WRITER’S NOTE: This review was written back in 2012.
David Koepp’s “Premium Rush” is the best cycling movie in some time. Come to think of it, when was the last time a cycling movie was made and released? I keep thinking it was Hal Needham’s “Rad,” but that came out in 1986. There’s also no topping the classic “Breaking Away,” the cycling movie many aspire to be like. There was also “American Flyers” which was released in 1985 and was written by Steve Tesich, the same one who wrote the screenplay for “Breaking Away.” But when it comes to “American Flyers,” I think its fantastic music score easily upstaged the film itself.
Anyway, none of that matters because “Premium Rush” delivers the goods like any cycling film should, and it does so with terrific acting, sharp writing and what looks like the real thing with a wonderfully severe lack of CGI as we watch these daredevil bike messengers throttle their way through the insanely busy streets of New York City.
Joseph Gordon-Levitt stars as Wilee, one of the very best bicycle messengers in New York who gets things to where they need to be and on schedule. Of course, this requires him to travel at breakneck speeds through busy traffic where a car can break down at the most inconvenient time, and he also has to deal with various members of the NYPD who have it in for him and others in his line of work. One other thing, Wilee’s bike of choice has only one gear, and he’s taken the brakes off of so that nothing will slow him down. Seriously, that is how he rolls.
Taking this into account, I wonder if Wilee has a death wish or if he’s just an adrenaline junkie. What we do learn about him is that he came close to becoming a lawyer, but the idea of sitting behind a desk in some office did not appeal to him in the slightest. Of course, it probably wouldn’t appeal to anyone who has seen “Office Space.”
His ex-girlfriend, Vanessa (Dania Ramirez), however, entertains thoughts of working in an office as she doesn’t want to be a bike messenger forever, and that’s even though she says it beats waiting tables. There’s also Tito (Anthony Chisholm) who doesn’t let his advanced age make him any less useful in this line of work (nor should it by the way), and Manny (Wolé Parks) who competes with Wilee not just on a bike but for Vanessa as well.
On this one particular day in which this movie takes place, Wilee is delivering a package that has caught the attention of NYPD cop Bobby Monday (Michael Shannon). Now Bobby wants what Wilee has, but while Wilee is not always one to obey the rules of the road, he does follow the strict guidelines of his job which states messengers will not hand over the package they are delivering to anyone other than who it is meant for. As a result, Bobby begins chasing Wilee down as we find out that this NYPD cop, like any other stupid gambling addict, has a ridiculously high debt to pay off.
The film’s director, David Koepp, is best known as a screenwriter, having written such exciting movies like “Jurassic Park,” “Spider-Man” and “Panic Room.” Along with co-writer John Kamps, Koepp has great fun telling the story of “Premium Rush” in a non-linear fashion. The story goes back and forth in time as the characters’ actions are made very understandable and given more depth throughout. This way of storytelling may alienate certain audience members, but I liked it as it plays around with our perceptions of what we believe to be true. Just when you think you know what’s going on to happen, something comes along which obliterates your predictions.
As a director, Koepp has had varying degrees of success with movies like “The Trigger Effect,” “Stir of Echoes” and “Secret Window,” but here he manages to keep the action exciting and never lets it drag for a second. It also helps that the cycling we see here is done for real, and it makes me wonder how it was choreographed and who these stunt people are. Clearly, they dared to pedal fast while cars come at them in various directions, and even the best cyclists have to be scared in these situations.
Now people may debate about whether or not “Premium Rush” might serve as a recruitment gig for bike messengers, but it also shows how painful it can be when you crash into something, and odds are you will. There’s also a scene during the end credits which shows Levitt’s arm all bloody after he hit the back window of a taxi cab, and that makes up for the lack of a disclaimer.
Levitt has had great success in the last few years with “(500) Days of Summer,” “Inception” and “The Dark Knight Rises,” and he is fantastic here as a character named after that coyote who chased the Road Runner endlessly. This role could have been given to some actor who would have annoyed us with their overwhelming ego, but Levitt makes this character likable despite his insane bike-riding habits.
You also have ace character actor Michael Shannon on board as an undeniably dirty cop. It doesn’t matter what movie he’s in because Shannon never disappoints in giving us a great performance. As Bobby Monday, he makes what could have been a mere one-dimensional villain all the more colorful and threatening. We have seen corrupt cops like this one in so many different movies, but Shannon makes him seem more intriguing than what must have originally appeared on the written page.
The rest of the cast includes Dania Ramirez (whom you may remember as AJ’s girlfriend on “The Sopranos”) to the always entertaining Aasif Mandvi, and they succeed in making this movie all the more entertaining to watch. The action is also given an exciting and propulsive score by David Sardy and a beautifully sunny look by cinematographer Mitchell Amundsen. Heck, watching this movie makes you very sweaty even if you are viewing it in a theater or in the comfort of your air-conditioned home.
“Premium Rush” is nothing spectacular, but it is fun to watch. It’s a shame it did not do better business at the box office, but Columbia Pictures did kind of screw up its release. Watching it reminds those of us who do not ride bikes anymore how much fun and very dangerous cycling can be. If nothing else, it does make wearing a helmet while riding a bike far more appealing than it ever has been in the past.
* * * out of * * * *