hans Landa here. When we first see Franz, he doesn’t even have to speak up or raise his voice to show how powerful he is. Everyone simply stands at attention, and no one questions his decision making at any point. This makes Waltz’s job even easier as his character clearly exerts a power very few bother to question. Some claim he is too quiet in his first scene, but for him to yell at everyone or shout to keep everyone in place would strike me as being desperate to keep everything under control. Franz doesn’t need to do this because everything has long since come under his control.

As for the Bond women (calling them Bond girls does not feel the least bit appropriate anymore), they are played by Monica Bellucci and Lea Seydoux. Bellucci plays Lucia Sciarra, the widow of an assassin killed by Bond, and she mesmerizes us in the far too few minutes she appears onscreen. Bellucci is said to be the oldest Bond woman ever, but does this really need to be pointed out? I don’t care how old she is because she still sizzles and holds her own against Craig even as he seduces her to the audience’s delight.

Seydoux is best remembered from her role as the beautiful but cold-hearted assassin in “Mission: Impossible – Ghost Protocol,” and here she plays Dr. Madeleine Swann, a psychologist who has a link to a person Bond dealt with in the past. She proves to be a strong Bond woman here as she brings up her tragic upbringing which has informed her defensiveness around those she doesn’t know very well, and she makes clear of how she has a strong dislike of guns. She’s a wonderful presence here, and she and Craig make quite the couple.

Dave Bautista co-stars as Mr. Hinx, a character designed to spark our nostalgic memories of Oddjob. Mr. Hinx is a henchman of few words, but his actions speak a lot louder than his words and leave a lot of damage in his path. This is not a henchman content with throwing a hat around as his hands do all the work and leave quite the impression.

Ralph Fiennes confidently fills the shoes of Dame Judi Dench’s M as Mallory, and like the previous head of MI6, Mallory finds he can control Bond as well as she could, which is to say only so much. Naomie Harris returns as Eve Moneypenny who has since settled in to becoming M’s assistant, Rory Kinnear remains reliable as always as Chief of Staff Bill Tanner, Jesper Christensen reprises his role as Mr. White from previous installments, and Ben Whishaw steals every single scene he’s in as Q. Seriously, watching Whishaw is such a delight this time out as he infuses the role with a wonderfully dry sense of humor as he reminds Bond of how he has a mortgage and two cats to feed.

And, of course, Mendes brings back composer Thomas Newman to give “Spectre” an emotional and propulsive film score which will has me eagerly awaiting its release on compact disc. I especially enjoyed his collaboration with the Mexican contemporary classical percussion group Tambuco on the music they composed for the Day of the Dead scenes. As for the theme song “The Writing’s on The Wall” which is performed by Sam Smith, it’s good but nowhere as priceless as Adele’s “Skyfall.”

But let’s not leave out the man of the hour, Daniel Craig. Ever since he made his debut as 007 in “Casino Royale” he has not only made this iconic role his own, but has also given Ian Fleming’s classic character a humanity and a depth his predecessors hoped to give as much of. His respect for Bond is never in doubt as he brings 007 around full circle to where we learn even more about his past than we did previously, and how it has come to define his present state in life. It’s still up in the air as to whether this will be Craig’s last time playing the famous British secret agent who likes his martinis shaken, not stirred, but I have to believe he has at least one more Bond film left in him.

How you come to view “Spectre” may depend on the kind of expectations you bring to it, and it’s hard not to have high expectations after the brilliant “Skyfall.” Do yourself a favor and leave them at the door and just enjoy it for what it is; a gorgeous and extravagant Bond film which, while a bit too long (editor Stuart Baird is missed here), has us wondering where 007, a man who another character describes as being a “kite dancing in a hurricane,” will go from here.

* * * ½ out of * * * *

‘Skyfall’ – One of the Best James Bond Films Ever Made

WRITER’S NOTE: This review was written in 2012.

“American Beauty” director Sam Mendes has just accomplished the impossible; he made a better James Bond movie than “Casino Royale.” That one set the bar for so high to where it should not have been a surprise “Quantum of Solace” was not as good, but “Skyfall” gets my vote for being one of the very best in the 007 franchise. This installment continues in giving us a darker and edgier Bond as portrayed by the excellent Daniel Craig, and it also brings back some of the things many felt were missing from the last two films like the gadgets, the one-liners and, of all people, Q.

“Skyfall” starts off with a bang as we catch up with Bond in Turkey where he is on the trail of a man who has stolen the hard drive containing the identities of undercover agents. While trying to retrieve the drive, Bond is accidentally shot by fellow British agent Eve (Naomie Harris) and presumed dead. But being this all happens at the movie’s beginning, we know he will not stay dead for very long. While we watch him use his presumed death to go into retirement where he gets drunk off his ass while remaining deeply resentful of M’s (Dame Judi Dench) order for Eve to “take the bloody shot,” MI6 is suddenly destroyed and his love of England forces him to return to active duty. Upon his return, he soon discovers M’s nemesis has a very personal connection to her which makes him all the more dangerous.

This film does take its time to get going, but in retrospect it was worth it. Craig’s Bond has never been a superhero, but instead a vulnerable agent with weaknesses he cannot hide from others. As we watch him retrain, Craig shows us his Bond is deeply troubled and almost bent on self-destruction. It’s his duty to the country of England which manages to keep him relatively sane. This is Craig’s third outing as 007, and I still think he’s the best thing to happen to this franchise in a long time, and he looks to be having more fun this time around as he cracks a joke or two.

Thankfully, Craig never lets 007 descend into camp or tries to turn him into a standup comedian with a gun. While his take on this iconic role feels like it been deadly serious, seeing him loosen is a real gift as he has long since come to own this character. In a perfect world, Craig would get an Oscar nomination for his performance, but since the other actors who inhabited Bond never did, it is unlikely he will break tradition in this circumstance.

Now when it comes to my favorite Bond films, they usually are the ones where things get very personal for 007 and those around him. When this happens, they become more emotionally involving and exciting for me to watch as there is more at stake than just defeating a villain bent on world domination. This is especially the case with “Skyfall” as it delves into the past of its main characters in a way I don’t think any Bond movie has done before. The script by Neal Purvis, Robert Wade and John Logan (“Hugo,” “Coriolanus” and “Gladiator”) places most of its emphasis on relationships, especially on the one between Bond and M. It is that emphasis that makes this film all the more riveting to watch.

Dame Judi Dench, who has played M since Pierce Brosnan first played 007 in “Goldeneye,” benefits here especially as her character is given a more severe complexity than what we have seen previously. Dench has always been superb as M, but ever since Craig came into the series she has been a fireball as she starts out with a powerfully brazen attitude which never ever lets up. But here we see the seams in her controlled nature as the past catches up with her in an especially nasty way. Dench nails every moment she has in “Skyfall” perfectly, and she makes M an especially fascinating character to watch this time around.

“Skyfall” also has the advantage of having not just one, but two terrific Bond girls: Naomie Harris and Bérénice Marlohe. Harris, best known for her roles in “28 Days Later” and the “Pirates of the Caribbean” movies, shares a sizzling chemistry and playfulness with Craig, especially in the scene where she gives him a very close shave. As for Marlohe, she’s a knockout as she makes her character of Sévérine as enigmatic as she is beautiful. When Bond asks for the name of her employer, the look of utter fear which crosses her face is an unforgettable moment as it sets up the grand introduction of this film’s Bond villain.

The Bond villain of this piece is Raoul Silva, and he is played by Javier Bardem in a deliciously evil performance. It should be no surprise how brilliantly unnerving he is here as this is the same actor who won an Oscar for playing Anton Chigurh in “No Country for Old Men.” But when it comes to Silva, he is an especially twisted soul to witness in action. This isn’t a villain bent on world domination, but instead on avenging a betrayal which made him what he is today. Bardem actually doesn’t make his first appearance until well into the film, but he has an unforgettable entrance where he tells a story involving rats. The Bond villains always have great stories to tell, and Silva’s proves to be one of this franchise’s most memorable.

And yes, we do get to see the return of Q, and he is played here by Ben Whishaw (“Cloud Atlas”). Whishaw is splendid in the role as he skillfully underplays this classic character to where he makes it his own. Unlike the late, and still missed, Desmond Llewellyn, this Q is not quite in a position to admonish Bond on a regular basis. Whishaw, however, is able to match wits with Craig and hold his own in a way Q has not always been able to do previously, and he is a lot of fun to watch as a result.

Mendes remains a masterful filmmaker as he manages to balance out the action and the story in “Skyfall” to great effect. I also applaud him for not letting this Bond adventure turn into a clone of a Jason Bourne movie. This proved to be a big problem with “Quantum of Solace” as the shaky cam got to be a bit too much, but Mendes is perfectly aware that while Jason Bourne is Jason Bourne, Bond has been around long enough to where he doesn’t need to copy anyone. The opening sequence gets things off to a thrilling start, and it shows how Mendes has a talent for filming adrenaline pumping action scenes as he does in directing actors to great performances.

“Skyfall” also features a terrific music score by Thomas Newman and one of the best Bond theme songs in a long time performed by Adele. The title song brings back the classic Bond song sound which singers like Shirley Bassey made famous with “Goldfinger,” and it fits the movie’s story perfectly. While I miss David Arnold who has composed the scores for the Bond movies since “Tomorrow Never Dies,” Newman’s work here is exceptional as it sounds unlike any score he has done previously. It’s always a thrill to see a composer step outside of their comfort zone to do something a little different.

But another star of this film I have to single out among others is its cinematographer, Roger Deakins. While I was previously familiar with his work in “The Shawshank Redemption,” “Fargo” and “Revolutionary Road,” the lighting in “Skyfall” is infinitely beautiful to where I am certain few other cinematographers could never accomplish like he did here. Whether it is Bond’s memorable entrance in Istanbul, his time in Shanghai or the climax in Scotland, he gives us visuals no other director of photography could ever give us.

I don’t think I have ever seen a 007 movie I didn’t like, and even the worst of them prove to be very entertaining to watch. Having said that, it is such a thrill to see a Bond movie where all the elements come together in such a truly fulfilling way. “Skyfall” is not only one of the best Bond movies ever, but also one of best films of 2012. It took four years to get one to the big screen, but it was well worth the wait.

* * * * out of * * * *

‘No Time to Die’ – Daniel Craig Gives Bond an Emotional Swan Song

Ah Mr. Craig, Mr. Daniel Craig. How nice of you to return as James Bond for a fifth and final time. Despite your infamous interview with Time Out where you declared you would rather slash your wrists than do another one, even you realized there was still one more chapter in your interpretation of Ian Fleming’s iconic spy. Besides, no one should have been asking you about doing another Bond film while you were still in production on “Spectre.” Heck, the last thing anyone wants to think about is the next 007 picture when they haven’t finished making the latest one. Even I would not have asked you that question on a press day.

But here Craig is again for “No Time to Die” which does indeed serve as a fitting swan song to his time as James Bond. Despite a running time which exceeds “Spectre’s” (163 minutes to be exact) and some flaws here and there, it proves to be a highly satisfying concluding chapter. But as thrilling and exciting as it is, my breath was taken away by how emotional it proved to be. Granted, “Casino Royale” and “Skyfall” were full of emotions also, but this one seriously took my breath away to where I exited the theater saying to myself, wow.

After a prologue which hints at relationships which will have shocking revelations later on, we catch up with Bond who has since retired from active service and is living a happy and quiet life with Madeleine Swann (Léa Seydoux). Of course, once we hear James tell Madeleine they have “all the time in the world,” you know the shit will hit the fan, and hit the fan it does with quite a loud and sudden bang. From there, Bond realizes he can no longer fully trust Madeleine, and he finds himself lonelier in the world than ever before.

Cut to five years later, and Bond finds himself drafted back into service not by MI6, but instead through his old CIA pal Felix Leiter (Jeffrey Wright, finally and thankfully returning to the franchise) who alerts the former 007 about the theft of a bioweapon which contains a dangerous new technology which could wipe out millions in an instant. It doesn’t take too long for Bond to jump back into action as he reunites with several friends, a few enemies, and a number of surprises which may shock longtime Bond fans, but should also serve as a reminder of why Craig and the filmmakers went out of their way to break the rules in this endless franchise.

While it is bittersweet to watch Craig here, it is also a lot of fun to watch him inhabit 007 in a far more debonair manner than ever before. Seeing him dish out delicious one-liners particularly, in his first meeting with the new 007, Nomi (Lashana Lynch), is priceless and had me laughing harder than I have in a long time. Never once did I see him going through the motions as he invests this iconic character with a wounded humanity which has long since started showing its age.

And with “No Time to Die,” we get a new director in Cary Joji Fukunaga. Best known for his work on the first season of “True Detective,” he also directed the brilliant “Beasts of No Nation” which could have gotten Oscar love were they not so white the year it was released. After seeing Sam Mendes direct one Bond film too many (and I did like “Spectre” by the way), Fukunaga, along with cinematographer Linus Sandgren, succeeds in giving this 007 installment a unique look which distinguishes itself from its predecessors, and for the most part he balances out several terrific action scenes with ones focused solely on the characters. Granted, the running time could have been shorter, but Fukunaga along with screenwriters Neal Purvis, Robert Wade and the fabulous Phoebe Waller-Bridge keep you guessing as to what will happen next, something I do not always expect from a Bond film.

More importantly, everything is brought around full circle here. By that, I don’t just mean with Bond. Whether its Mallory (Ralph Fiennes), Eve Moneypenny (Naomie Harris), Felix Leiter or Q (Ben Whishaw), everyone gets a proper ending. We have followed these actors for some time now and, like Craig, they have made these iconic roles their own. Considering how “No Time to Dies” ends, this is likely the last we will see of them as this franchise will now undergo another overhaul. It would be great if any of them returned, but it might cause needless confusion when the next Bond actor arrives on set.

And yes, I loved the Bond women here. Lashana Lynch quickly turns Nomi into a formidable 007 and is ever so cool from start to finish. Even when James gets the best of her, Nomi is quick to get right back on her feet, and seeing her stare down with such a beautifully icy glare is worth the price of admission alone. As for the lovely Ana De Armas, she makes Paloma into a wonderful tease of a Bond woman as she initially looks to be out of her depth, but then delightfully shows us how lethal she can be. The only shame is that Armas disappears from the proceedings early on, and it would have been great to see her some more.

If there is any disappointment to be found here, it is with its Bond villain. While Rami Malek gives Lyutsifer Safin an imposing and intimidating presence, the character is left hanging in the shadows for too long and is only given so much to do. Even after his first masked appearance onscreen, Malek seems to give a largely one-note performance to where I wished he had dug much deeper into his role. While Safin says he looks at Bond as though he is his mirror image, he says it with nowhere near as much depth as Javier Bardem gave us as Raoul Silva.

I also would have loved it if the filmmakers would have brought back composer David Arnold. I have been missing his music ever since Mendes replaced him with Thomas Newman, and this is with all due respect to Newman. Fukunaga brought in frequent collaborator Dan Romer for “No Time to Die,” but he left over “creative differences” and was replaced by Hans Zimmer who appears to be scoring every other Hollywood blockbuster these days. All the same, Zimmer gives us a terrific film score which heightens both the action and emotions and pays tribute to Bond themes and songs from its celebrated past. Granted, at times it sounds like he is echoing some of the themes he created for “The Dark Knight” trilogy to where I wondered if he steals from himself the way the late James Horner often did, but still.

As for the obligatory theme song sung by Billie Eilish, it is a thoughtful and moving song which captures Bond’s history and the past he needs to put behind him. It is no “Skyfall,” but it is miles better than Sam Smith’s “Writing’s on the Wall” which somehow inexplicably won an Academy Award.

With Daniel Craig’s reign as James Bond now at an end, it will be interesting to see where the 007 franchise will go from here. I cannot help but fear for the actor who will step into this iconic role as he will have big shoes to fill, but I do remember feeling the same way when Pierce Brosnan was cast aside after “Die Another Day.” Part of me believes Barbara Broccoli and company will return to the over-the-top action spectacles which dominated Brosnan and Roger Moore eras, or perhaps they will find another action movie franchise or trend to mimic so the series can keep up with the times. Hopefully, they will remember how Bond needs to have an edge and not just be another clean-shaven spy.

Nevertheless, these past five Bond films have been a godsend to a franchise which was in dire need of an overhaul 15 years ago. While many say you cannot do this or that in one a Bond film, Craig and company said rubbish and did it anyway, and it resulted in many invigorating cinematic adventures. Hell, we even here the word “fuck” in this one, and if there is another 007 film where this happened, I have missed it.

Godspeed Mr. Craig, and thanks for all you have done.

* * * ½ out of * * * *

‘Quantum of Solace’ – Not the Best Bond, But Not the Worst Either

WRITER’S NOTE: This review was written in 2008.

So, what’s all this talk about wanting the old James Bond back? A lot of talk from fans about the latest 007 film, “Quantum of Solace,” is that they miss the Bond who had all the gadgets, knew all the best wines, had his martinis shaken and not stirred, and always bedded the most beautiful women. Wait a second, isn’t this what we were all getting sick of after “Die Another Day?” Didn’t we want to see the Bond franchise revitalized? Isn’t that why “Casino Royale” was so damn good? That it didn’t give us the same old Bond and gave us a tough new one who you could for once say honestly was the best one since Sean Connery? Did everyone get amnesia?

Roger Ebert, in his review of “Quantum of Solace,” said he wanted the producers to remember that James Bond is not an action hero. Not an action hero? Is that what you see here Ebert? Because that’s not what I see here at all. Instead, I see a man who is devastated by loss and betrayal, and who is trying to keep his head on straight to do his duty while trying to get his revenge. Maybe when we get the next film, we can get the Bond we know back, but this one still has issues to sort through, and he is still early into his British spy career. There are still bumps in the road he must navigate through before he reaches the heights of sophistication.

“Quantum of Solace,” as I’m sure you all know by now, is not the equal of “Casino Royale” which was easily the best Bond film in years. Following it must have been daunting for everyone involved as the bar had been set higher than ever before. The early reviews for Craig’s second go around as 007 had me curbing my expectations before going to see it, but I probably should stay in the habit of curtailing my expectations in general. It is a flawed film which has several problems that might derail others, but what keeps it afloat is Craig’s great work as Bond, and how he gives us an MI6 agent who is not just going through the motions. Also, he continues to share one terrific scene after another with the always fantastic Dame Judi Dench who reprises her role as M.

This 22nd Bond film is the first in the long-running franchise to act as a direct sequel to a previous installment as it starts off just mere moments after Bond nearly shot off Mr. White’s (Jesper Christensen) leg. It also literally starts off with a bang as Bond is pursued in a high-speed chase with the minions of Mr. White right on his tail. This brings me to one of my criticisms which I kind of see as a double-edged sword. A lot of the action scenes are filmed with the same shaky camera work we expect from the Jason Bourne movies. Seeing a James Bond movie instantly remind you of Bourne is not a good sign. At the same time, it gives the action sequences here a visceral urgency to where I felt those car crashes instead of just watching them passively. I have really come to love car chases like this one.

The QUANTUM of the movie’s title refers to the new evil organization which is the SPECTRE of the new millennium. Their goal is, of course, world domination and control over everything that can be sold at a high price. As a result, the Bond villain here is a man who wants control the world’s last natural resource, but it’s not the one you might think. As played by Mathieu Amalric (“The Diving Bell and the Butterfly”), Dominic Greene speaks to the public of saving the planet from global warming, but then we see him talk to an Army general about how they managed to talk some sense into the local government about not raising the minimum wage for workers since it would, you know, cut into the profits. Basically, Dominic is like the head of Wal Mart and someone we want to see get a huge bitch slap on a regular basis, perfect for today’s Bond movie.

But as Bond villains go, Dominic Greene is far from being one of the most threatening of the bunch and he will probably not go down as one of the series’ most memorable. Still, I love the glint of anger and overconfidence Mathieu shows us in his eyes, and his work is greater proof of how some of the best screen acting can be done without saying a word. Seeing him getting pissed when Bond spoils his well laid plans is quite a kick.

The Bond girl this time around is Camille, played by Olga Kurylenko. One of the best ever? No, but she is far from being among the worst. Kurylenko’s performance during the first half is a little too stiff, and her character seems underwritten. As “Quantum” goes on, however, she gets better once her real motives are revealed to us which involve revenge against a devious military official who murdered her family. The parallel between Camille and Bond is they are both after the same thing, revenge. It makes their relationship towards the climax all the more interesting.

But the real key relationship of “Quantum” is between Bond and M. The scenes between Craig and Dench are some of the best here, and it is no love affair between these two. It’s a mother and son kind of relationship if you can picture as both are estranged from one another, and are constantly to get back on the same page with each other. M wants to trust Bond but feels as though she cannot, and Bond wants to go after the one who almost had her killed. Talk about tough love.

Dench has been playing M since Pierce Brosnan debuted as Bond in “Goldeneye,” and she has been a huge asset to this franchise. She has continued to be a strong presence and has gotten even better since Craig began portraying Ian Fleming’s iconic spy. Right from the start, the actress makes M into the kind of person who will not take bullshit from anyone no matter their government or nationality. She is a real pleasure to watch in just about anything she does, and I love how she easily intimidates her male assistants who constantly tremble in her presence.

“Quantum” also features other strong performances which need to be noted. Jeffrey Wright returns again as Felix Leiter, the first actor to play the role consecutively in close to 20 years. His cool approach to Felix is great, and hopefully we will see him playing this character again. Giancarlo Giannini returns from “Casino Royale” as Mathis, and this could have been problematic as his character had betrayed Bond previously, and having him be the only person Bond can trust could have been far-fetched to say the least. But thanks to Giannini’s performance, he makes Mathis’ presence believable in story and welcome as his sadness over the death of Vesper gets him to team up with Bond. His final scene is actually quite touching as he encourages Bond to forgive himself. These character moments never get as much credit as the stunts do in a Bond film, and this one has them to give us a rest from the visceral action scenes.

Marc Forster, best known for “Monster’s Ball” and “Finding Neverland,” takes on the directing chores this time around. He almost seems as unlikely a choice to direct a Bond as Michael Apted was when he helmed “The World Is Not Enough.” His handling of the action sequences may be confusing to some as the editing is done in a rapid-fire manner, but they are still thrilling if you can get past this. While Foster doesn’t bring anything new to this franchise, he does keep things moving at a steady pace. At under two hours long, this is the shortest Bond film ever. Given how stringent the Broccoli family is about keeping 007 confined to a certain formula, I’m not sure how much freedom Forster was given to work with on this one.

Screenwriters Neal Purvis and Robert Wade are back along with Paul Haggis who is doing his usual screenplay polish here. Their work here is not as strong as it was on “Casino Royale,” and the characters are what really made it so good as it benefited all the other elements of that film like the action sequences. “Quantum Of Solace,” on the other hand, seems to exist more for the action sequences than the story which is a little frustrating, but they do still keep the central character of Bond very interesting and complex. They deal with the different layers of 007 and keep him from becoming a one-dimensional schmuck. There is some good work here, but not everything is as fleshed out as it could have been.

I also need to point out how David Arnold has been composing the scores for the Bond franchise since “Tomorrow Never Dies.” I love how his scores really complement the action scenes in all their ferocity. I also admire how he was able to move over seamlessly from the Brosnan era to the Craig era and didn’t simply repeat the same musical themes over and over again. I ended up buying the soundtrack a couple of days before the movie was released, and it is a great listen.

Speaking of the soundtrack, I should bring up “Quantum’s” title song “Another Way to Die” which is performed by Jack White and Alicia Keys. Everybody is trashing it, but it’s actually not bad. For me, it actually sticks in the head as opposed to other Bond theme songs which go in one ear and out the other. Look, I love Sheryl Crow, but here theme to “Tomorrow Never Dies” was one of the least memorable to where I can’t remember any of the lyrics.

Yes, “Quantum of Solace” is not one of the best Bond movies, but it is far from being one of the worst (for that, see “The Man with The Golden Gun”). It has screenplay problems and some characters could have been better developed, but the things which did work won me over for the most part. And once again, Daniel Craig proves to be one of the best Bonds ever as he gives this iconic character a rough edge and dimensions which have been absent from the movies for far too long.

No, he is not the old Bond we grew up with, but I am fine with that because this one is far more interesting to me. So please stop whining about wanting the old Bond back. We may get him back in a future installment now that Bond has moved on from his revenge cycle, but at the same time, I hope Craig doesn’t lose any of the edge he has brought to the British spy.

Whatever happens from here will be very interesting even if we have to wait another few years for the next film. All the same, James Bond will return…

* * * out of * * * *

‘Casino Royale’ – James Bond Reborn and Reinvigorated

I came into “Casino Royale” with guarded expectations. When it came to the James Bond films which starred Pierce Brosnan, I found they were best enjoyed with lowered expectations as they veered to the more openly ridiculous films of the Roger Moore era. But once this particular Bond film started with something other than the standard gun barrel sequence, I quickly realized how serious the filmmakers were about reinventing and reinvigorating this long running franchise.

To put it mildly, “Casino Royale” proved to be the best Bond filmI have seen in years, and it was far and away one of the best movies of 2006. For once, we had a 007 movie which actually bothered to take itself seriously, provide us with a villain who was not going after world domination, and a Bond woman who is not just here for display. After seeing the franchise descend into self-parody for far too long, I was stunned at how much effort the filmmakers and producers put into this installment

This film also marked Daniel Craig’s debut as 007. These days, it is hard to believe many were quick to write him off and say how wrong he was for the role of Ian Fleming’s iconic character. What a joy it was to see him have the last laugh on everyone. Right from the start, Craig makes this character is own and gives Bond an edge I felt this British spy had been lacking after Timothy Dalton departed the franchise. But moreover, Craig gives Bond a shocking vulnerability to where it seemed criminal he didn’t get an Oscar nomination for his performance. Seriously, he was that good.

“Casino Royale” also marks the return of director Martin Campbell to the Bond franchise as he previously directed Pierce Brosnan’s first turn as 007 in “Goldeneye,” a film I did not give enough credit upon its release. Rather than simply repeat what he did before, Campbell paints a whole new canvas for Craig to work with, and he gives us a number of thrilling actions set pieces throughout which quickly prove to be the most thrilling this franchise has seen in some time, and they get extra support from the enthralling music score composed by David Arnold.

As I said earlier, this Bond film does not contain a villain bent on world domination, and I was thankful for this as those villains had long since become overused in this or any other franchise. Instead, we get Le Chiffre who is played by Mads Mikkelsen, an actor who has since become famous for his own interpretation of Hannibal Lecter. Le Chiffre may have an Achilles heel or two with his asthma and an eye duct which lets out tears of blood, but he is a formidable foe with his mathematical genius and brilliance at playing chess. Mikkelsen also dares to make Le Chiffre an especially vulnerable Bond villain as his immense ego gets pierced as easily as Bond’s does, and this leads to a scene of painful torture which we have not seen since “Licence to Kill.”

I also have to say how “Casino Royale” does a great job or making Poker such an exciting game to watch. Playing cards in a movie does not sound like something which would lend itself much to cinema, but Campbell milks Poker for all it is worth here to where seeing Bond stare Le Chiffre down is such an immensely satisfying delight.

Now let us go to the Bond woman of this piece as calling her a Bond girl would be an unforgivable insult. She is Vesper Lynd, and she is played by an actress as wonderful as she is beautiful, Eva Green. So memorable in “The Dreamers,” she quickly makes her strong presence known upon her first meeting with Craig on a train speeding to Montenegro. Seeing them stare one another down is a terrific sequence as this Bond film presents us with the first real love story it has had since “On Her Majesty’s Secret Service,” and this is saying a lot.

If there is a holdover from the Brosnan era, it is Dame Judi Dench who gives audiences the most intimidating version of M yet. She never took it easy on Brosnan, but she goes ballistic when it comes to Craig as his Bond just reached 007 status. Dench makes M a tough nut to crack and a superior who truly means business. If there are any vulnerabilities to this character, we do not see them here as she makes clear to Bond she is not one to be trifled with. Dench is a thrilling presence in “Casino Royale” as a result, and it made me glad she would continue to inhabit this role for a few more films.

In a sense, this franchise has come around full circle with “Casino Royale” as the producers finally got the rights to Fleming’s book after so many years. But more importantly, they came to realize that this franchise needed a serious reboot even though “Die Another Day” was an enormous hit at the box office. While I am not always a big fan of origin stories, movies like “Casino Royale” and “Batman Begins” remind me of how necessary they are and of just how good they can be.

We don’t hear Craig utter the words “the name’s Bond, James Bond” until the very end, but this is perfect as it shows how we have many great adventures to look forward to from here, and we certainly did.

* * * * out of * * * *

‘Skyfall’ Cast and Crew on Cinematographer Roger Deakins

WRITER’S NOTE: This article was originally written back in 2012.

Skyfall” has earned the respect of both critics and audiences around the world as they rightfully hail it as one of the best James Bond movies ever made. But while Daniel Craig and Sam Mendes have received tremendous praise for their terrific work, there is another man working behind the scenes who is equally deserving: Roger Deakins. Thanks to him, “Skyfall” features such unforgettably beautiful images like the assassination scene in Shanghai and the cold and barren landscape of Scotland. None of this is lost on the cast and crew as they spoke highly of Deakins’ work at the film’s press conference in Beverly Hills.

Deakins is best known for his work on many of the Coen Brothers’ movies such as “True Grit” and “No Country for Old Men.” He had previously worked with Mendes on “Revolutionary Road” and “Jarhead,” and the director attributes the look of “Skyfall” solely to Deakins.

Sam Mendes: He contributes what a great cinematographer contributes which is an unbelievable eye, an extraordinary skill in lighting, and for doing an immense amount of work in prep. (He showed) huge care and dedication from day minus 100 to the last day of timing which was only a few weeks ago. He’s a very shy man and he expresses himself through his work, and you just put a camera in front of Roger’s eye and point him in the direction of something interesting and he’s a very happy man. He’s one of the greats and it’s a privilege to have him on the movie.

Daniel Craig: There is an incredibly consistency in his work. He has a surety and you feel like it’s a Sam Mendes movie but it’s also a Roger Deakins movie as well. He has put his stamp on it, it’s not intrusive and it’s very magical.

Bérénice Marlohe, who plays the mysterious Bond girl Sévérine in “Skyfall,” spoke lovingly of Deakins and his work on this film.

Bérénice Marlohe: I have this concept that I’ve always believed in that hugely talented people are hugely humble. When I was on that set, I saw that with Sam, Daniel and him. He’s such a pure, beautiful man and just very focused on his work, and then when I got to see the movie, I would never expect that. The first thing that struck me was that mix of reality, a real story with real human beings, and with each picture it felt like you were having a journey in a dream. It was all so surprising and beautiful.

Naomie Harris, who portrays Eve, also described Deakins as being shy, humble and also added that he was quite “self-effacing.” This made him much different compared to the cinematographers she has worked with in the past.

Naomie Harris: It was a very different experience for me than working with most DPs because they can be very strong characters who really make their presence known on sets, and he’s the complete opposite. He’s really quiet and doesn’t interfere with your process at all, and he’s very respectful of actors’ spaces. For me it was an amazing pleasure to work with him.

To hear all this said about Roger Deakins makes him seem highly unique among the cinematographers of the world. I couldn’t agree more with everyone’s individual assessments of his work as the look of “Skyfall” is indeed gorgeous especially for an action movie. The greatest directors of photography have a look which is all their own and the kind you can notice right away, and Deakins has earned his place among them. Hopefully the Academy Awards will recognize his work here with an Oscar nomination when the time comes around.

Naomie Harris on Portraying a Bond Woman in ‘Skyfall’

WRITER’S NOTE: This article was written in 2012.

She thrilled us as a hardened survivor in “28 Days Later” and wowed us with mystical powers in the “Pirates of the Caribbean” movies, so it was only a matter of time before English actress Naomie Harris got the chance to play a Bond girl. She finally gets the opportunity in the 007 adventure “Skyfall” where she plays Eve, an MI6 field agent who works hard at being Bond’s equal. She shares a sizzling chemistry with actor Daniel Craig in certain scenes, and it’s the kind of chemistry you want to see last for more than one Bond film.

Harris appeared at the “Skyfall” press conference held at the Four Seasons Hotel in Beverly Hills, California where she talked about her role as Eve. Being a Bond girl carries with it a weight of expectations, and some still consider a character like this to be sexist in its design. Harris was asked what being a Bond girl meant to her and she said it meant being alluring and beautiful, and she initially found it to be constraining as a result.

Naomie Harris: I usually don’t play roles like that. In fact, I don’t know if I have ever played a role like that before, so I felt confined by all those set ideals. But then a friend of mine gave me a great piece of advice which was, just forget about all of that and imagine you are a part of a low budget movie where you can do whatever you want with this role and just make it your own. And that ultimately is how I come to see Bond girls. In terms of Bond girl terminology, I think we’re just women in Bond movies and women now in Bond movies can be anything so you’re totally free to create. That’s what makes it an interesting role.

Now Bond has a reputation of loving women and leaving them, and this has made being a Bond girl seem less appealing to many people. For Harris, however, playing Eve in “Skyfall” represented an opportunity to portray a new generation of them, and it’s just as well as the Bond franchise is now celebrating its 50th anniversary.

Naomie Harris: They certainly said that to me when I auditioned. They said, we want you to create a modern woman that women can respect and admire and look up to, and this is something we’re creating that’s new and different. That was one of the reasons why I was so excited about taking on the challenge of this role.

When asked if people should say Bond girl or Bond woman, Harris replied we can call it whatever we want.

Harris was asked to audition for the role of Eve after director Sam Mendes and casting director Debbie McWilliams saw her in a production of “Frankenstein” directed by Danny Boyle. She had no idea they were in the audience, and her agent later told Harris they wanted to meet with her about being in “Skyfall.”

Naomie Harris: I had two auditions and I didn’t really take it seriously because I never ever saw myself as a Bond girl. I wasn’t really very nervous at all because I know they auditioned hundreds of girls all around the world, and I thought this is right at the beginning of their casting process so they’re not going to cast me. It wasn’t until the third audition when Sam said, “It’s down between you and just two others” that I realized this is actually serious and could actually really happen. That was the first time I got really nervous. Thankfully I got the role and largely because of Boyle because Mendes called him and asked what I was like to work with, and he gave me a glowing report.

Doing “Skyfall” gave Harris a great respect for action heroes because before this she had no idea of the amount of training which goes into getting prepared for a film like this one. Harris even said Craig would do a 15-hour day and then train for 2 hours afterwards, and she doesn’t know of anybody else who works as hard or has that dedication to a particular role.

Naomie Harris: Movies like these are emotionally and hugely physically demanding. For someone like me who’s incredibly lazy and doesn’t exercise at all, it was a big change for me to be exercising for two months before doing the movie. I was out five days a week with a personal trainer, I was on the gun range three days a week, and I was even doing stunt driving and developing all these other skills that I didn’t have before. I really got in touch with my body in a way that I never had before.

When it came to talking about working with Craig, Harris couldn’t have spoken of him more highly.

Naomie Harris: Daniel definitely remembers what it was like coming into this franchise and how intimidating and overwhelming it was for him. It’s amazing that in his third Bond movie he remembers that and he really goes out of his way to make sure that you don’t feel that weight of pressure and that it is shared. He kind of holds your hand and says ‘we’ll get through this together’ throughout the whole thing, and he is an incredibly generous man.

Talking about Craig also let Harris to tell one of the most memorable stories from that press conference.

Naomie Harris: For me the story that sums up Daniel was the first time that I met him. He was having a costume fitting and I was being walked down the hallway and I was asked whether I wanted to meet him. I was very intimidated and I thought I don’t want to bother him while he’s having a costume fitting as that wouldn’t be a great first time to meet him. So, I kept on walking down the hall and he saw me walk past, and as he ran out of his costume fitting, he hit me over the head and said, “Where are you going stupid?” And then he gave me this massive hug and said, “Welcome aboard,” and that for me really sums up Daniel because he’s incredibly down to earth and incredibly warm and also quite silly as well.

In closing, Harris leaves an everlasting impression as Eve in “Skyfall,” and this will become clearer to audiences around the world once they have seen this 007 movie. She is not your average Bond girl who pales in comparison to him, but instead one who can say she’s in many ways his equal.

Naomie Harris: Eve is very capable in the field. She is a very competent field agent but she’s working on this mission with the ultimate field agent who is Bond. She’s never going to be able to live up to him, and no man and no woman can. That’s why he is Bond and so it’s understandable that she needs a bit of help, but I was not happy about having to shoot him. I thought I really wanted to be a better shot than that.

Daniel Craig on Playing James Bond in ‘Skyfall’

WRITER’S NOTE: This article was originally written back in 2012.

They say third time’s the charm, and this could not be truer for actor Daniel Craig’s third go around as James Bond in “Skyfall.” Many are calling this latest 007 adventure one of the best ever, and by now there should be no doubt that Craig is the best actor to play Bond since Sean Connery. Craig goes on record about how he prepared to portray the iconic British spy this time around, and of the rules he and the filmmakers broke in this franchise.

At a recent press conference, Naomie Harris, who plays agent Eve, said Craig worked a 15-hour day on set, and then he spends another two hours doing physical training. Craig talked about how he trained for “Skyfall.”

“I’m not a fighter. I pretend to be one. It’s bullshit boxing,” Craig said. “I had to do a lot of running in this movie, which I hate. I did a lot of sprinting and running. Bond doesn’t usually walk through a room. … On paper it looks very easy: it says Bond goes from A to B and he goes from B to C. But he goes from A to B at a lick. He runs down the stairs, he runs up the stairs, and you have to do 10 takes at a time.”

One big question people had for Craig was how many of his own stunts he did for “Skyfall.” He wasn’t about to fool anyone with his answer.

“I get a kick out of it,” Daniel said of the action scenes. “I don’t do all my stunts. I’d be lying if I said that. But I like the fact that occasionally that you’ll see on screen that it’s my face and it’s me. And I think audiences hopefully appreciate that. At least, I really hope they do.”

Craig, however, did participate in one hair raising stunt which takes place during the movie’s prologue which takes place in Turkey.

“My first day on the train was just about learning how to stand up. The train was going about 25 mph, but it’s not the speed that matters, it’s the side-to-side motion,” Craig said. “Then when we get over the bridge, it’s a 300-foot drop over this ravine. They all said, ‘Don’t look down!’ And I tried not to.”

With this particular 007 movie, Craig was determined this time to bring Bond back to the basics. In other words, it was time to bring back the gags and the gadgets audiences had been missing in the previous installments.

“I always had a plan in my head, however tenuous it was, that when we did ‘Casino Royale’ – that was the beginning – we had to set a tone. Then we finished the story in ‘Quantum of Solace’ and wrapped it all up. The third one would always be about bringing in the classic Bond,” Craig said. “The characters, the people that really make a Bond movie a Bond movie. That was my only desire.”

But there is one rule which Craig freely breaks in “Skyfall,” and it is showing Bond crying. Some will say it is an unbreakable commandment for 007 to shed tears over anybody, but ever since “Casino Royale,” the rules for how to make a Bond movie have been broken out of sheer necessity. Things needed to be reinvented in order for Ian Fleming’s famous secret agent to remain relevant in this day and age. Even when Craig jokes how Bond is seen sweating, he makes it clear how he and the filmmakers are looking to break the rules of the fifty-year-old franchise.

“Of course we did, that’s what we’re supposed to do. We’re supposed to mess around with it,” Craig said. “It’s interesting: You said he cries, other people I know said he doesn’t cry, it’s open. But it’s an emotional scene.”

There’s also no forgetting Mr. Fleming whose books gave life to this long series. As time goes on, the filmmakers and whoever plays Bond remain dedicated to portraying the character as closely to the books as they possibly can. At the same time, Bond is a complicated kind of secret agent.

“We always go back to Fleming when we sit and discuss, and if you look at the novels, he’s so conflicted,” Craig said. “Fleming tries to kill him off. He gets really pissed at him. And he’s a killer. He kills for a living. It’s a very dark place he goes to.”

Daniel Craig is contracted to do at least two more movies as James Bond, and he is not about to part with the role. Here’s hoping he lasts even longer as he is the best actor to inhabit this iconic role since Connery.

SOURCES:

Jay Stone, “Daniel Craig on playing Skyfall’s ‘complicated’ Bond,” Canada.com, November 5, 2012.

John Boone, “James Bond in Action, in Love and…in Tears?! Everything You Want to Know About ‘Skyfall,’” E! Online, November 9, 2012.

Stephen Galloway, “‘Skyfall’ Star Daniel Craig Reveals the Downside of Being James Bond (Q&A;),” The Hollywood Reporter, November 8, 2012.

Hollie McKay, “Bond Turns 50: Daniel Craig says ‘Skyfall’ is ‘classic Bond,’ wishes next 007 ‘good luck,‘” Fox News, October 24, 2012.

Bond 25 Finally Gets Its Title, and You May Be Surprised By It

No Time To Die 007 logo

We have been hearing so much about the 25th film in the 007 franchise to where it threatens to feel like we have watched it in full long before it arrives in theaters everywhere. Daniel Craig confirmed to Stephen Colbert he would return to do a fifth movie as James Bond, Danny Boyle was originally set to direct but later dropped out and was replaced by Cary Joji Fukunaga, and there were rumors Adele would return to compose this film’s theme song. Other than that, we were left with an endless set of questions: Would Christoph Waltz return as Blofeld? Who will compose the score for this one? Can they possibly get “Skyfall” cinematographer Roger Deakins to return? What kind of Bond villain is Oscar winner Rami Malek going to play? Who will be the latest Bond woman?

As fans posed these questions and several others, many including myself had one which we desperately wanted an answer to: WHAT WAS THIS BOND FILM GOING TO BE TITLED??!! In the wake of a press conference featuring the cast of Bond 25 and various behind the scenes images from the set, it seemed no one thought to give this one a name. Did longtime Bond screenwriters Neal Purvis and Robert Wade start writing it without a title in mind? Did fellow scribes Fukunaga, Scott Z. Burns or Phoebe Waller-Bridge get a chance to add their two cents to this issue? Seriously, it cannot be this difficult to generate a title for this or any other motion picture, right?

Well, after what feels like an eternity, MGM has finally given us the title of the 25th James Bond film: “No Time to Die.” My opinion regarding this title is quite mixed. A title like this one sounds like something out of an easily disposable paperback novel, while fun to read, won’t stay in the mind for too long. Granted, “Die Another Day” was already taken, but after the titles of the previous Craig Bond movies (“Casino Royale,” “Quantum of Solace,” “Skyfall” and “Spectre”) which implied quite a bit without saying so much, this one feels surprisingly ordinary. Couldn’t they have come up with something infinitely more inspired?

At the same time, perhaps it is not a bad title for this installment, likely the last to feature Craig as 007. In terms of years, Craig has now held onto this iconic role longer than any of his predecessors, and we have grown with him as we watched him make this role his own from “Casino Royale” to “Spectre.” In this installment, Bond is said to have retired from active duty and is now enjoying a leisurely life with Dr. Madeleine Swan (Lea Seydoux) in Jamaica. But the vacation quickly ends when his CIA pal, Felix Leiter (Jeffrey Wright), arrives in town and asks for Bond’s help in rescuing a kidnapped scientist. Suffice to say, retirement does not last long for Bond, and the only way for him to escape any sort of responsibility from this situation would be death. However, death would be the easy way out, and Bond is not about to go down that route.

Craig’s interpretation of James Bond reminds me a lot of Jack Bauer from “24” as both characters have sworn a loyalty to their countries of origin, and this is a loyalty which, whether they admit it or not, proves to be far more important than anything else in their lives. Still, their actions come with consequences and an inescapable case of karma which will never let them rest easy. How does one live with being someone who willingly kills if the situation calls for it and not go through life with one form of guilt or another? Craig’s Bond has numbed his consciousness more often than not with alcohol, and this is regardless of whether it is shaken or not stirred. The only way a character like this can possibly find peace is in the realm of death, and Bond is not about to choose this realm as he eventually returns to his call of duty when the circumstances call for it, and this installment makes it clear he is not about to die even if it will cease his suffering.

“No Time to Die” will arrive in theaters in April of 2020. Check out the title announcement below.

 

 

David Fincher’s ‘The Girl with the Dragon Tattoo’ Stands On Its Own

The Girl With The Dragon Tattoo 2011 poster

To call David Fincher’s “The Girl with The Dragon Tattoo” a remake of the excellent 2009 Swedish thriller wouldn’t be fair. Yes, it too is based on the runaway bestseller by the late Stieg Larsson, but Fincher has taken this material and, with the help of ace screenwriter Steve Zaillian, made it his own. His version proves to be one which is neither better nor worse than the original, but one which effectively stands on its own two feet to where any comparisons are not really necessary.

Daniel Craig takes on the role of Millennium Magazine writer Mikael Blomkvist who, at the movie’s start, has lost a libel case against the wealthy but corrupt businessman Hans-Erik Wennerström, a defeat which will seriously deplete his savings account. To escape the prying eyes of the press, he accepts an invitation from retired CEO Henrik Vanger (Christopher Plummer) to investigate the mysterious disappearance of his great-niece Harriet. Vanger believes she may have been murdered by a member of his family, one which proves to be far more dysfunctional than any you may know.

Fincher’s film takes its time in establishing the characters of Blomkvist and Salander, who is played here by Rooney Mara. In fact, they don’t meet face to face until an hour into the movie. While studio executives were probably begging to see these two come together a lot sooner, it gives these actors time to establish their characters to where we feel like we understand them and are eager to see each work with one another.

Stepping outside of the James Bond franchise, Craig is terrific in conveying Blomkvist’s single-mindedness in finding answers which need to be uncovered. This is not a heroic character taking out the bad guys with relative ease, but one who is dedicated to finding out the truth and soon comes to realize just how much danger he is in. But as frightened as he is, Blomkvist is in no position to just give up and go home.

As for Mara, her performance as Lisbeth Salander is nothing short of a revelation. She must have given one hell of an audition for Fincher because very little in her resume, certainly not the bland “Nightmare on Elm Street” remake, could have prepared us for how good she is here. That is, except for her performance as Max Zuckerberg’s girlfriend who dumps him without remorse at the beginning of “The Social Network.”

Having watched Noomi Rapace inhabit this character previously, it was hard to think of another actress who could be anywhere as good in playing Lisbeth Salander. Mara, however, is more than up for the challenge, and her commitment in portraying this understandably anti-social character is utterly complete. I kept trying to find traces of Mara in this film, but I came out of it feeling like I never saw her. Instead, I felt like was watching Lisbeth Salander and no one else. Now this is a performance worthy of awards consideration!

Not to take away from Rapace’s star-making performance, but Mara has the advantage here of dealing with this character’s complexities which were not as deeply explored in the 2009 film. While Mara puts up a tough exterior, she simultaneously allows you to see those cracks of vulnerability hiding just beneath the surface. You fear for Lisbeth even though you know she eventually will kick ass.

There are many other great performances to be found here, and the actors have the fortune of playing characters which are given more depth in this version. Plummer has had quite the year with this and “Beginners,” and he gives Henrik a biting sense of humor which has aided him in dealing with the emotionally sordid history of his family. Robin Wright pulls off a surprisingly confident Swedish accent as Blomkvist’s co-worker and lover Erika Berger. Steven Berkoff of “Beverly Hills Cop” and “A Clockwork Orange” fame is a strong presence as Henrik’s lawyer Dirch Frode, Stellan Skarsgård remains one of the most reliable actors in movies with his performance as Martin Vanger, and Joely Richardson is fantastic as Anita.

Director of Photography Jeff Cronenweth does a superb job of capturing the frozen landscapes of Sweden to where you get frigid just looking at the screen. The scene where Blomkvist desperately tries to warm up the cottage Vagner has provided for him pushes this point across than it would ever need to. I haven’t shivered this much since after I finished swimming the 2011 Los Angeles Marathon.

Fincher’s movie also has a mesmerizing score from Trent Reznor and Atticus Ross, both whom won the Best Original Score Oscar for their work on “The Social Network.” They give the story and its characters a sonic soundscape unlike the typical orchestral score, and it brilliantly captures the growing emotions which get stronger and stronger as the movie reaches its brutal climax.

Speaking of brutal, Fincher never sugarcoats this story or makes it easy to digest down to a PG-13 rating. In retrospect, I’m not sure there was a way he could as it deals with serial killers and features a vicious rape perpetrated on the main character. As with the majority of his movies, Fincher’s vision of the world is a dark one where the characters can be as cold as the snowy weather, but his vision also remains one of the most powerful in today’s cinematic world.

When it comes to comparing the 2009 and 2011 movies, this one has an upper hand in that it’s far more cinematic. The original Swedish film was actually a television miniseries which got shortened when released theatrically. That one remains a great thriller worth watching, but David Fincher’s version of “The Girl with The Dragon Tattoo” threatens to be more compelling as it builds on the original without taking away from it. I have yet to see him make a truly bad motion picture, and yes, that includes “Alien 3.”

* * * * out of * * * *