‘Spectre’ – The Global Criminal Organization Returns to Haunt James Bond in the New Millennium

WRITER’S NOTE: The following review was written in 2015.

James Bond fans will be thrilled to know that the gun barrel sequence has been returned to the opening of this latest 007 adventure. For the past few Bond films, it has been relegated to the end to make clear just how rebooted this long running franchise became when Daniel Craig came on board to fill that tuxedo and enjoy the shaken, not stirred martinis. But now it precedes the action-packed prologue, and it’s just as well because “Spectre” aims to be more along the lines of the classic 007 adventures where the suave spy does battle with a secret organization which is bent on world domination and ends up seeing so much more than the NSA does on a daily basis. Still, it does have a strong focus on character as the past continues to haunt Bond to where the dead are not really dead.

First, let us get this out of the way: Is “Spectre” better than or as good as “Skyfall?” No, but this was kind of a given since the previous installment reached such extraordinary heights which the average Bond film usually never reaches, and this includes grossing over a billion dollars at the box office. In the end this did not matter much to me because, on its own, “Spectre” is a compelling and thrilling movie which reunites Craig with the brilliant Sam Mendes whose work on the last installment was impeccable. With this latest Bond film, they both are determined to dig even deeper into 007’s fractured and turbulent history, and it reintroduces us to certain character types and criminal organizations which defined many of the early Bond adventures.

After a thrilling action-packed opening sequence in Mexico, one of this franchise’s very best by the way, Bond is informed by M (Ralph Fiennes) he is being suspended from duty as his mission there was not authorized by him or the British government. However, we later learn he received a cryptic message from a previous mentor informed him to kill a man in Mexico and attend his funeral in Rome, and this is just the beginning to his uncovering the criminal organization whose name is an acronym for Special Executive for Counter-intelligence, Terrorism, Revenge and Extortion. Suffice to say, they got everything covered.

Mendes hasn’t lost a step here, and he is also served well by cinematographer Hoyte van Hoytema (“Interstellar”) who gives even the dirtiest scenes an inescapable beauty. This movie also has a great opening and unbroken shot which lasts several minutes as we watch Bond attend a Day of the Dead parade, head upstairs with a lovely lady presumably to bed, and then he suddenly goes out the window in pursuit of his latest nemesis who has seriously pissed off her majesty’s secret service.

The main villain is Franz Oberhauser, and he is portrayed by the brilliant and endlessly entertaining Christoph Waltz. This is the same actor who gave us one of the most fiendish villains in cinematic history in Quentin Tarantino’s “Inglourious Basterds,” but he’s not out to replay Hans Landa here. When we first see Franz, he doesn’t even have to speak up or raise his voice to show how powerful he is. Everyone simply stands at attention, and no one questions his decision making at any point. This makes Waltz’s job even easier as his character clearly exerts a power very few bother to question. Some claim he is too quiet in his first scene, but for him to yell at everyone or shout to keep everyone in place would strike me as being desperate to keep everything under control. Franz doesn’t need to do this because everything has long since come under his control.

As for the Bond women (calling them Bond girls does not feel the least bit appropriate anymore), they are played by Monica Bellucci and Lea Seydoux. Bellucci plays Lucia Sciarra, the widow of an assassin killed by Bond, and she mesmerizes us in the far too few minutes she appears onscreen. Bellucci is said to be the oldest Bond woman ever, but does this really need to be pointed out? I don’t care how old she is because she still sizzles and holds her own against Craig even as he seduces her to the audience’s delight.

Seydoux is best remembered from her role as the beautiful but cold-hearted assassin in “Mission: Impossible – Ghost Protocol,” and here she plays Dr. Madeleine Swann, a psychologist who has a link to a person Bond dealt with in the past. She proves to be a strong Bond woman here as she brings up her tragic upbringing which has informed her defensiveness around those she doesn’t know very well, and she makes clear of how she has a strong dislike of guns. She’s a wonderful presence here, and she and Craig make quite the couple.

Dave Bautista co-stars as Mr. Hinx, a character designed to spark our nostalgic memories of Oddjob. Mr. Hinx is a henchman of few words, but his actions speak a lot louder than his words and leave a lot of damage in his path. This is not a henchman content with throwing a hat around as his hands do all the work and leave quite the impression.

Ralph Fiennes confidently fills the shoes of Dame Judi Dench’s M as Mallory, and like the previous head of MI6, Mallory finds he can control Bond as well as she could, which is to say only so much. Naomie Harris returns as Eve Moneypenny who has since settled in to becoming M’s assistant, Rory Kinnear remains reliable as always as Chief of Staff Bill Tanner, Jesper Christensen reprises his role as Mr. White from previous installments, and Ben Whishaw steals every single scene he’s in as Q. Seriously, watching Whishaw is such a delight this time out as he infuses the role with a wonderfully dry sense of humor as he reminds Bond of how he has a mortgage and two cats to feed.

And, of course, Mendes brings back composer Thomas Newman to give “Spectre” an emotional and propulsive film score which will has me eagerly awaiting its release on compact disc. I especially enjoyed his collaboration with the Mexican contemporary classical percussion group Tambuco on the music they composed for the Day of the Dead scenes. As for the theme song “The Writing’s on The Wall” which is performed by Sam Smith, it’s good but nowhere as priceless as Adele’s “Skyfall.”

But let’s not leave out the man of the hour, Daniel Craig. Ever since he made his debut as 007 in “Casino Royale” he has not only made this iconic role his own, but has also given Ian Fleming’s classic character a humanity and a depth his predecessors hoped to give as much of. His respect for Bond is never in doubt as he brings 007 around full circle to where we learn even more about his past than we did previously, and how it has come to define his present state in life. It’s still up in the air as to whether this will be Craig’s last time playing the famous British secret agent who likes his martinis shaken, not stirred, but I have to believe he has at least one more Bond film left in him.

How you come to view “Spectre” may depend on the kind of expectations you bring to it, and it’s hard not to have high expectations after the brilliant “Skyfall.” Do yourself a favor and leave them at the door and just enjoy it for what it is; a gorgeous and extravagant Bond film which, while a bit too long (editor Stuart Baird is missed here), has us wondering where 007, a man who another character describes as being a “kite dancing in a hurricane,” will go from here.

* * * ½ out of * * * *

‘Skyfall’ – One of the Best James Bond Films Ever Made

WRITER’S NOTE: This review was written in 2012.

“American Beauty” director Sam Mendes has just accomplished the impossible; he made a better James Bond movie than “Casino Royale.” That one set the bar for so high to where it should not have been a surprise “Quantum of Solace” was not as good, but “Skyfall” gets my vote for being one of the very best in the 007 franchise. This installment continues in giving us a darker and edgier Bond as portrayed by the excellent Daniel Craig, and it also brings back some of the things many felt were missing from the last two films like the gadgets, the one-liners and, of all people, Q.

“Skyfall” starts off with a bang as we catch up with Bond in Turkey where he is on the trail of a man who has stolen the hard drive containing the identities of undercover agents. While trying to retrieve the drive, Bond is accidentally shot by fellow British agent Eve (Naomie Harris) and presumed dead. But being this all happens at the movie’s beginning, we know he will not stay dead for very long. While we watch him use his presumed death to go into retirement where he gets drunk off his ass while remaining deeply resentful of M’s (Dame Judi Dench) order for Eve to “take the bloody shot,” MI6 is suddenly destroyed and his love of England forces him to return to active duty. Upon his return, he soon discovers M’s nemesis has a very personal connection to her which makes him all the more dangerous.

This film does take its time to get going, but in retrospect it was worth it. Craig’s Bond has never been a superhero, but instead a vulnerable agent with weaknesses he cannot hide from others. As we watch him retrain, Craig shows us his Bond is deeply troubled and almost bent on self-destruction. It’s his duty to the country of England which manages to keep him relatively sane. This is Craig’s third outing as 007, and I still think he’s the best thing to happen to this franchise in a long time, and he looks to be having more fun this time around as he cracks a joke or two.

Thankfully, Craig never lets 007 descend into camp or tries to turn him into a standup comedian with a gun. While his take on this iconic role feels like it been deadly serious, seeing him loosen is a real gift as he has long since come to own this character. In a perfect world, Craig would get an Oscar nomination for his performance, but since the other actors who inhabited Bond never did, it is unlikely he will break tradition in this circumstance.

Now when it comes to my favorite Bond films, they usually are the ones where things get very personal for 007 and those around him. When this happens, they become more emotionally involving and exciting for me to watch as there is more at stake than just defeating a villain bent on world domination. This is especially the case with “Skyfall” as it delves into the past of its main characters in a way I don’t think any Bond movie has done before. The script by Neal Purvis, Robert Wade and John Logan (“Hugo,” “Coriolanus” and “Gladiator”) places most of its emphasis on relationships, especially on the one between Bond and M. It is that emphasis that makes this film all the more riveting to watch.

Dame Judi Dench, who has played M since Pierce Brosnan first played 007 in “Goldeneye,” benefits here especially as her character is given a more severe complexity than what we have seen previously. Dench has always been superb as M, but ever since Craig came into the series she has been a fireball as she starts out with a powerfully brazen attitude which never ever lets up. But here we see the seams in her controlled nature as the past catches up with her in an especially nasty way. Dench nails every moment she has in “Skyfall” perfectly, and she makes M an especially fascinating character to watch this time around.

“Skyfall” also has the advantage of having not just one, but two terrific Bond girls: Naomie Harris and Bérénice Marlohe. Harris, best known for her roles in “28 Days Later” and the “Pirates of the Caribbean” movies, shares a sizzling chemistry and playfulness with Craig, especially in the scene where she gives him a very close shave. As for Marlohe, she’s a knockout as she makes her character of Sévérine as enigmatic as she is beautiful. When Bond asks for the name of her employer, the look of utter fear which crosses her face is an unforgettable moment as it sets up the grand introduction of this film’s Bond villain.

The Bond villain of this piece is Raoul Silva, and he is played by Javier Bardem in a deliciously evil performance. It should be no surprise how brilliantly unnerving he is here as this is the same actor who won an Oscar for playing Anton Chigurh in “No Country for Old Men.” But when it comes to Silva, he is an especially twisted soul to witness in action. This isn’t a villain bent on world domination, but instead on avenging a betrayal which made him what he is today. Bardem actually doesn’t make his first appearance until well into the film, but he has an unforgettable entrance where he tells a story involving rats. The Bond villains always have great stories to tell, and Silva’s proves to be one of this franchise’s most memorable.

And yes, we do get to see the return of Q, and he is played here by Ben Whishaw (“Cloud Atlas”). Whishaw is splendid in the role as he skillfully underplays this classic character to where he makes it his own. Unlike the late, and still missed, Desmond Llewellyn, this Q is not quite in a position to admonish Bond on a regular basis. Whishaw, however, is able to match wits with Craig and hold his own in a way Q has not always been able to do previously, and he is a lot of fun to watch as a result.

Mendes remains a masterful filmmaker as he manages to balance out the action and the story in “Skyfall” to great effect. I also applaud him for not letting this Bond adventure turn into a clone of a Jason Bourne movie. This proved to be a big problem with “Quantum of Solace” as the shaky cam got to be a bit too much, but Mendes is perfectly aware that while Jason Bourne is Jason Bourne, Bond has been around long enough to where he doesn’t need to copy anyone. The opening sequence gets things off to a thrilling start, and it shows how Mendes has a talent for filming adrenaline pumping action scenes as he does in directing actors to great performances.

“Skyfall” also features a terrific music score by Thomas Newman and one of the best Bond theme songs in a long time performed by Adele. The title song brings back the classic Bond song sound which singers like Shirley Bassey made famous with “Goldfinger,” and it fits the movie’s story perfectly. While I miss David Arnold who has composed the scores for the Bond movies since “Tomorrow Never Dies,” Newman’s work here is exceptional as it sounds unlike any score he has done previously. It’s always a thrill to see a composer step outside of their comfort zone to do something a little different.

But another star of this film I have to single out among others is its cinematographer, Roger Deakins. While I was previously familiar with his work in “The Shawshank Redemption,” “Fargo” and “Revolutionary Road,” the lighting in “Skyfall” is infinitely beautiful to where I am certain few other cinematographers could never accomplish like he did here. Whether it is Bond’s memorable entrance in Istanbul, his time in Shanghai or the climax in Scotland, he gives us visuals no other director of photography could ever give us.

I don’t think I have ever seen a 007 movie I didn’t like, and even the worst of them prove to be very entertaining to watch. Having said that, it is such a thrill to see a Bond movie where all the elements come together in such a truly fulfilling way. “Skyfall” is not only one of the best Bond movies ever, but also one of best films of 2012. It took four years to get one to the big screen, but it was well worth the wait.

* * * * out of * * * *

‘Quantum of Solace’ – Not the Best Bond, But Not the Worst Either

WRITER’S NOTE: This review was written in 2008.

So, what’s all this talk about wanting the old James Bond back? A lot of talk from fans about the latest 007 film, “Quantum of Solace,” is that they miss the Bond who had all the gadgets, knew all the best wines, had his martinis shaken and not stirred, and always bedded the most beautiful women. Wait a second, isn’t this what we were all getting sick of after “Die Another Day?” Didn’t we want to see the Bond franchise revitalized? Isn’t that why “Casino Royale” was so damn good? That it didn’t give us the same old Bond and gave us a tough new one who you could for once say honestly was the best one since Sean Connery? Did everyone get amnesia?

Roger Ebert, in his review of “Quantum of Solace,” said he wanted the producers to remember that James Bond is not an action hero. Not an action hero? Is that what you see here Ebert? Because that’s not what I see here at all. Instead, I see a man who is devastated by loss and betrayal, and who is trying to keep his head on straight to do his duty while trying to get his revenge. Maybe when we get the next film, we can get the Bond we know back, but this one still has issues to sort through, and he is still early into his British spy career. There are still bumps in the road he must navigate through before he reaches the heights of sophistication.

“Quantum of Solace,” as I’m sure you all know by now, is not the equal of “Casino Royale” which was easily the best Bond film in years. Following it must have been daunting for everyone involved as the bar had been set higher than ever before. The early reviews for Craig’s second go around as 007 had me curbing my expectations before going to see it, but I probably should stay in the habit of curtailing my expectations in general. It is a flawed film which has several problems that might derail others, but what keeps it afloat is Craig’s great work as Bond, and how he gives us an MI6 agent who is not just going through the motions. Also, he continues to share one terrific scene after another with the always fantastic Dame Judi Dench who reprises her role as M.

This 22nd Bond film is the first in the long-running franchise to act as a direct sequel to a previous installment as it starts off just mere moments after Bond nearly shot off Mr. White’s (Jesper Christensen) leg. It also literally starts off with a bang as Bond is pursued in a high-speed chase with the minions of Mr. White right on his tail. This brings me to one of my criticisms which I kind of see as a double-edged sword. A lot of the action scenes are filmed with the same shaky camera work we expect from the Jason Bourne movies. Seeing a James Bond movie instantly remind you of Bourne is not a good sign. At the same time, it gives the action sequences here a visceral urgency to where I felt those car crashes instead of just watching them passively. I have really come to love car chases like this one.

The QUANTUM of the movie’s title refers to the new evil organization which is the SPECTRE of the new millennium. Their goal is, of course, world domination and control over everything that can be sold at a high price. As a result, the Bond villain here is a man who wants control the world’s last natural resource, but it’s not the one you might think. As played by Mathieu Amalric (“The Diving Bell and the Butterfly”), Dominic Greene speaks to the public of saving the planet from global warming, but then we see him talk to an Army general about how they managed to talk some sense into the local government about not raising the minimum wage for workers since it would, you know, cut into the profits. Basically, Dominic is like the head of Wal Mart and someone we want to see get a huge bitch slap on a regular basis, perfect for today’s Bond movie.

But as Bond villains go, Dominic Greene is far from being one of the most threatening of the bunch and he will probably not go down as one of the series’ most memorable. Still, I love the glint of anger and overconfidence Mathieu shows us in his eyes, and his work is greater proof of how some of the best screen acting can be done without saying a word. Seeing him getting pissed when Bond spoils his well laid plans is quite a kick.

The Bond girl this time around is Camille, played by Olga Kurylenko. One of the best ever? No, but she is far from being among the worst. Kurylenko’s performance during the first half is a little too stiff, and her character seems underwritten. As “Quantum” goes on, however, she gets better once her real motives are revealed to us which involve revenge against a devious military official who murdered her family. The parallel between Camille and Bond is they are both after the same thing, revenge. It makes their relationship towards the climax all the more interesting.

But the real key relationship of “Quantum” is between Bond and M. The scenes between Craig and Dench are some of the best here, and it is no love affair between these two. It’s a mother and son kind of relationship if you can picture as both are estranged from one another, and are constantly to get back on the same page with each other. M wants to trust Bond but feels as though she cannot, and Bond wants to go after the one who almost had her killed. Talk about tough love.

Dench has been playing M since Pierce Brosnan debuted as Bond in “Goldeneye,” and she has been a huge asset to this franchise. She has continued to be a strong presence and has gotten even better since Craig began portraying Ian Fleming’s iconic spy. Right from the start, the actress makes M into the kind of person who will not take bullshit from anyone no matter their government or nationality. She is a real pleasure to watch in just about anything she does, and I love how she easily intimidates her male assistants who constantly tremble in her presence.

“Quantum” also features other strong performances which need to be noted. Jeffrey Wright returns again as Felix Leiter, the first actor to play the role consecutively in close to 20 years. His cool approach to Felix is great, and hopefully we will see him playing this character again. Giancarlo Giannini returns from “Casino Royale” as Mathis, and this could have been problematic as his character had betrayed Bond previously, and having him be the only person Bond can trust could have been far-fetched to say the least. But thanks to Giannini’s performance, he makes Mathis’ presence believable in story and welcome as his sadness over the death of Vesper gets him to team up with Bond. His final scene is actually quite touching as he encourages Bond to forgive himself. These character moments never get as much credit as the stunts do in a Bond film, and this one has them to give us a rest from the visceral action scenes.

Marc Forster, best known for “Monster’s Ball” and “Finding Neverland,” takes on the directing chores this time around. He almost seems as unlikely a choice to direct a Bond as Michael Apted was when he helmed “The World Is Not Enough.” His handling of the action sequences may be confusing to some as the editing is done in a rapid-fire manner, but they are still thrilling if you can get past this. While Foster doesn’t bring anything new to this franchise, he does keep things moving at a steady pace. At under two hours long, this is the shortest Bond film ever. Given how stringent the Broccoli family is about keeping 007 confined to a certain formula, I’m not sure how much freedom Forster was given to work with on this one.

Screenwriters Neal Purvis and Robert Wade are back along with Paul Haggis who is doing his usual screenplay polish here. Their work here is not as strong as it was on “Casino Royale,” and the characters are what really made it so good as it benefited all the other elements of that film like the action sequences. “Quantum Of Solace,” on the other hand, seems to exist more for the action sequences than the story which is a little frustrating, but they do still keep the central character of Bond very interesting and complex. They deal with the different layers of 007 and keep him from becoming a one-dimensional schmuck. There is some good work here, but not everything is as fleshed out as it could have been.

I also need to point out how David Arnold has been composing the scores for the Bond franchise since “Tomorrow Never Dies.” I love how his scores really complement the action scenes in all their ferocity. I also admire how he was able to move over seamlessly from the Brosnan era to the Craig era and didn’t simply repeat the same musical themes over and over again. I ended up buying the soundtrack a couple of days before the movie was released, and it is a great listen.

Speaking of the soundtrack, I should bring up “Quantum’s” title song “Another Way to Die” which is performed by Jack White and Alicia Keys. Everybody is trashing it, but it’s actually not bad. For me, it actually sticks in the head as opposed to other Bond theme songs which go in one ear and out the other. Look, I love Sheryl Crow, but here theme to “Tomorrow Never Dies” was one of the least memorable to where I can’t remember any of the lyrics.

Yes, “Quantum of Solace” is not one of the best Bond movies, but it is far from being one of the worst (for that, see “The Man with The Golden Gun”). It has screenplay problems and some characters could have been better developed, but the things which did work won me over for the most part. And once again, Daniel Craig proves to be one of the best Bonds ever as he gives this iconic character a rough edge and dimensions which have been absent from the movies for far too long.

No, he is not the old Bond we grew up with, but I am fine with that because this one is far more interesting to me. So please stop whining about wanting the old Bond back. We may get him back in a future installment now that Bond has moved on from his revenge cycle, but at the same time, I hope Craig doesn’t lose any of the edge he has brought to the British spy.

Whatever happens from here will be very interesting even if we have to wait another few years for the next film. All the same, James Bond will return…

* * * out of * * * *

‘Casino Royale’ – James Bond Reborn and Reinvigorated

I came into “Casino Royale” with guarded expectations. When it came to the James Bond films which starred Pierce Brosnan, I found they were best enjoyed with lowered expectations as they veered to the more openly ridiculous films of the Roger Moore era. But once this particular Bond film started with something other than the standard gun barrel sequence, I quickly realized how serious the filmmakers were about reinventing and reinvigorating this long running franchise.

To put it mildly, “Casino Royale” proved to be the best Bond filmI have seen in years, and it was far and away one of the best movies of 2006. For once, we had a 007 movie which actually bothered to take itself seriously, provide us with a villain who was not going after world domination, and a Bond woman who is not just here for display. After seeing the franchise descend into self-parody for far too long, I was stunned at how much effort the filmmakers and producers put into this installment

This film also marked Daniel Craig’s debut as 007. These days, it is hard to believe many were quick to write him off and say how wrong he was for the role of Ian Fleming’s iconic character. What a joy it was to see him have the last laugh on everyone. Right from the start, Craig makes this character is own and gives Bond an edge I felt this British spy had been lacking after Timothy Dalton departed the franchise. But moreover, Craig gives Bond a shocking vulnerability to where it seemed criminal he didn’t get an Oscar nomination for his performance. Seriously, he was that good.

“Casino Royale” also marks the return of director Martin Campbell to the Bond franchise as he previously directed Pierce Brosnan’s first turn as 007 in “Goldeneye,” a film I did not give enough credit upon its release. Rather than simply repeat what he did before, Campbell paints a whole new canvas for Craig to work with, and he gives us a number of thrilling actions set pieces throughout which quickly prove to be the most thrilling this franchise has seen in some time, and they get extra support from the enthralling music score composed by David Arnold.

As I said earlier, this Bond film does not contain a villain bent on world domination, and I was thankful for this as those villains had long since become overused in this or any other franchise. Instead, we get Le Chiffre who is played by Mads Mikkelsen, an actor who has since become famous for his own interpretation of Hannibal Lecter. Le Chiffre may have an Achilles heel or two with his asthma and an eye duct which lets out tears of blood, but he is a formidable foe with his mathematical genius and brilliance at playing chess. Mikkelsen also dares to make Le Chiffre an especially vulnerable Bond villain as his immense ego gets pierced as easily as Bond’s does, and this leads to a scene of painful torture which we have not seen since “Licence to Kill.”

I also have to say how “Casino Royale” does a great job or making Poker such an exciting game to watch. Playing cards in a movie does not sound like something which would lend itself much to cinema, but Campbell milks Poker for all it is worth here to where seeing Bond stare Le Chiffre down is such an immensely satisfying delight.

Now let us go to the Bond woman of this piece as calling her a Bond girl would be an unforgivable insult. She is Vesper Lynd, and she is played by an actress as wonderful as she is beautiful, Eva Green. So memorable in “The Dreamers,” she quickly makes her strong presence known upon her first meeting with Craig on a train speeding to Montenegro. Seeing them stare one another down is a terrific sequence as this Bond film presents us with the first real love story it has had since “On Her Majesty’s Secret Service,” and this is saying a lot.

If there is a holdover from the Brosnan era, it is Dame Judi Dench who gives audiences the most intimidating version of M yet. She never took it easy on Brosnan, but she goes ballistic when it comes to Craig as his Bond just reached 007 status. Dench makes M a tough nut to crack and a superior who truly means business. If there are any vulnerabilities to this character, we do not see them here as she makes clear to Bond she is not one to be trifled with. Dench is a thrilling presence in “Casino Royale” as a result, and it made me glad she would continue to inhabit this role for a few more films.

In a sense, this franchise has come around full circle with “Casino Royale” as the producers finally got the rights to Fleming’s book after so many years. But more importantly, they came to realize that this franchise needed a serious reboot even though “Die Another Day” was an enormous hit at the box office. While I am not always a big fan of origin stories, movies like “Casino Royale” and “Batman Begins” remind me of how necessary they are and of just how good they can be.

We don’t hear Craig utter the words “the name’s Bond, James Bond” until the very end, but this is perfect as it shows how we have many great adventures to look forward to from here, and we certainly did.

* * * * out of * * * *

‘Skyfall’ Cast and Crew on Cinematographer Roger Deakins

WRITER’S NOTE: This article was originally written back in 2012.

Skyfall” has earned the respect of both critics and audiences around the world as they rightfully hail it as one of the best James Bond movies ever made. But while Daniel Craig and Sam Mendes have received tremendous praise for their terrific work, there is another man working behind the scenes who is equally deserving: Roger Deakins. Thanks to him, “Skyfall” features such unforgettably beautiful images like the assassination scene in Shanghai and the cold and barren landscape of Scotland. None of this is lost on the cast and crew as they spoke highly of Deakins’ work at the film’s press conference in Beverly Hills.

Deakins is best known for his work on many of the Coen Brothers’ movies such as “True Grit” and “No Country for Old Men.” He had previously worked with Mendes on “Revolutionary Road” and “Jarhead,” and the director attributes the look of “Skyfall” solely to Deakins.

Sam Mendes: He contributes what a great cinematographer contributes which is an unbelievable eye, an extraordinary skill in lighting, and for doing an immense amount of work in prep. (He showed) huge care and dedication from day minus 100 to the last day of timing which was only a few weeks ago. He’s a very shy man and he expresses himself through his work, and you just put a camera in front of Roger’s eye and point him in the direction of something interesting and he’s a very happy man. He’s one of the greats and it’s a privilege to have him on the movie.

Daniel Craig: There is an incredibly consistency in his work. He has a surety and you feel like it’s a Sam Mendes movie but it’s also a Roger Deakins movie as well. He has put his stamp on it, it’s not intrusive and it’s very magical.

Bérénice Marlohe, who plays the mysterious Bond girl Sévérine in “Skyfall,” spoke lovingly of Deakins and his work on this film.

Bérénice Marlohe: I have this concept that I’ve always believed in that hugely talented people are hugely humble. When I was on that set, I saw that with Sam, Daniel and him. He’s such a pure, beautiful man and just very focused on his work, and then when I got to see the movie, I would never expect that. The first thing that struck me was that mix of reality, a real story with real human beings, and with each picture it felt like you were having a journey in a dream. It was all so surprising and beautiful.

Naomie Harris, who portrays Eve, also described Deakins as being shy, humble and also added that he was quite “self-effacing.” This made him much different compared to the cinematographers she has worked with in the past.

Naomie Harris: It was a very different experience for me than working with most DPs because they can be very strong characters who really make their presence known on sets, and he’s the complete opposite. He’s really quiet and doesn’t interfere with your process at all, and he’s very respectful of actors’ spaces. For me it was an amazing pleasure to work with him.

To hear all this said about Roger Deakins makes him seem highly unique among the cinematographers of the world. I couldn’t agree more with everyone’s individual assessments of his work as the look of “Skyfall” is indeed gorgeous especially for an action movie. The greatest directors of photography have a look which is all their own and the kind you can notice right away, and Deakins has earned his place among them. Hopefully the Academy Awards will recognize his work here with an Oscar nomination when the time comes around.

Bérénice Marlohe on Playing an Especially Haunted Bond Woman in ‘Skyfall’

WRITER’S NOTE: This article was written in 2012.

French actress Bérénice Marlohe leaves quite the impression with her performance as Sévérine in the James Bond movie “Skyfall.” Like many “Bond girls” (or “Bond women” as many would prefer to call them), Sévérine is beautiful and glamorous, but she also proves to be very enigmatic as she shows a sleek confidence which soon becomes undone at the mention of her employer Raoul Silva (Javier Bardem). Marlohe is a knockout in the role, and she makes Sévérine one of the more unique and mysterious of Bond girls in this franchise’s history.

Marlohe appeared at the “Skyfall” press conference held at the Four Seasons Hotel in Beverly Hills, California to answer questions regarding her role as Sévérine. When asked what the notion of being a Bond girl meant to her, Marlohe responded about how what excited her was the mix of “male attitude of power and danger” and “a very glamorous feminine figure” this particular one had to offer.

Bérénice Marlohe: They are theatrical characters, bigger and more colorful than in life like any of the Bond characters. I sensed that I would have a lot of freedom on set, and after the experience I was happy that I could be in those iconic scenes in the casino (where she and Bond meet over a shaken martini) that you find a lot of the time in Bond movies. For me, they are very meaningful in the history of the series so I was very happy to get to be in one of them.

When asked about the audition process, Marlohe said she heard about a friend who encouraged her to go after the role, which she did.

Bérénice Marlohe: I felt so connected with the Bond universe that I spent two days in front of my computer trying to find the contact information of anyone I could possibly find who was involved with the movie. I even found Sam Mendes’ agent Facebook account! And then I found Debbie McWilliams’ (the movie’s casting director) email, and I was so happy that she saw and liked my reel. They auditioned me in Paris on two scenes from “Skyfall,” and they called me back in London and I auditioned again with Sam Mendes. And then I did the third audition with Daniel (Craig) and Sam as well as Barbara Broccoli and Michael G. Wilson, and then Sam told me I was chosen. I felt extremely peaceful and had a huge feeling of happiness in my stomach over getting the part because I felt very connected with the Bond universe. I called my father and family, and they were very happy for me.

Upon getting cast, Marlohe was determined to create “a real human being” out of the character of Sévérine. It involved a lot of digging inside herself to see what moves her as a human being, and also questioning herself about her own ancestors whom she never got to know. Being in “Skyfall” has also allowed her to speak out for causes she truly believes in as well

Bérénice Marlohe: Researching that character just had me become even more aware of the condition of the world and mainly of what happened in Cambodia years ago. I always wanted to be a voice to fight against the injustice, but I could never do that before. Now I have this ability to be heard, and I just learned that there is a very important trial going on in Cambodia where leaders of Pol Pot’s genocide 37 years ago are being judged. This is what I connected with. I wanted to be a voice for that. This is the incredible advantage I got from doing this movie; the connections I had as a human being and the revelations I had on the set.

Marlohe described her preparation as being very serious, but it was especially important to her that she be relaxed when on set. She also recalled joking around a lot with Craig on a daily basis.

Bérénice Marlohe: You have to be very relaxed and build your connections to the other actors so that it shows onscreen. The shower scene for instance, we (Daniel and I) were so relaxed that I would sing in the shower and he would be like, what? Daniel was doing some impersonations and other stuff in between takes, and the six months we worked together were like that so it was fabulous.

When it comes to Bond’s relationship with women, many still debate if he is still the love them or leave them type, or if 007 has evolved in this three movies Craig has starred in. Marlohe herself hopes that it her character’s destiny were different in “Skyfall,” a huge love story would have come about between Bond and Sévérine. Still, she describes Craig as succeeding in making Bond seem like a real human being.

Bérénice Marlohe: You can see that through his relationship with M (Judi Dench) that he has a sensitivity. They have a very beautiful and pure relationship that is very human and moving.

Some Bond girls develop a great career after they have appeared in a 007 movie while others have somehow vanished without much of a trace. Watching Bérénice Marlohe in “Skyfall” makes me believe we will be seeing a lot more of this French actress in the near future.

Naomie Harris on Portraying a Bond Woman in ‘Skyfall’

WRITER’S NOTE: This article was written in 2012.

She thrilled us as a hardened survivor in “28 Days Later” and wowed us with mystical powers in the “Pirates of the Caribbean” movies, so it was only a matter of time before English actress Naomie Harris got the chance to play a Bond girl. She finally gets the opportunity in the 007 adventure “Skyfall” where she plays Eve, an MI6 field agent who works hard at being Bond’s equal. She shares a sizzling chemistry with actor Daniel Craig in certain scenes, and it’s the kind of chemistry you want to see last for more than one Bond film.

Harris appeared at the “Skyfall” press conference held at the Four Seasons Hotel in Beverly Hills, California where she talked about her role as Eve. Being a Bond girl carries with it a weight of expectations, and some still consider a character like this to be sexist in its design. Harris was asked what being a Bond girl meant to her and she said it meant being alluring and beautiful, and she initially found it to be constraining as a result.

Naomie Harris: I usually don’t play roles like that. In fact, I don’t know if I have ever played a role like that before, so I felt confined by all those set ideals. But then a friend of mine gave me a great piece of advice which was, just forget about all of that and imagine you are a part of a low budget movie where you can do whatever you want with this role and just make it your own. And that ultimately is how I come to see Bond girls. In terms of Bond girl terminology, I think we’re just women in Bond movies and women now in Bond movies can be anything so you’re totally free to create. That’s what makes it an interesting role.

Now Bond has a reputation of loving women and leaving them, and this has made being a Bond girl seem less appealing to many people. For Harris, however, playing Eve in “Skyfall” represented an opportunity to portray a new generation of them, and it’s just as well as the Bond franchise is now celebrating its 50th anniversary.

Naomie Harris: They certainly said that to me when I auditioned. They said, we want you to create a modern woman that women can respect and admire and look up to, and this is something we’re creating that’s new and different. That was one of the reasons why I was so excited about taking on the challenge of this role.

When asked if people should say Bond girl or Bond woman, Harris replied we can call it whatever we want.

Harris was asked to audition for the role of Eve after director Sam Mendes and casting director Debbie McWilliams saw her in a production of “Frankenstein” directed by Danny Boyle. She had no idea they were in the audience, and her agent later told Harris they wanted to meet with her about being in “Skyfall.”

Naomie Harris: I had two auditions and I didn’t really take it seriously because I never ever saw myself as a Bond girl. I wasn’t really very nervous at all because I know they auditioned hundreds of girls all around the world, and I thought this is right at the beginning of their casting process so they’re not going to cast me. It wasn’t until the third audition when Sam said, “It’s down between you and just two others” that I realized this is actually serious and could actually really happen. That was the first time I got really nervous. Thankfully I got the role and largely because of Boyle because Mendes called him and asked what I was like to work with, and he gave me a glowing report.

Doing “Skyfall” gave Harris a great respect for action heroes because before this she had no idea of the amount of training which goes into getting prepared for a film like this one. Harris even said Craig would do a 15-hour day and then train for 2 hours afterwards, and she doesn’t know of anybody else who works as hard or has that dedication to a particular role.

Naomie Harris: Movies like these are emotionally and hugely physically demanding. For someone like me who’s incredibly lazy and doesn’t exercise at all, it was a big change for me to be exercising for two months before doing the movie. I was out five days a week with a personal trainer, I was on the gun range three days a week, and I was even doing stunt driving and developing all these other skills that I didn’t have before. I really got in touch with my body in a way that I never had before.

When it came to talking about working with Craig, Harris couldn’t have spoken of him more highly.

Naomie Harris: Daniel definitely remembers what it was like coming into this franchise and how intimidating and overwhelming it was for him. It’s amazing that in his third Bond movie he remembers that and he really goes out of his way to make sure that you don’t feel that weight of pressure and that it is shared. He kind of holds your hand and says ‘we’ll get through this together’ throughout the whole thing, and he is an incredibly generous man.

Talking about Craig also let Harris to tell one of the most memorable stories from that press conference.

Naomie Harris: For me the story that sums up Daniel was the first time that I met him. He was having a costume fitting and I was being walked down the hallway and I was asked whether I wanted to meet him. I was very intimidated and I thought I don’t want to bother him while he’s having a costume fitting as that wouldn’t be a great first time to meet him. So, I kept on walking down the hall and he saw me walk past, and as he ran out of his costume fitting, he hit me over the head and said, “Where are you going stupid?” And then he gave me this massive hug and said, “Welcome aboard,” and that for me really sums up Daniel because he’s incredibly down to earth and incredibly warm and also quite silly as well.

In closing, Harris leaves an everlasting impression as Eve in “Skyfall,” and this will become clearer to audiences around the world once they have seen this 007 movie. She is not your average Bond girl who pales in comparison to him, but instead one who can say she’s in many ways his equal.

Naomie Harris: Eve is very capable in the field. She is a very competent field agent but she’s working on this mission with the ultimate field agent who is Bond. She’s never going to be able to live up to him, and no man and no woman can. That’s why he is Bond and so it’s understandable that she needs a bit of help, but I was not happy about having to shoot him. I thought I really wanted to be a better shot than that.

Javier Bardem on Portraying an Unforgettable Bond Villain in ‘Skyfall’

WRITER’S NOTE: This article was originally written back in 2012.

As Raoul Silva, Javier Bardem gives us one of the most unforgettable and nastiest of Bond villains in the 007 movie “Skyfall.” But unlike other Bond villains who are bent on world domination, Silva is far more interested in seeking revenge on one of this series’ regular characters. It should be no surprise at how Bardem can play such an unnerving character to a great extent as he won an Oscar for playing Anton Chigurh in “No Country for Old Men,” but it’s the actor’s attention to character which makes his performance as Silva especially riveting.

For Bardem, it doesn’t matter whether the characters he plays are good or bad. What matters to him is if he is able to portray a character as a full-blooded human being with flaws and all.

“As long as there’s a human being behind the character, with some kind of conflict, as we all have, then it’s interesting to play anyone, whether it’s a villain, good guy, bald, long hair, tall or short,” says Bardem.

“Here there is a broken person,” Bardem continued. “What I like the most is there is a clear motive to kill. We understand he is very human and this is powerful. I was attracted to the villain because I thought he was a nice guy. I could see it in his eyes.”

In talking with “Skyfall’s” director, Sam Mendes, Bardem was told the key word regarding Silva was this one, uncomfortableness. This is a character who lives to make the skins of his opponents’ crawl, and Bardem portrays this ever so brilliantly here.

“I don’t want him to be someone that threatens somebody that’s threatening to someone. It’s about creating a very uncomfortable situation every time he talks to somebody else,” Bardem said.

There has also been a lot of talk regarding Silva’s sexuality as many wonder if this is the Bond’s franchise first homosexual villain. In a perfect world, this question would be completely irrelevant as good and bad comes in all forms, but many still cannot help but be curious. Bardem ended up using Silva’s ambiguity to his advantage.

“The character’s sexuality was part of the game,” Bardem said. “Sexuality was there as something important to create the behavior of being uncomfortable. From uncomfortableness, we brought the sense of humor.”

Bardem went on to describe Silva as being “really confident about himself in a weird way,” and that this character thinks of himself as “the most beautiful man in the world.” The actor also explained that while he wanted to make this particular Bond villain unique, he was also fully aware of how these movies were made with the fans in mind.

“You have to work on two different levels,” Bardem said. “One is to make him as real as possible. And the other is to fly a little bit higher than the rest of the characters. You are allowed to do that. Because that is what people are expecting to see when you play a Bond villain, especially since the films are turning 50 years old.”

Mendes himself went on to talk about how playing a Bond villain allows actors to create unusual kinds of characters.

“Doing a Bond movie affords you that kind of flamboyance that you can’t get in purely naturalistic movies,” said Mendes. “As an actor, you get an opportunity to do things that, frankly, are hovering a foot above the ground. They’re not rooted in reality. Javier always has a slight theatricality about him, which we just tweaked in this movie.”

The James Bond movie franchise is now fifty years old, but “Skyfall” makes it feel like it has been reborn. A lot of this is thanks to Mendes and the actors, and it says a lot about Javier Bardem and of how he has created one of the most memorable villains this series has ever seen. Raoul Silva is far from your usual one-dimensional bad guy and who is instead one who has been wronged and is actually justified in seeking revenge against those who abandoned him. As a result, Silva has more layers to him than your usual Bond villain, and Bardem more than rises to the challenge in making him one of the more complex bad guys you will ever see in this or any other motion picture.

SOURCES:

Bryan Alexander, “Javier Bardem gets in Bond’s head as ‘Skyfall’ villain,” USA Today, November 7, 2012.

Alexandra Gratereaux, “Javier Bardem on Being James Bond ‘Skyfall’ Villain: He’s a Broken Person,” Fox News Latino, November 8, 2012.

Jake Coyle, “Javier Bardem in ‘Skyfall’: James Bond Villain for The Ages?” The Huffington Post, October 23, 2012.

‘Venom: Let There Be Carnage’ is Cinematic Chaos and Lacking in Depth

I came out of “Venom” thinking its inevitable sequel (heaven forbid Marvel or Columbia Pictures lets the train stop there) was easily going to be better. The 2018 film was fun and I was willing to accept “Venom” for what it was, but I could not help but believe a better version of it could have been made. With a talented cast of artists in front of and behind the camera, “Venom: Let There Be Carnage” had the possibility of being as good as any of the recent “Spider-Man” movies or perhaps be as good a sequel as “X-Men 2.” Well, what results is is nothing more than sheer chaos which is louder than hell, and it lacks much in the way of depth. Whereas this infamous comic book character once showed a lot of promise for a cinematic adaptation or two, it now feels like a tragically lost opportunity.

We catch up with Eddie Brock (Tom Hardy) and the alien symbiote a year after the events of the first film, and Eddie is still looking for a strong comeback as a news journalist. He finds this comeback while interviewing psychotic serial killer Cletus Kasady (Woody Harrelson) who is on the verge of being executed by the state of California. Cletus wants to tell Eddie his life story before he breathes his last breath as he says, “People love serial killers.” But after Eddie and Venom get a peek at Cletus’ prison cell which contains a plethora of clues as to where buried all bodies of victims, they instead betray Cletus’ trust to where his execution gets move up. Cletus, feeling betrayed, ends up biting Eddie’s finger to where his blood quickly infects him. From there, it is only a matter of time before Cletus turns into another symbiote, Carnage.

The most memorable moments in this “Venom” sequel come near the beginning when the title character and Eddie struggle to co-exist with one another. Director Andy Serkis has cited “The Odd Couple” as a major influence on this film, and it certainly shows in the early scenes as Venom is desperate to eat and digest some human heads while Eddie struggles to keep the symbiote’s hunger at bay with chickens and a truckload of chocolate. Still, Venom is quick to physically drag Eddie all over the place to where they literally hanging off the edge of a building.

Of course, considering how messy these two are, I have to wonder who is Oscar and Felix in this relationship. The way I see it, Eddie and Venom could both be Oscar while the role of clean-freak Felix would remain unfilled. Or maybe Eddie is the Felix in this relationship as we watch him meticulously clean up all the trash Venom leaves. Then again, Eddie never seems to shave and rides a motorcycle, things Felix would never do.

Anyway, there is a great scene in which Venom attempts to console Eddie after he discovers his ex-fiancé Anne Weying (Michelle Williams) is now engaged to Dr. Dan Lewis (Reid Scott) because she says he makes her feel safe (lord only knows why). Seeing this pesky symbiote make Eddie breakfast while singing him a song is one of my favorite moments as it is truly inspired and something I did not expect to see.

But then there comes a pivotal moment when Venom, having grown tired and frustrated at Eddie for constantly wrangling him in, furiously departs his body and searches for a new host. It is then in which Eddie enjoys the first peace and quiet he has had in what must seem like ages. And that’s the thing, I enjoyed this peace and quiet too. For this sequel to have a moment a silence felt so welcome to me, and it could have used many quieter moments as well.

Before and after Eddie’s moment of comfortable solitude, “Venom: Let There Be Carnage” is sheer cinematic chaos filled with endlessly loud noises and explosions which proved to be overwhelming instead of thrilling. While Serkis doesn’t go all Michael Bay on us, and I could tell the difference between Venom and Carnage during their fight scenes, what we get is a lot of sound and fury which signifies very little. Sure, there are some laughs to be had, but the story and its characters do not have much in the way of depth.

I never felt fully engaged in any of the characters’ plights even as the world they inhabit is threatened with utter destruction. We learn of how Cletus was institutionalized as a child, and it was there he met the love of his life, Frances Barrison/a.k.a Shriek (Naomie Harris) who is soon stollen away from him. In a film like this one, a broken heart is something to be deeply feared. Still, everyone looks to be going through the motions to where I never cared much for anyone or how things would turn out. The only character I really gave a damn about was Venom as we watch him going up and down the streets of San Francisco looking for acceptance, and seeing him find it at a rave was fun, however brief it was.

Tom Hardy is a perfect choice to play Eddie Brock/Venom, but while he is certainly not bad here, he plays these characters a bit too broadly. While everyone here has gone out of their way to embrace the silliness of the previous film, I was hoping he would bring more pathos to this, but we instead just watch him suffer through all of Venom’s madness while wearing the kind of jacket and t-shirt Axel Foley wore in the “Beverly Hills Cop” movies, and it all quickly becomes tiresome and exhausting.

As for Harrelson, he makes Cletus an entertaining character but does not bring the fear and malevolence to this serial killer which I have seen him do in other films. At this point, I believe Harrelson can play anyone, be it a hero or a villain, and we have already seen him play at least one American President. But here, the screenplay by Kelly Marcel gives him only so much to work with, and he never comes across as a serious threat to the protagonists. Perhaps if Cletus was more like Harrelson’s character of Harlan DeGroat from “Out of the Furnace,” he would have been a far more enthralling antagonist.

In some ways, Naomie Harris represents the stronger adversary as she embodies Frances/Shriek in such a slyly threatening way to where when Shriek screams, the actress makes you feel the power of her scream all the more intensely. Seriously, she makes clear how Shriek can easily render you deaf or, at the very least, can give you a nasty case of tinnitus which will have you begging to be deaf. Alas, it is not meant to be as, like Harrelson, she has been given a role which was not as complex as I thought it would be.

As “Venom: Let There Be Carnage” rages on to is infinitely furious climax, I sat back in my seat wondering if a theater employee would be kind enough to turn the volume down. I was never thrilled with all the chaos being presented, and I walked out this sequel feeling rather empty and let down. While it is tempting to blame this on the weariness I have since developed for superhero movies in general (I have not been in a rush to see “Black Widow” or “Shang-Chi and the Legend of the Ten Rings”), this is simply a film which is not very good.

I figured with someone like Serkis, who should have at least 6 or 7 Oscars for his work as Gollum in “The Lord of the Rings” or as Caesar in the recent “Planet of the Apes” films, would bring a sense of wonder and imagination to this material. Instead, everything here feels average and shallow, and the endless bombast quickly becomes numbing to the senses.

As comic book characters go, Venom always seemed a must for a cinematic adaptation, perhaps even more so than Captain America. His transition to the silver screen, however, has been a bumpy and rather frustrating one. The character’s first appearance in “Spider-Man 3” was more of an after thought than anything else, and it proved to be just as disappointing as the film itself. I did like the first “Venom” film, but many did not, and I think I have a better understanding of why now. This character came with many expectations whereas Captain America initially did not, and it is no wonder as to which Marvel character had the easier time in any cinematic universe it could be a part of.

Despite some strong moments from Michelle Williams, and she is fantastic in everything she does, and a scene stealing performance by Peggy Lu as convenience store owner Mrs. Chen, there is very little I enjoyed about “Venom: Let There Be Carnage” as it feels like a poor facsimile of many superhero movies I have seen before. If there is to be a third “Venom” film, my hope is more attention will be paid to the story and the screenplay. If we should expect anything from any “Venom” film, it should be for it not to seem or feel the least bit average.

And by the way, where was Eminem’s “Venom” song? I kept waiting to hear it throughout!

* * out of * * * *

Dame Judi Dench on Making M a Central Character in ‘Skyfall’

WRITER’S NOTE: This article was written in 2012.

Skyfall” marks Dame Judi Dench’s seventh appearance as MI6 spy master M, and it gives the Oscar winning actress her biggest role yet in the James Bond franchise. Ever since her first appearance in “Goldeneye,” the same film which introduced Pierce Brosnan as 007, Dench has made the character a no-nonsense leader who considers the famous secret agent “a sexist, misogynist dinosaur” and “a relic of the Cold War.” M also shows no hesitation about sending Bond to his death if the situation calls for it, and this made the role all the more exciting for Dench to play.

“A man saying that to Bond is one thing, but a woman saying that to him was quite another,” says Dench.

Whereas M has typically remained on the periphery of the Bond movies, “Skyfall” has her playing a significant part in the film’s story. We come to learn more about M’s past as it catches up with her in the form of one of the nastiest Bond villains ever, Raoul Silva (played by Javier Bardem). Dench was understandably excited about her enlarged role in this particular 007 film as Bond struggles to protect M against Silva who has a very personal vendetta to settle with her.

“It’s very nice to be out from behind the desk,” Dench said. “It’s extremely nice to get a go in the field, as it were, and get a bit of the action. It made me feel very grown-up. It’s not just the fellas who are spinning about and shooting guns – I get a go.”

In talking about M’s backstory, Dench talked about the need for actors to create one for themselves even if it is not there in the script.

“You always have to make a backstory for yourself in order to know how to react to certain things,” Dench said. “I’ve had this backstory with two grown up daughters and everything. I knew her capabilities and I knew that she must have been through all sorts of things in order to get where she was and hold this job over a lot of chaps at MI6. So I knew her capabilities but I’m very glad they came to the fore.”

As for how she prepares for a role, especially this one which she has held onto for 18 years, Dench said it is no different from when she plays a character in the theatre.

“With M, she’s always slightly changed in each film,” Dench said. “In the first one (“Goldeneye”) naturally I would have thought out why and how this woman has gotten to this part and why she’s head of MI6. Each time you come to do it you actually learn a little bit more about her, and you supply a little bit more about her. So there’s a lot more of the relationship between her and Bond beforehand that goes into this one, but it adds a bit more because there’s more to tell.”

There’s a lot more which could be said about Dench’s role in “Skyfall,” but doing so would give away many of this film’s surprises (and there are several to discover throughout). What can be said about Dench is she will always be a tremendous acting talent we should all feel privileged to watch in anything she appears in. Perhaps the person who can sum Dench up best would be “Skyfall’s” director Sam Mendes who also had the fortune of directing her in a production of “The Cherry Orchard.”

“She was the first bona fide great actor I had ever worked with,” said Mendes. “I learned more from watching her, the way she worked, than I ever had before. She would never think of herself as a teacher. She has too much humility and too much grace to consider herself to be knowledgeable. But in fact, it wasn’t about what she said, it was about how she conducted herself, how she rehearsed, how she thought about the play, her dedication to the play and the audience, her work ethic.”

SOURCES:

Jake Coyle, “Judi Dench on ‘Skyfall’ & Her Reign as M (SPOILER INCLUDED),” The Huffington Post, November 9, 2012.

Daniel Fienberg, “‘Skyfall’ star Judi Dench enjoyed going to ‘the ammunition shed’ for the new James Bond adventure,” Hitfix, November 5, 2012.

Steve ‘Frosty’ Weintraub, “Dame Judi Dench Talks SKYFALL, Working with Roger Deakins, the Best Part of Playing M, Her Upcoming Stephen Frears Film, and More,” Collider, November 8, 2012.