The Pablove Runners Return to Griffith Park

Pablove 2019 Week Three 1

The air has cleared up to a certain extent, in Southern California anyway, so we Pablove runners were reunited on a misty Saturday morning for our latest run. Full marathoners were tasked with running six miles while those running a half-marathon only had to pound the pavement for three. After a week which saw Californians all over battling out of control fires which laid waste to far too many homes, doing any kind of exercise was a great way to deal with the anxiety brought on by catastrophes of all kinds which have become far too common in the United States of America.

It’s only marathon training which cab get me up out of bed so ridiculously early on a Saturday morning. Usually it takes me forever to haul my ass out of bed, but I woke up a good half hour before my six o’clock alarm was set to go off. I had a cookies and cream Promax bar which tasted a little weird when compared to the usual chocolate chip cookie dough bar I buy from the supermarket. I covered the important parts of my body with petroleum jelly as I had run out of anti-chafe cream, and I sprayed more Neutrogena sunblock over my body than I needed to as the sun was obscured by fog among other things.

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As I drove to Griffith Park, I played the new 40th anniversary edition of The Beatles’ “White Album” which features a new sound mix by Giles Martin, son of the late George Martin. Playing this new mix on my car stereo is aural perfection as Giles makes it sound like I am right in the middle of the studio with John, Paul, George and Ringo as they play their hearts out from one song to the next. I put on the second disc which features one of my all-time favorite Beatles songs, “Birthday.” I first heard this song when it was performed by The Rock-a-Fire-Explosion Band back at Showbiz Pizza Place in Marietta, Georgia years ago, and it took a long time for me to realize it was originally a Beatles song.

In retrospect, I should have played the first disc of the “White Album” as songs like “Back in the U.S.S.R.” and “Ob-La-Di, Ob-La-Da” would have pumped me up a bit more. Actually, I should have played John Carpenter’s score to “The Fog.” Every time I see fog or heavy mist surrounding the towns I happen to be in, the main theme from that movie immediately starts playing in my head.

Coach Joaquin’s main message to us this morning was to remain consistent in our training. Each week, we need to run a number of miles to increase our endurance for the big day. It gets to where two maintenance runs of 30 to 45 minutes each may not be enough, and Joaquin encouraged us to keep in shape and workout in any way we can. One of my fellow runners admitted she was unable to get any maintenance runs in this past week as she was tremendously busy with work. That’s the problem, life keeps getting in the way of everything we want and need to do.

Pablove 2019 Week Three 2

This run was confined to Griffith Park, and I decided to run at a 2:2 pace as I had the previous Saturday. My goal was to keep my fellow runners in my sights, and I actually managed to do this for a time. The start of this run had us running up the backside of Griffith Park, and this hill is one which constantly knocks the wind out of even the most experienced of runners. Coach Joaquin encouraged us to shuffle up the hill as running up it would be counterproductive among other things. As I attempted to ascend this hill, I kept thinking of the song “Harlem Shuffle” which was used to great effect in Edgar Wright’s movie “Baby Driver,” and it kept me from over exerting myself.

When I reached the one-mile sign, I could not help but feel astonished. I had only run just one? It felt like I just ran two, and now I had to turn around and run several more. Regardless, I watched my speed as I ran downhill. If I were on a bike, I would revel in my ability to decrease the altitude I was at, but as a runner I have long since known that increasing my velocity would also increase the odds of me injuring myself. Yes, there is a brain in this very large head of mine.

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As the Pablove runners began heading in the other direction, the two in front of me decided to cut their run short, and once again I was all by myself. I managed to keep up with the 2:2 pace for the most part, determined not to keep my coaches waiting too long for me to return. As I approached the turn around point, I met up with the other Pablove runners who kept encouraging me to keep it up, and I was convinced I would switch directions in no time.

Now this is an especially tricky situation in regards to running, the thought it will soon be over. When this happens, time suddenly becomes much slower to where you wonder if someone moved the turn around sign or if your friends will prank you by moving the finish line away as you rapidly approach it. A certain panic runs over me as I begin to think I have run too far, and situations like these have me almost flagellating myself. Stupid, stupid, stupid!

Fortunately, I did run into Coach Joaquin at one point who ran with me to the turn around point which was marked by an old Team to End AIDS sign. We ran together for a bit, and then he went on ahead to pick up any signs left over. Once again, I was the last runner to finish, but hopefully I can speed things up before the big day in March.

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Why do I keep coming back to train for this marathon? Well, I guess there’s always the chance of improving my performance, the need to lose this spare tire I keep carrying around on my stomach, and when those endorphins kick in, I feel a lot better about myself than I usually do. Still, life gets in the way and there’s only so much exercise I can get in during the week. This time, I need to exercise more regularly. I have long missed the days when I was a svelte individual. Here’s hoping I can experience them again very soon.

WRITER’S NOTE: I m running this marathon in support of The Pablove Foundation which continues to fight for a cure to pediatric cancer. I am determined to raise $1,500, and any support you can give me will be greatly appreciated. Please click here to make a donation (tax-deductible of course).

 

Beyond Fest Returns with a Vengeance to Hollywood

Beyond Fest 2017 Poster Art JPG

The most popular genre film festival in the United States, Beyond Fest, is finally back in Hollywood, and movie fans could not be more excited. Starting on September 29th and going through October 10th, Beyond Fest will be reveling in cinematic madness at the Egyptian Theatre in Hollywood with screenings of classic movies and West Coast premieres of new ones, so you can expect a great 12 days of wonderful mayhem featuring special guests and restored versions of movies which were always meant to be seen on the silver screen. Co-produced by Shudder, the festival aims to raise funds for the non-profit American Cinematheque.

Among the most anticipated events this year will be Dario Argento’s “Suspiria” which will be presented in both its 4K restoration and its 35mm Italian cut. Argento will be making an appearance for this along with Udo Kier and Barbara Magnolfi. Arnold Schwarzenegger will also be on hand for the 30th anniversary of two of his most famous films, “Predator” and “The Running Man.” Two of horror’s greatest directors who passed away this year, George Romero and Tobe Hooper, will be honored with screenings of their most famous movies, “Night of the Living Dead” and “The Texas Chainsaw Massacre.”

As for those new movies making their premiere at the festival, they include “Brawl in Cell Block 99” directed by S. Craig Zahler and starring Vince Vaughn, “The Killing of a Sacred Deer” which is Yorgos Lanthimos’ follow-up to “The Lobster,” and the first couple of episodes of the Amazon Prime series “Jean-Claude Van Johnson” which, of course, stars Jean-Claude Van Damme, the Muscles from Brussels.

Tickets are now available through American Cinematheque and Fandango, and you can keep up with the festival’s latest developments on Facebook, Twitter, and their website.

Here are the movies being shown at Beyond Fest 2017:

BABY DRIVER

Director: Edgar Wright

Country: USA

Runtime: 102 min.

Year: 2017

GUESTS: Edgar Wright & Walter Hill in Person

 

BAD BLACK (free screening)

West Coast Premiere

Director: Isaac Nawibana

Country: Uganda

Runtime: 60 minutes / Year: 2016

 

BATMAN: MASK OF THE PHANTASM

Directors: Bruce Timm, Eric Radomski

Country: USA

Runtime: 76 min.

Year: 1993

GUESTS: Andrea Romano plus voice actors TBA in Person

 

BEST F(R)IENDS

World Premiere

Director: Justin MacGregor

Country: USA

Runtime: 95 min.

Year: 2017

GUESTS: Tommy Wiseau, Greg Sestero and Justin Macgregor in Person

 

BRAWL IN CELL BLOCK 99

West Coast Premiere

Director: S. Craig Zahler

Country: USA

Runtime: 132 min.

Year: 2017

GUESTS: S. Craig Zahler, Vince Vaughn and Udo Kier in Person

 

DOUBLE IMPACT

Director: Sheldon Lettich

Country: USA

Runtime: 110 min.

Year: 1991 / 35mm

GUEST: Jean-Claude Van Damme and Sheldon Lettich in Person

 

THE DRIVER

Director: Walter Hill

Country: USA

Runtime: 90 min.

Year: 1978 / 35mm

GUESTS: Edgar Wright & Walter Hill in Person

 

HELLRAISER

Co-presented with Death Waltz Records + Friday Night Frights

Director: Clive Barker

Country: USA

Runtime: 94 min.

Year: 1987 / 35mm

 

ICHI THE KILLER – Digital Restoration

West Coast Premiere

Director: Takashi Miike

Country: Japan

Runtime: 129 min.

Year: 2001

 

HOWARD THE DUCK – 70mm

Director: Willard Huyck

Country: USA

Runtime: 110 min.

Year: 1986

GUESTS: Lea Thompson in Person

 

JEAN-CLAUDE VAN JOHNSON – Episodes 1 & 2

Presented by Amazon

World Premiere

Director: Peter Atencio

Country: USA

Runtime: 60 min.

Year: 2016

GUESTS: Jean-Claude Van Damme, Peter Atencio, Dave Callaham, Kat Foster, Moises Arias.

 

THE KILLING OF A SACRED DEER

West Coast Premiere

Director: Yorgos Lanthimos

Country: UK, Ireland

Runtime: 109 min.

Year: 2017

 

MAYHEM

West Coast Premiere

Director: Joe Lynch

Country: USA

Runtime: 86 min.

Year: 2017

GUESTS: Joe Lynch and cast in person

 

NAPOLEON DYNAMITE – THE BOOTLEGGED EDITION

Theatrical Premiere

Director: Jared Hess

Country: USA

Runtime: 96 min.

Year: 2004

GUESTS: Cast and crew in person

 

NIGHT OF THE LIVING DEAD – 4K Restoration

West Coast Premiere

Director: George A. Romero

Country: USA

Runtime: 96 min.

Year: 1968

GUESTS: Mick Garris & Masters of Horror in Person

 

OPERA (aka TERROR AT THE OPERA)

Director: Dario Argento

Country: Italy

Runtime: 100 min.

Year: 1987

GUESTS: Dario Argento in Person

 

PHANTOM OF THE PARADISE

Co-presented with Creature Features

Director: Brian De Palma

Country: USA

Runtime: 92 min.

Year: 1974

GUESTS: Paul Williams in Person

 

PREDATOR

Director: John McTiernan

Country: USA

Runtime: 107 min.

Year: 1987 / 35mm

GUESTS: Arnold Schwarzenegger in Person

 

RAWHEAD REX 4K Restoration

Co presented with Cinematic Void and Friday Night Frights

West Coast Premiere

Director: George Pavlou

Country: USA

Runtime: 89 min.

Year: 1986

 

THE ROOM

Director: Tommy Wiseau

Country: USA

Runtime: 99 min.

Year: 2003

GUESTS: Tommy Wiseau, Greg Sestero and Guests in Person

 

THE RUNNING MAN

Director: Paul Michael Glaser

Country: USA

Runtime: 101 min.

Year: 1987 / 35mm

GUESTS: Arnold Schwarzenegger in Person

 

SUSPIRIA – 4K Restoration

Los Angeles Premiere

Director: Dario Argento

Country: Italy

Runtime: 100 min.

Year: 1977

GUESTS: Dario Argento, Udo Kier, Barbara Magnolfi in Person

 

SUSPIRIA – 35mm Italian Cut

Los Angeles Premiere

Director: Dario Argento

Country: Italy

Runtime: 98 min.

Year: 1977

GUESTS: Dario Argento and Barbara Magnolfi in Person

 

THE TEXAS CHAINSAW MASSACRE

Director: Tobe Hooper

Country: USA

Runtime: 83 min.

Year: 1974

35mm

GUESTS: Mick Garris & Masters of Horror in Person

 

SHUDDER THEATRE (at Egyptian Theatre)

78/52 (Free Screening)

West Coast Premiere

Director: Alexandre O. Philippe

Country: USA

Runtime: 91 min.

Year: 2017

 

BEFORE WE VANISH (Free Screening)

West Coast Premiere

Director: Kiyoshi Kurosawa

Country: Japan

Runtime: 129 min.

Year: 2017

 

BETTER WATCH OUT (Free Screening)

West Coast Premiere

Director: Chris Peckover

Country: Australia, USA

Runtime: 85 min.

Year: 2016

 

COLD HELL (Free Screening)

West Coast Premiere

Director: Stefan Ruzowitzky

Country: Austria

Runtime: 92 min.

Year: 2017

 

THE GRAPES OF DEATH AKA Les Raisins de La Mort (Free Screening)

Director: Jean Rollin

Country: France

Runtime: 90 min.

Year: 1978

 

HAUNTERS: THE ART OF THE SCARE (Free Screening)

West Coast Premiere

Director: Jon Schnitzer

Country: USA

Runtime: 88 min.

Year: 2017

 

JAILBREAK (Free Screening)

West Coast Premiere

Director: Jimmy Henderson

Country: Cambodia

Runtime: 92 min.

Year: 2017

 

LES AFFAMES (Free Screening)

West Coast Premiere

Director: Robin Aubert

Country: Canada

Runtime: 100 min.

Year: 2017

 

MOHAWK (Free Screening)

West Coast Premiere

Director: Ted Geoghegan

Country: USA

Runtime: 91 min.

Year: 2017

 

MY FRIEND DAHMER (Free Screening)

West Coast Premiere

Director: Marc Meyers

Country: USA

Runtime: 107 min.

Year: 2017

 

REVENGE (Free Screening)

West Coast Premiere

Director:  Coralie Fargeat

Country:   France

Runtime:  108 min

Year:  2017

 

SEQUENCE BREAK (Free Screening)

West Coast Premiere

Director:  Graham Skipper

Country:   USA

Runtime:  108 min

Year:  2017

GUESTS: Graham Skipper, Cast and Crew in Person

 

THE SLUMBER PARTY MASSACRE (Free Screening)

Co-presented by Etheria and Cinematic Void

Director: Amy Holden Jones

Country: USA

Runtime: 77 min.

Year: 1982

GUESTS: Amy Holden Jones in Person

Double Feature with SLUMBER PARTY MASSACRE II

 

THE SLUMBER PARTY MASSACRE II

Co-presented by Etheria and Cinematic Void

Director: Deborah Brock

Country: USA

Runtime: 77 min.

Year: 1987

GUESTS: Deborah Brock in Person

Double Feature with SLUMBER PARTY MASSACRE