Oscars 95 – The Show Can Still Put a Smile on My Face

With each passing year, I find myself getting increasingly cynical and disenchanted with the Academy Awards/Oscars. As a kid, I watched them with wonder and excitement as the winners gave such great speeches in front of an audience that adored them. But as an adult, I see more and more how the wheels spin as movie studios continue to spend millions upon millions of dollars on their Oscar campaigns in hopes of obtaining one or more of those golden statues. Let’s face it if we have not already, an Oscar win means big box office money, and everyone wants to see their films turn a profit even if those Hollywood accountants will eventually tell them they did not, news which we greet with a loud, “Bitch, please!”

Still, as I watched the 95th Annual Academy Awards which saw the return of Jimmy Kimmel as host, I found myself swept in the innocence of everything cinematic as the speeches the winners gave moved me to no end. Granted, this ceremony is essentially Hollywood’s way of congratulating itself, but sometimes they get it right with the winners (case in point: “Parasite”). Plus, it is the only awards show I bother to watch as the Emmys and the Grammys never do anything for me. As for the Golden Globes, they are enjoyable for all the wrong reasons.

Allow me to take a look at this year’s Oscars before I slip into my cynical self and discover all the things which were wrong with it. Call me naïve or woefully ignorant, I would rather celebrate this evening right now rather than lay waste to it.

Well, there were virtually no surprises as “Everything Everywhere All at Once” won the most Oscars including Best Picture. “All Quiet on the Western Front,” however, looked at one point to be the evening’s upset victor as it scored more wins than many initially suspected. But with Daniel Kwan and Daniel Scheinert’s film  walking off with key prizes at the DGA and PGA award shows, we all walked in to this one knowing who would be victorious.

Ke Huy Quan proved to be an unforgettable presence in both “Indiana Jones and the Temple of Doom” and “The Goonies” before his acting career lost speed and he went to work in film production and as a fight choreographer. His win for Best Supporting Actor was an emotional one as he spoke of how he spent a year in a refugee camp long before arriving on the stage at the Dolby Theatre in Hollywood. Here is what he also said:

“Dreams are something you have to believe in. I almost gave up on mine,” he said. “To all of you out there, please keep your dreams alive.”

Regardless of how cynical I may have become, I could not help but be moved by what Quan said as our dreams and passions are what we should be living for.

And how cool is it to finally be able to call Jamie Lee Curtis an Oscar winner? I have said this over and over, but you can put her in a god awful movie (“Virus” for example) and she will still deliver a terrific performance regardless of the material she has been saddled with. Her win for Best Supporting Actress comes on the heels of her laying waste to Michael Myers one last time in “Halloween Ends.” Granted, the Akkad family is bound to resurrect the “Halloween” franchise at some point in the future, but Curtis, as Laurie Strode, still got to have the last word.

As for Curtis’ speech, it was as moving as Quan’s as she slowly accepted the reality that she actually won an Academy Award. While many were not shocked at her taking home the Best Supporting Actress Oscar, she clearly was. Her proclamation of “I just won an Oscar” may come to rival Sally Field’s infamous one of “You like me! You really like me!”

When it comes to Best Original Song, the performances of each nominee can either be a much needed bathroom break or something spectacular which upstages the rest of the show. This year was a mixed bag when it came to that, but the winner of this category, “Naatu Naatu” from the film “RRR” brought the house down with its energetic performance as the performers and singers displayed an infinite amount of passion and audacity as they danced and sang the night away. The standing ovation which accompanied this was well deserved.

Still, when it came to the other original song nominees, Lady Gaga was not far behind with her performance of “Hold My Hand” from “Top Gun: Maverick” which proved to be both emotional and rousing. Moreover, while she came into the Dolby Theatre looking as glamorous as anyone else, Lady Gaga performed this song sans makeup and in a dark t-shirt which made her rendition of this song infinitely remarkable and wonderfully defiant.

I got to interview Michelle Yeoh a few years ago when she was doing press for “Crouching Tiger Hidden Dragon: Sword of Destiny,” and she look fabulous and was great to talk to. I was reminded of this during her speech when she won Best Actress for “Everything Everywhere All at Once” as she gave us some of the most memorable lines of the evening:

“Ladies, don’t ever let anyone tell you that you are past your prime.”

“For all the little boys and girls who look like me watching tonight, this is a beacon of hope and possibility.”

No one can ever forget the inevitable “In Memorium” segment which pays tribute those who have since passed away, and which also infuriate so many who get deeply angered over who got omitted (speaking of which, what about Richard Belzer?). Having John Travolta introduce this segment seemed both appropriate and highly emotional as two of his co-stars, Olivia Newton John and Kirstie Alley, died after their long fights with cancer, and the death of his beloved wife Kelly Preston still hangs heavy on him. Lenny Kravitz pulled off a memorable performance as the names of the deceased were unveiled before us. Was anyone left out? Probably, but I will let others get into that. I do not have the energy to do it here.

And when it comes to predestination, Brendan Fraser’s win for Best Actor in “The Whale” was an inescapable certainty. Everyone loves a comeback, and no one could seem to get enough of his performance as a morbidly obese man desperate to restore his relationship to his daughter. Some will say there are no absolutes in life, only in vodka, but there was little doubt Fraser was going to take home the prize. And even after all the accolades he has received thus far, he remained as emotional as he was on the WTF Podcast with Marc Maron as he thanked director Darren Aronofsky for “throwing me a creative lifeline and hauling me aboard.”  That is quite the compliment.

It is moments like these which quickly remind me of why I love watching the Academy Awards/Oscars. Regardless of the ridiculously competitive races Hollywood studios participate in, and whether or not you believe these winners even deserve to be nominated, I cannot help but love how thrilled the winners are to have reached such a penultimate recognition. History is always being made, and careers are being rewarded to where I cannot and do not want to deny that dreams can come true. Even if they do not come true for everyone, it always provides a beacon of hope we all need and thrive upon in this crazy realm known as show business.

Even as I still wonder if the Oscar campaign tactics of the Weinsteins are still being utilized by others, there is still a special place in my heart for the Academy Awards. Even if they seem more political than anything else, watching them still makes my spirits rise even when they seem too low down. Now please excuse me as I have to end this article before the things which pissed me off about this year’s Oscars rise to the surface…

…Okay, there a couple of things. I mean seriously, did we really need Halle Bailey and Melissa McCarthy introducing the new trailer for Rob Marshall’s take on “The Little Mermaid?” This struck me as crass commercialism as the producers have better things to do than promote upcoming films during this ceremony. Besides, if they are going to show a trailer for that, what about other studio releases? What is so special about Disney that they get to promote yet another live action remake of one of their famous animated classics?

As for the tribute to Warner Brothers on its 100th anniversary, someone needs to do a little more research as some of the movies they showed originated under MGM, not Warner Brothers. Even Bugs Bunny was rolling his eyes at this, and yes, he did this while in drag.

Okay, that is all for now.

Ronald Krauss and Kathy DiFiore on the Making of ‘Gimme Shelter’

WRITER’S NOTE: This interview took place in 2014.

Gimme Shelter” gives audiences one of the most intimate looks at life inside a shelter for those in need they could ever hope to see. It stars Vanessa Hudgens who turns in an astonishing performance as Apple Bailey, the child of an abusive and drug addicted mother. At the film’s beginning, Apple runs away from home and seeks out her biological father, a Wall Street banker named Tom Fitzpatrick (played by Brendan Fraser) who does what he can to help her out, but she ends up running away upon discovering she’s pregnant, and because Tom isn’t excited about her wanting to keep the baby. After a couple of nights on the streets and a nasty car accident, Apple finds her way to a shelter for young pregnant women run which is run by a spiritual woman, and it is there that she begins to feel a sense of hope for the first time in her life.

“Gimme Shelter” was written and directed by Ronald Krauss who actually spent some time in an actual women’s shelter run by Kathy DiFiore, a once homeless woman who eventually turned her life around and founded Several Sources Shelters which is dedicated to helping women in need. Krauss’ original plan was to make a documentary out of all the interviews he did with residents of the shelter, but in an attempt to show the world of the importance of the work DiFiore has done and to keep her legacy going, he decided to make a feature length movie instead.

I got to meet with Krauss and DiFiore during a roundtable interview at the “Gimme Shelter’s” press day held at the SLS Hotel in Beverly Hills, California. It was especially nice to see DiFiore there as she does not do a lot of publicity. DiFiore talked about why she decided to let Krauss make this movie which was inspired by her work. Krauss went into detail about his experiences at the shelter, and he also explained how he came to cast Hudgens in the lead role.

Question: How are you?

Kathy DiFiore: Good but a little tired. I’ve never been to so many interviews (everyone laughs).

Question: Welcome to our world. So, what did you think when this guy (Ronald Krauss) shows up on your doorstep? I guess you’re used to having people show up on your doorstep, but this guy…

Kathy DiFiore: Usually they’re pregnant women (laughs).

Question: Yeah right. This guy shows up and I doubt it went like, “Uh, can I stay here because I’m doing research for a movie.” But how did you feel when he proposes the idea of doing a movie based on your thing?

Kathy DiFiore: Well, it didn’t happen that way. It happened more like he was visiting his brother who happens to live a mile and a half from the shelter, and he had heard about my work through a friend of a friend of a friend of a friend of a friend, and he volunteered. It was Christmas time and I let people come in to volunteer all the time, especially someone that has the talents he has. He eventually said, “Maybe I could film some of what you’re doing” which I wasn’t fond of because of the $10,000 fine. I didn’t want any publicity. I thought, let me just go quietly. No public relations. Over the course of time, and it took several months as he was doing the work speaking with the young mothers and they got to know him, they would come to me and tell me how much they respected him and how much he respected them. He felt they were giving him private information, but he was treating them with such dignity. You don’t hear those types of words coming out of the women that come to me. They’ve been abused and abandoned and are really confused by so many, particularly men, in their lives. And then I heard a little voice inside my head, I’m a very prayerful woman and I was asking God for guidance, and I heard, “Trust him.” And when I heard “trust him,” it kept going on. Trust him, trust him, trust him. I thought, okay holy spirit, okay, and then he and I talked about some of the things he looked at.

Ronald Krauss: I didn’t really have any sort of agenda when I met Kathy. I wasn’t really setting out to make a film. It just so happened that her shelter was a mile from my brother’s house and it was at Christmas time. Usually during the holidays I’m, like a lot of people, at food banks or something or shelters just reaching out to people who are less fortunate. I remember the first time I was there visiting Kathy and walked into that shelter for the first time and saw mothers and children walking around and it was really fascinating. It’s exactly what you see in the film because we shot the film at the real place. I had learned that Kathy had not done any publicity in her work. For the last 30 years she remained anonymous other than when she started with the $10,000 fine, and that was news of a woman who was homeless and was trying to give back to society by turning her own home into a shelter. The state came down on her, and that’s a whole other story. She reached out to Mother Teresa, and Mother Teresa came by her side and together they changed the laws in the state of New Jersey, and she was honored in the White House with Ronald Reagan. I learned all of this which was fascinating and I was sort of intrigued by her, but I was more intrigued by… the young women that struggled and were finding their way in life and the woman that was sort of selflessly helping them with her work in this shelter and five shelters she has now; some just for homeless women and some for teenagers and different things. My first thing was to sort of really help her organize so that her legacy and her work would continue. I didn’t realize that I was planting the seeds for a film that I was really trying to say that people need to learn about your work. I was thinking at first that I was going to document her work just for her own purpose so people could find out later. With any device that I found there, and I actually borrowed her camera, I started to interview the girls and record the girls and go through her boxes and look at all her old videotapes. It was a lot of stuff. I started filming one girl after the next, one after the next, interview and asking where they were from, how they ended up here, where’s their parents, where’s all these things and the tapes started piling up. I would put them in Kathy’s office in the back, and before I know it there was a whole stack of tapes of these girls and their stories and they were all very similar. They were all stories of abuse and neglect and abandonment. It was both something like a bad mother, bad father, nobody cared and the thing they had in common is that they didn’t pick this life. They didn’t pick these parents. They didn’t pick up parent who was a drug addict or an alcoholic, it just happened. And what do people do when these things happen? They just get abused and they struggle in life, and they think there’s no hope. A lot of times the will of the parents and the people who are bad, it gets thrown onto the kids and they become angry and bitter and they fight and rebel and they run away and become homeless, and so it’s a vicious cycle. I think the turning point of the whole thing for me was I kept going back and back and weeks were passing and peoples’ lives were passing through my life, and they were touching me but I was sort of a little bit removed in a sense. Then one day I showed up at the shelter at about 7 o’clock at night and there was a young girl standing there in front of the shelter; an African American girl about 18 years old. It was about 15 degrees out, she had no jacket on and she was just standing there and I said, “Can I help you? Why don’t you come inside? What are you doing out here?” I thought she lived in the shelter but she didn’t and she thought I worked there and I didn’t obviously work there, so we were kind of misleading each other. Then Kathy shows up and I’m standing in the living room with this girl and Kathy says, “Who’s this girl?” And I said, “I don’t know. She was in front of the shelter.” And she comes over and says, “Never let anybody in the shelter. These are the rules here.” She kind of dug into me a little bit, you know? And I was like, “Okay but this girl, she didn’t have a place to go. She’s by herself, she doesn’t have a jacket, she has nothing.” And she says, “Let me talk to her.” Kathy’s very seasoned obviously and knows what to look for in these people because they could be deceiving, and she interviewed her and she came back to me and said, “It just so happens that we have one bed left in the shelter. Why don’t you tell this girl that she could stay here.” And so I went up to her, her name was Darlecia, and I said, “Hey Darlecia, they have an extra bed here for you to stay. You can stay here” and this girl… I’m sorry (Ronald started to get teary eyed) … Anyway, this girl, she hugged me so hard that she almost knocked me over.

Question: Is she the one that you based Vanessa Hudgens’ character on?

Ronald Krauss: Yeah. It was a jolt into my heart about that there were many young girls like this out there and that could use help. That’s what inspired me and made me think if I was to make a film it could create awareness for other people. I asked Kathy about it and she said absolutely not, of course. And then time went on and she came to me and said, “You know the girls really respect you and trust you in terms of the care of what you’ve been doing, and perhaps you’re right. Maybe some sort of film could really help to spread the word that shelters like this exist and that other people can be kind, and maybe someone will open a shelter if they see a film like this.” But no one ever anticipated it would be a film like this.

Question: What made you choose Vanessa Hudgens for the role of Apple Bailey and what was it like to work with her?

Ronald Krauss: I never thought that a Hollywood actress could really play the role like this after living there for like a year. I lived there for a year writing this script. And there are a lot of famous actors that wanted to do it and had auditioned and some of them were really well known, and then someone mentioned Vanessa Hudgens and I didn’t really know who she was. I met with her and she was very passionate to play this role. She believed in herself that she could really do it. There was something inside of her. She turned in a great audition, she was persistent, and the turning point was that I had taken all the auditions, there was about seven or eight that I liked, and I sent them to the shelter. I didn’t tell them who I was thinking about. And when they saw the link of the girls, they unanimously picked Vanessa. They said this is the girl who should play this part, and that was the confirmation. She dove into this thing, she lived in the shelter, cut her hair off, she gained 15 pounds and besides the physical transformation, she transformed inside and she bonded with Kathy and the girls and they trusted her and they opened up to her.

Question: Kathy, what did you think of the final film?

Kathy DiFiore: (It’s) perfect. It still makes me cry when I watch it. There are women who have left Several Sources that want to come and see it and I can’t wait for that. It’s a legacy for us.

“Gimme Shelter” is now available to own and rent on DVD, Blu-ray and Digital.